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Film Fans Fridays for Friday March 16, 2012

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Hello Film Fans and Fanatics!

Welcome to Film Fan Fridays for Friday March 16, 2012! We have a heck of a lot of films out in release this week and it's an especially good lot for documentary (and Sesame Street!) fans with The Bloor Hot Docs cinema opening it's doors for it's first week of regular releases.

In limited release this week we have 9 limited releases and I'm chopping at the bit to see King of Devil's Island / Kongen av Bastøy with Stellan Skarsgård set in prison in the early 20th century Norway which is playing at the Carlton. Then we hot over to The Bloor which re-opens it's doors with the documentary goodness of Being Elmo: A Puppeteers Journey centred on on Elmo puppeteer Kevin Clash (I almost wrote "Muppeteer") as well as Corman's World: Exploits of a Hollywood Rebel a documentary on prolific independent B-movie filmmaker Roger Corman. There are more documenataries to go around including Jennifer Baichwal's Payback, which is based of the Margaret Atwood book Payback: Debt and the Shadow Side of Wealth, Jiro Dreams of Sushi following a master sushi chef and The Ballad of Genesis and Lady Jane following the transformation of Genesis P-Orridge and Lady Jaye Breyer P'Orridge to become more and more like each other. Getting to the more fictional we have Being Flynn which is actually based on a true story and then Off World which looks amazing and heartbreaking, and our comedy of the limited releases is Casa de mi Padre starring Will Ferrell.

In wide release this week we have 2 releases and the biggie is 21 Jump Street, a reboot of the 1980's TV show about cops going undercover to suss out the drug scene in high school and this new version starring Channing Tatum and Jonah Hill certainly is going for comedy as it's a approach and looks pretty good. Rounding out the releases is Jeff, Who Lives at Home starring Jason Segel and Ed Helms; directed by The Duplass Brothers (Cyrus, Baghead).

Have a great weekend!

Shannon

Festival Watch

Canadian Music Week Film Festival
March 21 - 25, 2012 at TIFF Lightbox in Toronto, Ontario, Canada

Toronto Nepali Film Festival
March 17, 2012 at Innis Town Hall in Toronto, Ontario, Canada

Friday March 16, 2012 Releases

21 Jump Street
Dir: Phil Lord, Christopher Miller (Cloudy with a Chance of Meatballs)
Cast: Channing Tatum, Jonah Hill, Brie Larson, Dave Franco, Rob Riggle, Ice Cube
USA
Official Film Site, IMDb Page, Trailer

The Ballad of Genesis and Lady Jane
Dir: Marie Losier - feature film directorial debut
Documentary centred on Genesis P-Orridge, Lady Jaye Breyer P'Orridge
USA/Germany/UK/The Netherlands/Belgium/France
Limited Release
Official Film Site, IMDb Page, Trailer

Being Elmo: A Puppeteers Journey
Dir: Constance Marks (Green Chimneys)
Documentary on Elmo Puppeteer Kevin Clash
USA
Limited Release
Official Film Site, IMDb Page, Trailer

Being Flynn
Dir: Paul Weitz (About a Boy, Cirque du Freak: The Vampire's Assistant, American Pie)
Cast: Robert De Niro, Paul Dano, Olivia Thirlby, Lili Taylor, Wes Studi, Julianne Moore
USA
Limited Release
Official Film Site, IMDb Page, Trailer

Casa de mi Padre
Dir: Matt Piedmont
Cast: Will Ferrell, Diego Luna, Gael García Bernal, Genesis Rodriguez, Pedro Armendáriz Jr.
USA
Limited Release
Official Film Site, IMDb Page, Trailer

Corman's World: Exploits of a Hollywood Rebel
Dir: Alex Stapleton - feature film directorial debut
Documentary on Roger Corman
USA
Limited Release
Official Film Site, IMDb Page, Trailer

Jeff, Who Lives at Home
Dirs: Jay Duplass, Mark Duplass (Cyrus, Baghead)
Cast: Jason Segel, Ed Helms, Judy Greer, Susan Sarandon
USA
Official Film Site, IMDb Page, Trailer

Jiro Dreams of Sushi
Dir: David Gelb - feature film directorial debut
Documentary
USA
Limited Release
Official Film Site, IMDb Page, Trailer

King of Devil's Island / Kongen av Bastøy
Dir: Marius Holst (Blodsbånd, Tito är död)
Cast: Stellan Skarsgård, Benjamin Helstad, Kristoffer Joner
Norway/France/Sweden/Poland
Limited Release
Official Film Site, IMDb Page, Trailer

Off World
Writer/Dir: Mathieu Guez (Late Fragment)
Cast: Marc Abaya, Irma Adlawan, Marco Morales
Canada/Philippines
Limited Release
Official Film Site, IMDb Page, Trailer

Payback
Dir: Jennifer Baichwal (Manufactured Landscapes, Act of God)
Documentary
Canada
Limited Release
Official Film Site, IMDb Page, Trailer

**please note this list of releases reflects first run film released in Toronto, Ontario, Canada as of March 16, 2012**

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Over $70 Off: HMK Team Boa Focus Motorcycle Boots (Multiple Sizes)

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List Price: $379.95
Deal Price: $305.49
You Save: $74.46 (20%)
Save over $70 on multiple sizes of HMK Team Boa Focus motorcycle boots while supplies last. These boots are built tough to take winter riding abuse.
Expires Mar 16, 2012

Review & Description

An entirely new HMK design and construction process using the most progressive and technical components available. Extraordinary fit, remarkable performance, and undeniable style surpass the demands of HMK's professional snow cross racers on the track.

Product Details

  • Amazon Sales Rank: #222654 in Automotive
  • Size: Size 11
  • Color: Black
  • Brand: HMK
  • Model: HM911TDUALB
  • Dimensions: 7.10 pounds

Features

  • Sympatex waterproof breathable membrane
  • Intuition closed cell foam liner (heat moldable for custom fit)
  • Comfort rated to - 40 degree centigrade
  • Full grain leather upper
  • Vibram outsole

Click Check Price & More Reviews At Amazon

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Movie Moxie Podcast 64: The Genies, John Carter, Let the Bullets Fly, NEVERLost & Dragonage Redemption

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This week on the Movie Moxie Podcast Shannon shares the glory of The Genies, and provides spoiler free reviews of theatrically releases of John Carter and Let the Bullets Fly plus details DVD releases for the past 2 weeks including reviews of NEVERLost, The Son of No One & Dragonage Redemption. And there might even be a funny story in there too.





0:00 - 0:40 Intro
0:40 - 8:40 Genies 2012
8:40 - 16:15 John Carter
16:15 - 22:15 Let the Bullets Fly
22:15 - 25:30 Lancelot du Lac
25:30 - 29:10 March 6 2012 DVD releases including Dragon Age - Redemption Review
29:10 - 37:40 March 13 2012 DVD releases including NEVERLost & The Son of No One Reviews
37:40 - 38:40 Coming up Next Week
38:40 - 40:18 Outro

Show Notes:
Movie Moxie Podcast - A 100% spoiler-free film review podcast
You can also subscribe to the Movie Moxie Podcast here:
Subscribe through iTunes here.

Up next week: Cinéfranco Preview!

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Fisher-Price Tree Party Cradle 'n Swing

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List Price: $174.99
Deal Price: $148.89
You Save: $26.10 (15%)
Tree Party Cradle 'n Swing's comfy-cozy seat and head support cradle baby in cushy comfort as he swings in a side-to-side or front-to-back swinging motion. A sweet little canopy surrounds baby and sways along with the swing motion while 8 delightful songs & 2 nature sounds entertain.
Expires Mar 28, 2012

Review & Description

The Starlight deluxe cradle swing features dual swinging modes; front to back traditional swinging motion and side-to-side cradle motion. The 2-position seat is composed of comfy, cozy fabric and geometry for a nest-like feel. The beautiful pink color way makes this the perfect girls swing. Three soft toys rotate above baby on the motorized mobile. There is also a dome overhead which projects a light show on the canopy. The swing has two music modes with 16 songs and two sound effects. Mom can customize baby's swinging experience by choosing motion only, music only, mobile only or any combination she prefers all on the soft touch control panel. Additionally there are 6 variable speeds, a 5 point safety restraint and secure steel frame that folds easily for convenient storage.

Product Details

  • Amazon Sales Rank: #12013 in Baby Product
  • Color: Tree Party
  • Brand: Fisher-Price
  • Model: X2535
  • Released on: 2011-12-15
  • Dimensions: 15.00" h x 13.50" w x 25.69" l, 20.50 pounds

Features

  • 2 ways to swing including head-to-toe and side-to-side
  • 2 position recline, 3 different seat positions and 6 swing speeds
  • Motorized Mobile with 3 hanging soft toys, 16 songs and 2 nature sounds
  • Removable canopy and AC Plus saves on batteries
  • Legs fold for storage/portability

Click Check Price & More Reviews At Amazon

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DVD Releases for March 13, 2012

Time to take a look at a selection of DVD releases for Tuesday March 13, 2012!

  • Neverlost Really fascinating mind-bender thriller following a man caught between two world of the current and memory, questioning which is the better one of the imperfect choices. Very impressive performance by Ryan Barrett in the main role, & strongly recommend to speculative fiction fans (not currently available on amazon.com).
  • The Three Musketeers Extremely fun adaptation of the dense adventure story by Alexandre Dumas which was our Book to Film Club selection from August 2011. Highly recommend for adventure-happy film folk.
  • Monsieur Lazhar Genie-winning inspiring teacher films that I can't *wait* to see! (not currently available on amazon.com)
  • Melancholia This film by Lars von Trier won me over with it's artistic vision, fantastic performance, and amazing fusion of the bizarre & the beautiful. One of my faves of 2011 (US price on Amazon.com is a STEAL at $13.49).
  • My Week With Marilyn Michelle Williams stars as Marilyn Monroe is this curious biopic that follows her and Laurence Olivier (played by Kenneth Branagh) though the eyes of his employee (played by Eddie Redmayne). Recipe for awesome that I need to see.
  • The Son of No One Channing Tatum stats in the cop/crime film centred on a now-adult trying to lead a quiet family life after growing up in the projects.
  • Happy Feet 2 The dancing penguins return in the animated sequel.
  • Young Adult stars Charlize Theron as a woman who returns to her home town to woo her high school crush, even though he's married with kids. Also stars Patton Oswald. I really want to see this one.
  • The Swell Season concert/documentary film starring Oscar winning music duo from Once: Glen Handsard & Marketa Irglova.
  • The Adventures of Tintin Animated adventure film based on the books of Tin Tin starring the voice talents of Jamie Bell, Daniel Craig & Andy Serkis.
  • Loosies I am quite interested to see this New York set film written by Peter Facinelli, which he also stars in alongside Jaimie Alexander & Michael Madsen.
  • The Descendants Highly acclaimed drama from director Alexander Payne (Sideways) starring George Clooney.
  • The Guild Season 5 I haven't seen The Guild in a few seasons but I've loved every episode of this webseries following the lives behind players in a guild of a fictional MMORPG.
  • Neverland Peter Pan fantasy miniseries starring Rhys Ifans that aired on Space just over the past Christmas holidays.
  • Call Me Fitz - Season 2 Cutting comedy series starring Jason Priestly as a moral-less car salesman.
  • The Killing: The Complete First Season AMC Original series (although a remake of a Danish series), this crime show following a murder got some pretty good reviews but I couldn't quite get into it. It heads into season 2 on April 1, 2012.
  • Leprechaun: Pot of Gore Collection with all 6 Leprechaun films. And here I was thinking there was only 3!
Titles on Amazon.ca(Canada):


Titles on Amazon.com (US):

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OFFICIAL SELECTION: CHILDREN OF THE GRAVE 2 WORLD PREMIERE - GASPARILLA FILM FESTIVAL-TAMPA BAY, FLORIDA MARCH 30

CHILDREN OF THE GRAVE 2 WORLD PREMIERE - OFFICIAL SELECTION: GASPARILLA FILM FESTIVAL-TAMPA BAY, FLORIDA MARCH 30 Muvico Centro - Theater 10,1600 E 8th Ave, Tampa, FL 33605-3737 (813) 224-2121 GET YOUR TICKETS at
http://gasparilla.festivalgenius.com/2012/films/childrenofthegrave2_philipboothchristopherbooth_gasparilla2012

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THE SKED'S PILOT + 1 REVIEW: "GCB"





A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on GCB:  Amanda (Leslie Bibb) grew up in Dallas, where she was the meanest of the mean girls:  head cheerleader, girlfriend of the quarterback, with a major in making life torture for her less popular classmates.  But when Amanda got pregnant and was rejected by her mother Gigi (Annie Potts), she left town, moved to LA and changed her life.  Now she's a really, really nice person, whose life has been upended by the scandalous death of her husband, leaving her penniless and forced to return to her manipulative mother's home with her teen kids. Worse yet, she discovers that the same girls she bullied in high school have grown up to become at least as bad as Amanda was in her heyday.  Their new queen bee is Carlene (Kristen Chenoweth), who's been transformed by multiple plastic surgeries and who wields her flamboyant Christianity like a battle-axe.  Carlene's lieutenants are Cricket (Miriam Shor), a designer with a (barely) closeted husband (Mark Deklin), and Sharon (Jennifer Aspen), not as svelte as the others and insecure about her own husband (Brad Beyer)--with good reason, since he's already made a move on Amanda.  Meanwhile, realtor Heather (Marisol Nichols) is also in Carlene's group, but the only one somewhat sympathetic to Amanda.  Determined to support herself and unable to get a real job, Amanda has had to work at the show's Hooters knock-off, called Boobylicious, and when Carlene publicly humiliates her at church for taking that job, Amanda does some detective work and humiliates Carlene right back by exposing her as the real owner of Boobylicious.


Episode 2:  We pick up shortly after the events of the pilot, as Carlene tries to recover from her public flailing--naturally, by continuing to try to ruin Amanda's life.  In the case of this episode, written by series creator/showrunner Robert Harling and directed by Victor Nelli, Jr, that means turning Boobylicious into a charitably-minded restaurant where the waitresses wear Amish outfits, inviting Amanda to lunch and then leaving her at a truck stop 80 miles from Dallas, making sure no one attends the lunch Gigi is throwing for Amanda, and only vaguely disagreeing with the idea that Cricket's daughter (Alex Elizabeth Gitter) should join the fun by humiliating Amanda's daughter (Lauren Irion) by naming her a "javalina" (a sort of pig) rather than a "fox," cateogires Amanda herself invented in high school.  By the time the episode is over, most of this has backfired on Carlene and her group.

GCB is almost unwatchably coarse and meanspirited, a festival of nonstop female cruelty and ridicule (written almost exclusively by men) with a couple of minutes of sappy sentiment shoved into the end of each episode.  The show revels in ugliness (tonight's episode featured Sharon, the overweight character, attempting to lure her husband into sex with greasy fried foods), and even for someone neither Christian nor devout, its insistent equation of religion with hypocritical maliciousness feels unseemly.  All of this might be fine if the show were a genuine satire, willing to own its apparent anger and disgust toward its characters, but GCB wants to have it both ways, cloaking its ugly hostility in come-on-we're-just-kidding cutesiness.  

Some glints of talent on the part of the actors fight their way free.  Bibb is an appealing lead, and Potts manages to suggest a beating heart underneath her cartoon character.  But it would be hard to imagine a worse role for Chenoweth.  She has a tendency to be over-the-top anyway unless kept under control.  When she is, as she was on West Wing and sometimes on Pushing Daisies, she can bring something fresh and irresistibly likable to her parts.  Placed here into a role that's exaggerated to begin with, she's quickly becoming a grotesque, painful caricature of herself.  

GCB premiered tepidly last week, and although in its 2d airing it may have a higher lead-in than usual (because of a heavily-promoted killing-a-character episode of Desperate Housewives), it should fade quickly from the air.  It may not be the worst single show of the broadcast season--this was the year, after all, of Work It--but it's close enough.
 
ORIGINAL VERDICT:  Change the Channel

PILOT + 1:  Find A Test Pattern To Watch

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The Sked: MARCH MADNESS -- Ratings Outlook

March Madness, the NCAA Men's Basketball Tournament, kicks off this week on CBS and a trio of cable networks (TNT, TBS and TruTV) with University of Kentucky, Michigan State, Syracuse and University of North Carolina the #1 seeds in the four regions.  The ratings impact in prime time is minimal the first week but builds steadily in the second and third weeks as CBS becomes the exclusive broadcaster. 

CBS coverage Thursday, Friday and Saturday nights should average less than a 2 rating with Adults 18-49 this week, similar to last year's format when CBS and the three cable partners split the games with each contest running nationally against the others.  Until 2010, CBS covered the entire tournament and regionalized the games, and if a game was unusually lopsided that section of the country got switched to a more exciting contest.  CBS had higher ratings in the first week in the old format broadcasting solo, but the additional cable partners allow them to afford the entire tournament and keep the crown jewel, the championship game, on over-the-air television.



Next week on Thursday, Friday and Saturday nights CBS should bounce around a 3 rating, while the real value of March Madness is cashed in when the calendar turns to April with a 7 rating or more on Monday, April 2.  Now go fill out your bracket.
    

          NCAA Basketball Tournament  
      Primetime Adult 18-49 Rating (CBS)

               2012    2011    2010    2009
Rounds 1 & 2
   Thu 3.15             1.7     3.5     3.6
   Fri 3.16             1.5     3.4     3.0
   Sat 3.17             1.5     3.6     3.7
Sweet 16 &
 Elite 8
   Thu 3.22             2.5     3.9     3.6
   Fri 3.23             2.7     3.4     3.6
   Sat 3.24             3.5     4.0     3.8
Final Four
   Sat 3.31             5.1     4.8     5.0
   Mon 4.02             7.1     8.2     6.3


###
 

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INTERNATIONAL BOX OFFICE NUMBERS through March 11

John Carter joins the worldwide box office chart, ranked at #13 out of 44 wide-release films over the past three months.  We are currently estimating John Carter could total $75 million in North America, but the overseas total to date is already $70 million.  If the overseas total ends up around $125 million, the film could end up with a worldwide total just behind Girl with the Dragon Tattoo, moving up to a #6 or #7 ranking.  Click "read more" to see the updated chart.

The other films opening this weekend, Silent House and A Thousand Words, are dead last in the worldwide ranking, each with little chance of moving their overseas total above the current level of zero.

The Lorax has only grossed $2 million total to date overseas, in what appears to be an extremely slow rollout beyond North America. 

 

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[2012.03.12] KO CHEN-TUNG WILL BE IN A LOVE TRIANGLE WITH ANGELABABY


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Popular Taiwan idol Ko Chen-Tung and Angelababy will work together for the first time on the Clarence Ford (Fok Yiu Leung) new romantic film.  Yesterday, Ko Chen-Tung secretly came to Hong Kong for pre production work.  Only a few lucky fans ran into their idols at the airport and could not be more pleased.

Taiwan hunk Ko Chen-Tung and Angelababy lately have become new film industry favorites.  Ko Chen-Tung last year won the Golden Horse Award Best New Actor.  Many directors have made offers to him.  Baby has long been a rising film star, making film after film.  Two popular actors will work together for the first time on the Fok Yiu leung directed new film JING CHUP MUK YU (DETECTIVE SWEET WORDS), a romantic film that will consist of three stories.  Ko Chen-Tung and Baby will star in one of the story and be in a love triangle with Bosco Wong Chung Chak who will play Baby's superior!  In another story "the Strongest of the Universe" Donnie Yen Chi Tan will be paired with Taiwan otaku godden Michelle Chen.

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Plush Toys for Less than $7

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Hello Kitty, Dora, and more favorite character plush toys for under $7.
Expires May 1, 2012

Click Check Price & More Reviews At Amazon

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THE SKED @ PALEYFEST 2012: "Revenge"






Despite ABC's attempts to claim otherwise, REVENGE is more "hittish" than true hit.  Although it premiered with strong ratings in the low 3s, it's since come down to numbers in the mid-2s, usually beaten by CSI in their shared Wednesday 10PM timeslot.  But these days, a 2.4-2.5 rating at 10PM is nothing to take lightly, especially compared to other ABC drama entries like The River, Pan Am and (based on its premiere) GCB, none of which could crawl much above a 2.  So while series creator/showrunner Mike Kelley said all the right things at today's PaleyFest session devoted to the show about how he hopes the series comes back for a 2d season, and that there are no guarantees in this business, Revenge has an excellent chance--barring an April/May collapse--to be back.  


The Revenge gathering was notably less boisterous than last night's Vampire Diaries craziness (amusingly, a new caution had been added to the pre-panel introductions today asking fans not to rush the stage when the session was over), as befits its more affluent, and dare I say somewhat older, audience.  Nevertheless, there was enormous enthusiasm for the show's antagonists, vengeful Emily Thorne (Emily Vancamp) and her nemesis Victoria Grayson (Madeleine Stowe), as well as the show's resident hunks Daniel Grayson (Josh Bowman) and Jack Porter (Nick Wechsler) and Emily's oddball partner in vengeance Nolan Ross (Gabriel Mann).  Apart from them and Kelley, participants in the panel included producer Marty Bowen, and performers Henry Czerny (Conrad Grayson), Ashley Madekwe (Ashley Davenport) and the series ingenues, Christa B. Allen (Charlotte Grayson) and Connor Paolo (Declan Porter).  

Only the first 15 minutes or so of the next unaired episode (which won't be seen till April) were screened, and there weren't a lot of full-scale spoilers, although Kelley allowed a cast member to confirm that a terrible thing happening to one character in that 15 minutes was the doing of another character (which had been set up in some dialogue in the portion that was screened). What Kelley did provide was a surprisingly detailed blueprint of how the rest of the season is going to play out structurally. So, STRUCTURAL SPOILER ALERT

The episode that was partly screened, Episode 17, will continue where the previous episode left off, with Daniel in jail for Tyler's murder (if you don't know who Tyler is, catch up) and the preparations for his trial.  Then the show will jump forward several months from September to December, and Episodes 18-19 will cover Daniel's trial, up to and including the verdict.  (The prosecution case will take up "2 minutes" of Episode 18, and from there on the focus will be on Daniel's defense.)  Episode 20 will be something different for the series:  an hour set entirely in the past, dealing with the period in 2002 when Emily was still trying to decide if her father's version of his arrest and conviction was true and when she was meeting her future targets for the first time.  Episode 20 will also include sequences flashing even farther back, to the beginning of the romance between Victoria and David Clarke (Emily's father--pay attention).  Then Episodes 21-22 will lead up to a season-ending cliffhanger, and also set things up for what would be the main storyline of Season 2.  Kelley provided little information about what this would be about, except to note that Daniel Grayson will no longer be the passive character he's mostly been so far, and that the enigmatic Takeda will figure into these episodes.  Kelley added that the plan for next season would be to follow the same structure as Season 1:  a central storyline occupying the first 13-15 episodes, aftermath episodes for the following 4-6 weeks, then an hour or 2 resolving some issues and setting things up for the future.

The panel was mostly breezy and light-hearted, although Stowe made it clear that while she's having a good time playing Victoria, she takes her character very seriously.  (She and Kelley have collaborated on an as-yet unseen backstory for Victoria.)  Most questions were about the storylines, for which Kelley's go-to answer was "If it's not impossible, it could happen."  (This included a query about whether Emily's father might actually be alive.)  The only complaint any of the actors seemed to have was that their respective stories didn't allow them to interact with some of the other characters as much as they'd like (Nolan with the Graysons, Ashley with Emily, etc).  The panel did clear up, though, that there's no way Nolan will turn out to be Emily's brother, however sibling-like their relationship may be.

Coming up at PaleyFest--deep breath, please--on Tuesday night:  the return of MAD MEN.

Previous PaleyFest Columns:


 

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[2012.03.12] SHU QI PASSES PARENTHOOD PLAN TO YOUNGER BROTHER


courtesy of on.cc
courtesy of singtao.com
courtesy of mingpao.com
courtesy of takungpao.com

Shu Qi and Shawn Yue Man Lok yesterday promoted their film THE SECOND WOMAN (CHING MAI) in Tsuen Wan.  Because Shu Qi played twins in the film, the event arranged for two pairs of twins to play games.

Shu Qi said that her father and uncle were twins, thus she had a chance to have twins.  Actually she would be rather happy to have two at once.  As for when, Shu Qi said that she wanted to pass the plan to her younger brother as she would have to wait until she was with someone.  When rumored boyfriend Wang Leehom was mentioned, Shu Qi said, "This is ancient history, you ask and ask again, spread and spread again, I am bothered even if you are not.  (Didn't you go on vacation together?)  No, next question."  She mentioned online earlier that she was upset at her film LOVE being pirated, Shu Qi explained that only because she saw people watching the DVD on their computers she mentioned the advantages of going
to the movies.  It was not a big deal that it turned out to be.  Shu Qi said, "I am not upset, of course after working hard on a movie I want it to do well at the box office."

Lok Jai's other film LOVE IN THE BUFF (CHUN GIU YU JI MING) will be released at the same time.  Was he worried about competing with himself?  Lok Jai joked that he was so busy with promotions that he was dizzy, everyday he had no idea even about where he was.

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[2012.03.12] ELANNE KONG HOPES HER PERFORMANCE CAN TOUCH VIEWERS

courtesy of takungpao.com

Elanne Kong Yeuk Lam and director Herman Yau Lai To yesterday attended a forum with their film LOVE LIFTING (GO GUI OI) advanced screening viewers.  The film opened earlier in the Mainland, but Elanne did not see the film because To Man Jat asked her to wait and watch at the Hong Kong premiere together.  Even though she did not see the film yet, she had the director on hand and were still able to share production
highlight with the audience.

The film is released now, half a year after its completion, and ran into strong competition from A SIMPLE LIFE (TOH JEH).  Elaine said, "That's good too.  They are doing great at the box office, Hong Kong films are films that need love, hopefully everyone will spread the word.  After our film's Mainland release, everyday many posted on Ah Jat's and my microblog to say it was so touching that they cried from watching it."  Elaine also said that viewers at the Mainland premiere were teary eyed.  A woman said that she normally did not treat her husband too well, after watching the movie she wanted to treat him better as she learned to
cherish those in front of her.  This time she gained weight to play the weightlifter and was injured as well, would she like to win an award for her enormous sacrifices?  She said about her first heart warming film, "I only hope that viewers would be moved to tears."

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[2012.03.12] NICK CHEUNG SPENDS TIME TO CULTIVATE EMOTIONS FOR SILENT ROLE




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courtesy of singtao.com
courtesy of takungpao.com

The film NIGHTFALL (DAI JUI BO) two nights ago held its Mongkok premiere.  Nick Cheung Ka Fai, Janice Man Wing Shan, Kay Tse On Kay, Candy Yu On On, Michael Wong Man Tak all attended.  Everyone coordinated with the film and performed a gun firing ceremony.

Earlier the film received great responses from numerous Mainland screenings.  Was Ka Fai confident about its Hong Kong box office?  He said that he would be nervous before the film release and hoped for more and more at the box office.  Ka Fai this time had no line at all.  Was it great not to have to remember any line?  Ka Fai said, "On a certain level it's good, but because of that I had to express emotions through expressions and body language.  I needed to spend even more time and effort to cultivate my emotions.  The feeling is like I am making a silent film."  Tse On Kay said that she was afraid of Ka Fai because he often hid  in a corner to cultivate emotions.  Later she realized that Ka Fai actually knew how to laugh.

In addition, Yu On On earlier was rumored to be dating a younger man.  Two nights ago she said that he was her co-star in the play BOUNDLESS MOVEMENT (PIN DEI FONG FEI), Ling Man Lung.  Because in the play they played mother and son, they got along so well during their performance that she treated him like a "son" just like she treated Janice Man like a daughter.  She said that Ling Man Lung was somewhat upset because he was not used to being reported and stated that he was not pursuing her.  She too would not date anyone around his daughter's age and joked that she was prepared to introduce girls to Ling Man Lung.  Would she introduce Janice Man?  Janice Man immediately declined, claiming that she was a traditional person and "siblings" could not possibly date.

After the premiere the group attended an after party.  Ka Fai was in great spirit.  He not only thanked everyone for their support but also asked them what they thought about the movie.  Janice Man was teary eyed from Ka Fai's performance.  That night her mother also came in support of her.  Tse On Kay, whose birthday will be on March 13, had to rush to an advanced birthday party that her friends were holding for her.  She only chatted with Ka Fai for awhile before leaving.  When Ka Fai left the party loyal fans presented him with gifts to wish for box office success for his film.  Ka Fai chatted with fans and posed for photos, finally leaving early in the morning.

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[2012.03.12] ANDY LAU PREPARES A SCRIPT TO FULFILL HIS DIRECTOR DREAM

courtesy of takungpao.com

Winning multiple international awards, the film A SIMPLE LIFE (TOH JEH) since its March 8 release has performed ideally at the box office.  Its opening box office was 3.1 million.  As for noon yesterday it accumulated 6.2 million.  Wa Jai and Deanie Ip Tak Han were still busy with the film promotion.  Lau Tak Wa even turned the film's production process into a new book titled MY 30 WORK DAYS: A SIMPLE LIFE PRODUCTION DIARY.  Two days ago Wa Jai attended a book signing in Taiwan.  When the news of Wa Jai's Taiwan visit went out, Wa Jai fans immediately rushed to buy the new book and the publisher had to print another edition in an emergency.  Since last Tuesday's advanced sales to its official release, another edition was needed in ten short days.  The book signing was originally slated for 300 fans, but due to the overwhelming advanced sales the number increased in the last minute to 500 fans.

Lau Tak Wa said that he has always had a dream to direct, he has already prepared a script.  Wa Jai pointed out that when he joined the television actor training class he originally wanted to study screen writing and directing, but under the instructor's encouragement he stumbled his way into becoming an actor.  However his dream to direct remained in his heart.  He pointed out that a year ago he originally wanted to make his film but he ran into Ann Hui On Wa, so he made A SIMPLE LIFE.  He also said that Taiwan film development was thriving.  After seeing Doze Niu Chen-Zer and Jay Chou (Chow Kit Lun)'s work as directors he thought they were amazing.  He too had to work hard on catching up.

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[2012.03.12] SHAWN YUE CALLS WORKING WITH MINI YANG GREAT

courtesy of takungpao.com

Yesterday, Hong Kong director Pang Ho Cheung brought the flavorful romantic comedy LOVE IN THE BUFF (CHUN GIU YU JI MING) to Shenzhen and held an advanced screening.  After the show lead actor Shawn Yue Man Lok arrived in support and admitted that he liked Mini Yang Mi's flight attendant look in the film very much.  The kiss scene with Beijing girl Yang Mi even made him feel bashful.  However, Miriam Yeung Chin Wa revealed earlier, "During the intimate scene, the director in order to demonstrate to Yang Mi even personally performed an ambiguous show with Yue Man Lok.  The passion was endless."

The "internet slang" dialogue in LOVE IN THE BUFF was very viewer friendly.  The ordinary film content even due to "Pang's heavy ingredient" additions was uniquely savory.  Yang Mi in the film played a post 90 flight attendant who not only had a busty hot pant performance but also an intellectual uniform look.  The four characters in the film represented four types of people in the romantic world.

Speaking of working with Yang Mi, Yue Man Lok had nothing but praise.  "Yang Mi's character has natural requirements, she has to meet those conditions to be able to play it.  Yang Mi's figure is great, her acting also adds color and brings life to this character."  Why would Chi Ming be attracted to Youyou?  Yue Man Lok joked, "Youyou in the film is the opposite of Chun Giu.  Her figure is great, she is younger than Chun Giu, these conditions would easily attract Cheung Chi Ming to her."

In the film, Pang Ho Cheung's romantic mottoes were endless. "You have to be mentally ready when you hang out, either you run into him or he runs into you"; "Life is so long, you are bound to fall for several scumbags"; "Some things don't need to be finished in one night.  Some thing won't happen again if you miss it tonight" and others all contain wisdom but are also viewer friendly.  Pang Ho Cheung has put this type of "art comes from life yet is higher than life" creative ideas in their original flavors into the film.

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THE SKED: SNL Ratings - Jonah's Not Lindsay






Without the train-wreck possibilities of the previous week's Lindsay Lohan event, SATURDAY NIGHT LIVE's ratings last night were down about 20%.  That's a bit below the season average, suggesting Hill, despite his breakout Moneyball success, still isn't a household name, but the 2.6 in 18-49s was still more than double the rating for any show airing in primetime on Saturday night, so no worries.


SNL now takes a 4-week break, returning on April 7 with Sofia Vergera.  It'll be interesting to see how she fares, as she tries to broaden her appeal beyond Modern Family and soda commercials.

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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD






John Carter traveled to Mars; the movie with his name also looks beyond the US for some help.

OPENINGS:  JOHN CARTER (Disney) may or may not have grossed over $30M this weekend--we'll find out for sure tomorrow.  (Disney is claiming a not-unreasonable 31% Sunday drop, but it would take only a small slip to push the number below that threshold.)  The more important number, though, in terms of whether it'll be remembered as a historic flop or a mere financial disappointment, is the $71M (which includes pre-Friday grosses in certain territories) being reported overseas.  $17M of that was from Russia alone, but apparently Europe was generally not strong.  On the other hand, the picture is doing well in Asia, and has yet to open in China and Japan.  If Carter can get to a global total of $300M, it won't reach breakeven, but would avoid the embarrassment of a total failure.


A THOUSAND WORDS (Paramount), playing as a family comedy (which it really isn't), also had a good Saturday, but that only got it to a pitiful $6.4M.  However, that did beat Meet Dave and Imagine This, so this studio, as well, dodged complete ignominy.  SILENT HOUSE held even on Saturday despite the dreadful CinemaScore grade and is claiming (for now) slightly over $7M for the weekend.

HOLDOVERSTHE LORAX (Universal) ended up with a Saturday that, while huge, wasn't quite up to the initial report (an 80% bump rather than 100%), so it's down 44% for the weekend, still extremely good.  More remarkably, PROJECT X (Warners) was almost in the same place with a 45% drop, excellent for a picture aiming at the teen-male demo.  SAFE HOUSE (Universal), THE VOW (Screen Gems/Sony) and THIS MEANS WAR (20th) continued to have very low drops in the low 30% range, while WANDERLUST (Universal) and GONE (Summit/Lionsgate) were heaved out of theatres as quickly as contracts allowed.

OSCAR WINNERSTHE ARTIST (Weinstein) is claiming a mediocre 37% drop that, as with last week, relies on an very high Sunday estimate (a drop of only 25%)--last weekend's total was reduced on Monday, and the same may well happen tomorrow.  THE IRON LADY (Weinstein), with a more reasonable 35% estimated Sunday drop, is holding well, down only 31% for the weekend.  THE DESCENDANTS (Fox Searchlight) and HUGO (Paramount) are both on their way out of theatres.  A SEPARATION (Sony Classics) widened again to 281 theatres, and while it still dropped for the weekend as its per-theatre number fell, it's at $4.8M, a superb total for a subtitled Iranian film.  

LIMITED RELEASES:  For an R-rated comedy, FRIENDS WITH KIDS (Roadside Attractions) had a terrific Saturday bump of 53%, suggesting very strong word of mouth.  That pushed it to $2.2M in 374 theatres, with a per-theatre number that was below only The Lorax and John Carter in the top 20.  Roadside will widen the run next weekend to 600 theatres.  SALMON FISHING IN THE YEMEN (CBS) had a $13K average. but that was in only 18 theatres, which is only mildly promising.  FOOTNOTE (Sony Classics) and JIRO DREAMS OF SUSHI (Magnolia) had strong NY openings, averaging over $20K per theatre each.  WE NEED TO TALK ABOUT KEVIN (Oscilloscope) went from 40 to 60 theatres, and had a decent $2600 per-theatre average.  BEING FLYNN (Focus), though, tripled its theatre count to 12 and still fell for the weekend, as its per-theatre number collapsed.


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WEEKEND STUDIO ESTIMATES March 9-11

The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in slightly stronger than the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for the top 12 films is now looking like a decent $123 million for the weekend, up 4% from last year's weekend and up 10% from the weekend's average for the past four years.  Disney is claiming John Carter will finish the weekend with $30.6 million.  Let's all play pretend and give Disney the pleasure of 24 hours of thinking they crossed the $30 million threshold for the opening weekend.  This seems like a classic case of "rounding up" on Sunday morning to make an opening number seem a little better, but it doesn't change the fact that John Carter is going to be a catastrophe financially: maybe $75 million domestic and $125 million overseas for $200 million worldwide.  Less the theater owners' portion and adding in ancillary revenues like home video, video on demand, TV rights and so on, the studio might keep around $200 million versus a massive $400+ million expenditure on production and marketing. 


The ShowbuzzDaily Domestic Final estimates now show that the films opening wide this weekend are headed for: John Carter ($75 million), Silent House ($13 million) and A Thousand Words ($11 million). 

The second week movies:  Dr. Seuss' The Lorax ($220 million, adjusted down slightly) and Project X ($67 million, steady).

The third week movies:  Act of Valor ($73 million, adjusted back down slightly), Tyler Perry's Good Deeds ($35 million, adjusted down slightly), Wanderlust ($20 million, down slightly) and Gone ($12 million, steady).    



March 9-11                          Wknd     vs     Showbuzz
(millions)                         Studio   Last    Domestic
                                    Proj.   Wknd     Final* 

The Lorax                 (Uni)     $39.1   -44%      $220-
John Carter               (Dis)     $30.6             $ 75
Project X                  (WB)     $11.6   -45%      $ 67
Silent House        (Open Road)     $ 7.0             $ 13
Act of Valor              (Rel)     $ 7.0   -48%      $ 73-
A Thousand Words          (Par)     $ 6.4             $ 11
Safe House                (Uni)     $ 4.9   -33%      $130
The Vow                  (Sony)     $ 4.0   -33%      $129
This Means War            (Fox)     $ 3.7   -33%      $ 53
Journey 2 Myster. Island   (WB)     $ 3.7   -44%      $102 
Tyler Perry's Good Deeds   (LG)     $ 3.0   -57%      $ 35-
The Artist               (Wein)     $ 2.3   -36%      $ 50



Total Box Office Volume 

The Top 12 Films this weekend are looking like a decent $123 million total Friday-Sunday, up 4% from the same calendar weekend last year and up 10% from the more typical volume for this weekend in other years.            

Top 12 Films: Weekend #10



     Volume    Movies Opening Each Weekend (millions)
2012  $123  John Carter $31, Silent House $7, 1000 Words $6

2011  $118  Battle LA $36, Red Riding Hood $14 Mars Needs Moms $7
2010  $136  Green Zone $14, She's Out My League $10
2009  $ 88  Race to Witch Mountain $24, Last House Left $14

2008  $106  Horton Hears a Who $45, Never Back Down $9
2008-11
Avg   $112





Next Weekend            
 
Opening wide next weekend are 21 Jump Street from Sony starring Jonah Hill and Channing Tatum.  This film will be compared to Limitless ($18.9 million opening weekend), The Lincoln Lawyer ($13.2 million) and Paul ($13.0 million).

Check back later today for our update on international grosses.

###

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