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Showing posts with label Bilson. Show all posts
Showing posts with label Bilson. Show all posts

THE SKED'S PILOT + 1 REVIEW: "Hart of Dixie"



A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.


Previously... on HART OF DIXIE:  Dr. Zoe Hart (Rachel Bilson) is your basic hard-driving, super-ambitious young New York doctor, a bit puzzled by the fact that an elderly solo practitioner from the wilds of Bluebell, Alabama, Dr. Harley Wilkes, who had approached her with hearty compliments at her medical school graduation, has stayed in touch ever since, repeatedly asking her to join his practice.  When Zoe is rejected from her cardio-thoracic fellowship and told she needs to develop some bedside manner, she goes down to Bluebell, only to find out that Harley is dead and has left her his half of his practice.  It turns out there's a reason for this--as she discovers at the end of the pilot, Zoe is actually Harley's illegitimate daughter.  She decides to stay in Bluebell, and quickly makes the acquaintance of many of the notable townspeople, particularly mayor and former NFL star Lavon Hayes (Cress Williams), bad-boy bartender Wade (Wilson Bethel), with whom she promptly hooks up, and good-guy lawyer George (Scott Porter), who inconveniently is engaged to high-strung belle Lemon (Jaime King).  In case Lemon wasn't going to hate Zoe anyway, she's also the daughter of Brick (Tim Matheson), who shared Harley's practice and wants nothing more than to drive Zoe out of town.


Episode 2:  The biggest change in HART OF DIXIE from its pilot doesn't hit until the end of the second episode:  Nancy Travis, who played Harley's nurse and Zoe's mentor in the medical practice, was also Tim Allen's wife in the Last Man Standing pilot, and her contractual obligations to that show were in 1st position to this one, so this episode marks her exit.  (Her departure isn't handled particularly well, with an unconvincing "Hey, sorry I didn't tell you I was leaving town" scene at the end of the episode.)  It's unclear how or whether her character will be replaced.

Apart from that, the first regular episode of the series, written by series creator Leila Gerstein (Josh Schwartz of Gossip Girl, Dixie's Monday mate on the CW, is a producer here but doesn't write) and directed by pilot director Jason Ensler, is more of the same.  The show has one definite asset:  Bilson, who's as appealing and likable a lead actress as there is on TV.  Luckily, the show's concept forces her to be in virtually every scene of the series.  And there are moments when Gerstein achieves a version of the kind of Gilmore Girls charm the show seems to be reaching for.  But it's not reaching hard enough:  every episode can't, in the same backwards-condescending manner, require Zoe to appreciate the down-home warmth of Bluebell and its inhabitants, while she proves to them all that, while a New Yorker, she's also a human being.

The episode introduced a new continuing plot point, which is that under Harley's partnership agreement with Brick, Zoe will have to bring in enough patients to cover 30% of the total practice revenues, or Brick can buy her out.  Since at the moment everyone in town except Lavon, Wade and George has contempt for her, this will be a challenge, but considering that the show's storyline will require it, we can expect she'll manage to meet the obligation.  The medical story of the episode had Zoe agreeing to hide the MS of Lemon's cousin so that the cousin could take part in the Founders Day parade, even though doing so meant Zoe had to wreck the parade herself and bear the town's wrath (showing, again, that Zoe really does have a good heart).

The dynamic of Hart of Dixie is basically the same as that of A Gifted Man, except with a little more soap and humor, and no ghosts.  If the show is to survive, it'll have to start finding plots that go beyond the original premise, and make more of the supporting characters than the stick figures they currently are--one of the reasons Northern Exposure worked for years, with essentially the same storyline, was that the ensemble was so strong.  For now, Bilson's charisma and the geniality of the proceedings is enough to justify giving Hart of Dixie a little time to--like its lead character--try to find its better self.

Original Verdict:  Change the Channel

Pilot + 1:  Could Recover
 

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THE SKED PILOT REPORT: The CW's "Hart of Dixie" - PREMIERING TONIGHT

Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full TV pilot reviews, but rather as a guide to the general style and content of the new shows coming your way.

HART OF DIXIE -  Monday 9PM on The CW:  Change the Channel

HART OF DIXIE has one of those premises easy to encapsulate in a single sentence:  "Cristina from Grey's Anatomy stars in Northern Exposure--only in the South."  After all, Northern Exposure and Grey's are both solidly entertaining shows, so why shouldn't this work?  As it turns out, for lots of reasons.


Hart comes from Josh Schwartz's production company; he's the mind behind The OC, Gossip Girl and Chuck, but he's only a producer on this one and not the writer.  The script is by Leila Gerstein, who's been writing on Gossip Girl, and the difference in voice is obvious.  Our heroine, Zoe Hart (Rachel Bilson, herself a Schwartz veteran as one of the brightest presences on The OC) is a hard-driven young doctor who fully intends to become a leading cardio-thoracic surgeon in New York, just like her emotionally distant father.  When things go badly in the big city, she (implausibly) decides to dump her entire life and answer those postcards she's been getting since her graduation from medical school, joining the practice of the general practitioner in Bluebell, Alabama who's been sending them since he watched her deliver the class valedictory address.  In the ways of TV pilots, it turns out the GP's assistant (Nancy Travis, who'll have to be recast, since she plays Tim Allen's wife on Last Man Standing) has continued to send out the postcards even though the old doc recently died.  But guess what?  The deceased mysteriously left his half of the practice to Zoe in his will.  (I know, you've already guessed the only possible reason he'd do that, but let's not spoil it.)

Bluebell is a town that seems to pride itself on featuring the highest possible number of Southern cliches.  There are the belles who parade around town in Confederate-era gowns and who are led by the lovely Lemon (Jaime King), who's really the meanest of mean girls and whose name really is Lemon (for a more complex version of this character, wait for Bryce Dallas Howard in the upcoming film of The Help)--and hey!  the mean girl is also the daughter of the crotchety doctor who owns the other half of Zoe's new practice, and wants to drive her out of town!  There's also the local electric system that can't keep two bungalows lit at the same time.  And let's not forget the Mayor's pet alligator.  By the end of the pilot, Zoe's met her 2 potential love interests, one a hunky lawyer (Scott Porter from Friday Night Lights) who (oops) is engaged to the mean girl, the other a hunky bad boy (Wilson Bethel).  After initially wanting to run back to New York, she delivers a baby and darned if she doesn't realize that she can become a better human being and a better doctor by staying in a small town.  And she's found out the dead old doc's secret, cementing her place in Bluebell.

As obvious as all this is, with the right writing and production it could be entertaining enough--it's not as though the premise for Northern Exposure wasn't silly.  But Gerstein's script doesn't have any of the self-mocking, knowing humor that usually enlivens Schwartz's shows; it just unravels its cliches, good-natured but simple-minded.  Bilson is an extremely appealing actress, yet not so much an obsessive cardio-thoracic surgeon (try to imagine her playing Cristina in Grey's and you'll see the fundamental miscasting).  The supporting cast, even Porter, comes off as bland, with the exception of Cress Williams (also from Friday Night Lights!) as that Mayor, who has a sense of humor and his own secret.  And the pilot is an extraordinarily ragged piece of work, stitched together with enough voice-over narration for an entire season of Gossip Girl, and capped with an awkward Big Speech of exposition.     

All hope isn't lost for Hart of Dixie.  The CW has given it the slot behind Gossip Girl on Mondays, and none of the competition (the revamped 2 1/2 Men and Mike & Molly on CBS; House on FOX, and reality competitions on ABC and NBC) is aimed at its target young woman audience.  Now that the pilot and its burden of premise are out of the way, it'll just be a show about a cute young doctor in a small town, and maybe it can gather itself together.  If the series is going to be watchable, though, everyone involved, from the top down, has a lot of work to do.

 

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