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Showing posts with label Gellar. Show all posts
Showing posts with label Gellar. Show all posts

THE SKED'S PILOT + 1 REVIEW: "Ringer"



A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on RINGER:  Bridget (Sarah Michelle Gellar) is an ex-stripper and recovering addict who's supposed to testify against a crime boss.  She's watched over by an FBI agent (Nestor Carbonell) but afraid for her life, so she escapes to New York, where her wealthy, identical twin sister Siobhan (Gellar again) lives.  To Bridget's shock, Siobhan takes a header off a boat in the middle of the ocean, and Bridget seizes the opportunity to take over Siobhan's life.  But it turns out that Siobhan's world is itself a tangle, with an estranged husband (Ioan Gruffudd), a lover (Kristoffer Polaha) who's the husband of her best friend (Tara Summers), and a troubled stepdaughter (Zooey Deutsch).  Also, Siobhan's life is as much in danger as Bridget's--during the pilot, Bridget had to kill one of the thugs stalking Siobhan in self-defense.  And?  And Bridget doesn't know it, but Siobhan is very much alive and plotting something in Paris.

Episode 2:  Deficiencies in the series concept are starting to surface in the first regular episode, written by creators Eric Charmelo and Nicole Snyder.  One problem is is an increasingly high level of contrivance.  The episode's storyline mostly concerned Bridget's attempts to get rid of the body of the man she killed in the pilot, while she plotted to clean out Siobhan's bank account and make a break for it.  In order to ramp up the suspense, a ridiculous twist involved Siobhan's husband's last-second decision to hold a cocktail party in the under-contruction loft where the body was hidden, and then the dead man's phone ringing incessantly at the party's only quiet moment, because apparently the corpse owned the world's only cell phone without voice mail.  The episode's big (but predictable) twist was that when Bridget finally opened the trunk where the body was supposed to be, it had vanished.  Equally unconvincing was Bridget's decision to stay in town purely because of her empathy for Siobhan's party-girl stepdaughter, despite the fact that she now knows there are two separate groups of bad guys converging on her, one team aiming for Bridget and the other for Siobhan.   

More serious, in terms of the show's tone, is the fact that it seems content to be completely humorless, thereby shortchanging viewers on one of Gellar's greatest strengths as a leading lady.  The show doesn't even manage much in the way of wish-fulfillment, despite the fact that Bridget is now living Siobhan's very rich life.  Gellar also plays Bridget and Siobhan more or less interchangeably, which means we don't get the usual pleasure of identical twin stories: watching the lead performer play two strongly contrasting characters at the same time.  Plus, Bridget shows no sign so far of being very smart--there was an opportunity in this episode to have her do something clever as she tried to figure out Siobhan's bank PIN number, but she couldn't do it and had to be bailed out by the bank manager.  The supporting characters are mostly dull, especially Siobhan's husband and lover.  And the gimmick of having the last 2 minutes of each episode bring us a glimpse of Siobhan's secret existence will get old fast.

Ringer still has promise:  the unraveling of what's going on with Siobhan is intriguing, and Bridget's attempt to fit into Siobhan's life could be fun.  And Gellar has plenty of talents the show hasn't exploited yet.  But Bridget, who's supposed to be street-smart, needs to be more ingenious than she's been so far, and the villains have to move beyond the level of B-movie thugs if Ringer is to be diverting fun.

Original Verdict:  Potential DVR Alert

Pilot + 1:  Give It A Few More Episodes

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THE SKED PILOT REPORTS: The CW's "Ringer"


Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full TV pilot reviews, but rather as a guide to the general style and content of the new shows coming your way.

RINGER -  Tuesday 9PM on The CW:   Potential DVR Alert

RINGER has both a high concept and enough plot for 3 ordinary series, but its main selling point is that it marks the return of Sarah Michelle Gellar to series television.  Hard as it is for some of us to believe, it's been 14 years since Buffy Summers started keeping the world safe from vampires and other monsters, establishing (via Genius-in-Charge Joss Whedon) a tone and subset of genre that's only grown more popular in the ensuing years.  Gellar is a genuine TV star, and in Ringer she's as beset by melodrama (everything but the bloodhounds snapping at her rear end, to quote All About Eve) as the Slayer used to be.


Where to start?  In the pilot script by the team of Eric Charmelo and Nicole Snyder (they were previously writers on Supernatural), Gellar plays Bridget Cafferty, former stripper, former hooker, former addict, currently about to testify against a vicious Native American mob boss at his murder trial.  At the last minute, convinced the FBI (in the person of Nestor Carbonell--Lost's Richard Alpert--as Victor Machado) can't protect her, Bridget bolts.  Her destination is the Hamptons, where her identical twin sister Siobhan Marx (also Gellar) has an estate, possibly just down the beach from the evil snobs of Revenge.  Bridget and Siobhan haven't seen each other in years--something unspecified in their past is Bridget's fault--but Siobhan takes her in.  Except... almost immediately afterwards, Siobhan vanishes, an apparent suicide.  So Bridget decides that the most effective way for her to disappear herself is to take over Siobhan's identity.

We are, believe it or not, just starting.  (For those who think pilots can have spoilers:  Spoiler Alert ahead.)  Conveniently, Siobhan never told her husband Andrew (Ioan Gruffudd) that Bridget exists, so although he senses there's something odd about his "wife," he has no reason to suspect a substitution.  Nor does Siobhan's bratty teen (and coke user) stepdaughter Juliet (Caitlin Custer), or Siobhan's best friend Gemma (Tara Summers).  Gemma is more concerned that her husband Henry (Kristoffer Polaha) is having an affair--which he is, with Siobhan.  Oh, and Siobhan is/was--guess what?--pregnant.  And the FBI is still after Bridget.  And the guy Bridget thought was out to kill her?  Maybe not.  And I'm not even giving away the pilot's final twist.

All of this, mind you, unfolds in about 40 minutes of screen time.  Ringer is stylishly ripe fun; it doesn't stop to wonder whether it's making any sense.  (The pilot is directed by Richard Shepard, who did the pilot for Ugly Betty; he seems to have rented every mirror in the general vicinity to repeatedly underscore the dualities and reflections in the plot.)  Even as you're thinking how silly it all is, you can't help wondering what's going to happen next.

A crazy story like this needs an anchor, and Gellar knows her way around bizarre plotlines.  The pilot, though, currently takes itself too seriously, and thus wastes one of its biggest assets--in Gellar, they have a champion at the art of wisecracking in the course of heavy drama, and with a show that could desperately use a dose of sardonic humor, the writers need to make use of that skill if the series is to keep rolling along.  The other actors don't get to do much more in the pilot than establish who their characters are--they seem to be hanging on for dear life--but in the course of episodes, one would think talented actors like Carbonell, Gruffudd and Polaha will make more of an impression.      

If Ringer can keep its complications aloft, it could prove addictive.  Its biggest challenges may be its network and timeslot.  Ringer was developed for CBS, which passed because the show doesn't fit within that network's brand (no procedural elements, soapy style).  It was then passed to CBS's sister network The CW (co-producer ABC Studios dropped out at that point), but it's an uneasy fit there;  Gellar isn't in her 20s anymore, and this is a more serious soap than Gossip Girl or the show that serves as Ringer's lead-in, 90210.  That's not the greatest match, and it's not clear if Ringer will appeal to the young women 18-34 audience that's The CW's usual core.  Also, the Tuesday 9PM competition includes the Dancing With the Stars results show, NCIS Los Angeles, Biggest Loser and FOX's strong Zooey Deschanel sitcom New Girl--none of them pushovers.  (The good news is that it doesn't take much of a rating to be a "hit" on The CW.)  Can the show battle its way past all of that?  This is where Slayer powers could come in handy.  

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