Vonnie Lui, Irene Chen Chiu-Ping
Vonnie Lui Hoi Yun, Hiro Hayama
Vonnie Lui, Irene Chen Chiu-Ping
The biggest night in Hollywood has come and gone for another year as the awards were handed out for all 24 categories at the 83rd Academy Awards. The ceremony was hosted by the very charming Anne Hathaway and Oscar-nominee James Franco, and themes of the night were paying homage to Hollywood past, recognition for unlikely and championed films, thanking wives and inspiring words sent to daughters.
This was a very even split year with no films sweeping the awards, although the top two films were split between the high-profile awards and more tech-centric awards. I'm talking about the two films that took home 4 awards each: The King's Speech (Best Film, Director - Tom Hooper, Actor - Colin Firth and Original Screenplay) and Inception (Cinematography, Sound Mixing, Sound Editing and Visual Effects). Then we had The Social Network with Adapted Screenplay, Original Score and Editing. We also has several films take home two awards a piece with The Fighter (Supporting Actress - Melissa Leo, Supporting Actor - Christian Bale), Toy Story 3 (Song and Animated Film) and Alice in Wonderland (Costume Design & Art Direction). The fourth acting award was Best Actress which went to Natalie Portman for Black Swan.
No huge upsets of the evening, and I think I was most surprized by Tom Hooper for The King's Speech - not that I didn't like the film, but I just really expected it to go to either David Fincher or Darren Aronofsky. Perhaps the biggest surprize was True Grit not winning any awards after getting 10 nominations.
That the hard and fast information, but I think a lot of the best moments of the awards are in the speeches and unexpected moments. Here are some of my favourites:
The biggest night in Hollywood has come and gone for another year as the awards were handed out for all 24 categories at the 83rd Academy Awards. The ceremony was hosted by the very charming Anne Hathaway and Oscar-nominee James Franco, and themes of the night were paying homage to Hollywood past, recognition for unlikely and championed films, thanking wives and inspiring words sent to daughters.
This was a very even split year with no films sweeping the awards, although the top two films were split between the high-profile awards and more tech-centric awards. I'm talking about the two films that took home 4 awards each: The King's Speech (Best Film, Director - Tom Hooper, Actor - Colin Firth and Original Screenplay) and Inception (Cinematography, Sound Mixing, Sound Editing and Visual Effects). Then we had The Social Network with Adapted Screenplay, Original Score and Editing. We also has several films take home two awards a piece with The Fighter (Supporting Actress - Melissa Leo, Supporting Actor - Christian Bale), Toy Story 3 (Song and Animated Film) and Alice in Wonderland (Costume Design & Art Direction). The fourth acting award was Best Actress which went to Natalie Portman for Black Swan.
No huge upsets of the evening, and I think I was most surprized by Tom Hooper for The King's Speech - not that I didn't like the film, but I just really expected it to go to either David Fincher or Darren Aronofsky. Perhaps the biggest surprize was True Grit not winning any awards after getting 10 nominations.
That the hard and fast information, but I think a lot of the best moments of the awards are in the speeches and unexpected moments. Here are some of my favourites:
Book: Jane Eyre by Charlotte Brontë
Reason to Read: February book selection for the Book to Film Club and it's 'one of those books you just have to read'.
I normally start a review with a contextual piece, but with Jane Eyre I'm at a bit of a loss. Part of this is because I had almost no points of reference for the book before reading it beyond specific women in my life who had read, and loved, the book. If this book was a film (and yes, it is being adapted which is the reason I read it), I would align it to a genre, but books run a bit different in that contest. Drama would be where I'd place it, or with the feel of a fictional biography that now feels historically set, but was current of the time. Oh - and it was according to Wikipedia, originally noted as a biography under a pen name.
What really struck me about the book was that I never knew where it was going, which is bizarre for such a fame and acclaimed book. But I loved that. I loved it! Afterwards I turned over the book and was really happy that I hadn't read the back, because it would have skewed the focus for me while reading. Not knowing where it was going, meant that as a reader I could decide for myself which of the themes, actions and characters I thought were the most important to the moment, or to the whole. I wasn't always 'right' per se, but it made for a much more engaged reading experience.
It would be simplest to say that it's about the character Jane Eyre, who is intelligent and strong-willed but not a person who has a lot of support. One of the most fascinating things about here character to me was how frank, practical and truthful but not unemotional. That's something I haven't often seen or read. But what I adored about the book was that it really was about her in every facet of her life. Again, that felt very unusual to me, I'm used to things being more hyper focused, but it was a welcome and refreshing change because it really felt like knowing her on such an intricate level.
I'm so happy that this book is one of the Book to Film Club selections, because I don't think I'd have read it otherwise. I got kind of scared off classics books after struggling through Wuthering Heights by Emily Bronte last year, but I found Jane Eyre to be a delightful read which I savoured and was happy to read it throughout the entire month. I'd highly & widely recommend the book, and although I think that there will be a particular resonance with girls & women I think it's accessible and interesting for everyone.
I'm really looking forward to the film adaptation, although I will admit to being hesitantly optimistic for several reasons. First, it's a HUGE book to adapt, so I'm a little worried that many of my favourite moments and themes that are more personal-development focused might be pushed to the wayside. In terms of casting, I'm on board with the boys picked as both Michael Fassbender (Fish Tank) and Jamie Bell (The Eagle, Billy Elliot) are perfect for their respective parts, but it's really all about Jane. In the film Jane will be played by Mia Wasikowska, whom was in Alice in Wonderland, The Kids Are All Right and I was most impressed with as Sophie in Season 1 of "In Treatment", and I'm really hoping she will be great here. I've decided not to watch the trailer for the film but rather wait and be surprized, but from pictures and the poster it looks like the historical period and styling is down pat so I'll be curious to see what they decided to go with in terms of tone and focus.
Jane Eyre is our March Film selection for the Book to Film Club. The film will be released Friday March 18, 2011.
Book: Jane Eyre by Charlotte Brontë
Reason to Read: February book selection for the Book to Film Club and it's 'one of those books you just have to read'.
I normally start a review with a contextual piece, but with Jane Eyre I'm at a bit of a loss. Part of this is because I had almost no points of reference for the book before reading it beyond specific women in my life who had read, and loved, the book. If this book was a film (and yes, it is being adapted which is the reason I read it), I would align it to a genre, but books run a bit different in that contest. Drama would be where I'd place it, or with the feel of a fictional biography that now feels historically set, but was current of the time. Oh - and it was according to Wikipedia, originally noted as a biography under a pen name.
What really struck me about the book was that I never knew where it was going, which is bizarre for such a fame and acclaimed book. But I loved that. I loved it! Afterwards I turned over the book and was really happy that I hadn't read the back, because it would have skewed the focus for me while reading. Not knowing where it was going, meant that as a reader I could decide for myself which of the themes, actions and characters I thought were the most important to the moment, or to the whole. I wasn't always 'right' per se, but it made for a much more engaged reading experience.
It would be simplest to say that it's about the character Jane Eyre, who is intelligent and strong-willed but not a person who has a lot of support. One of the most fascinating things about here character to me was how frank, practical and truthful but not unemotional. That's something I haven't often seen or read. But what I adored about the book was that it really was about her in every facet of her life. Again, that felt very unusual to me, I'm used to things being more hyper focused, but it was a welcome and refreshing change because it really felt like knowing her on such an intricate level.
I'm so happy that this book is one of the Book to Film Club selections, because I don't think I'd have read it otherwise. I got kind of scared off classics books after struggling through Wuthering Heights by Emily Bronte last year, but I found Jane Eyre to be a delightful read which I savoured and was happy to read it throughout the entire month. I'd highly & widely recommend the book, and although I think that there will be a particular resonance with girls & women I think it's accessible and interesting for everyone.
I'm really looking forward to the film adaptation, although I will admit to being hesitantly optimistic for several reasons. First, it's a HUGE book to adapt, so I'm a little worried that many of my favourite moments and themes that are more personal-development focused might be pushed to the wayside. In terms of casting, I'm on board with the boys picked as both Michael Fassbender (Fish Tank) and Jamie Bell (The Eagle, Billy Elliot) are perfect for their respective parts, but it's really all about Jane. In the film Jane will be played by Mia Wasikowska, whom was in Alice in Wonderland, The Kids Are All Right and I was most impressed with as Sophie in Season 1 of "In Treatment", and I'm really hoping she will be great here. I've decided not to watch the trailer for the film but rather wait and be surprized, but from pictures and the poster it looks like the historical period and styling is down pat so I'll be curious to see what they decided to go with in terms of tone and focus.
Jane Eyre is our March Film selection for the Book to Film Club. The film will be released Friday March 18, 2011.
Dir: Alister Grierson (Kokoda)
Cast: Richard Roxburgh, Rhys Wakefield, Ioan Gruffudd, Alice Parkinson, Dan Wyllie
USA/Australia, 2011
Seen: February 5, 2011 in 3D!
Reason to see: Water films are a must-see for me
I'm being totally honest when I say I saw Sanctum because it's a water film. Any film with a lot of blue in it, be it a water films or a submarines film or a space film or some kind of arty film, I will see it. I had an oddly aligned love for blue-centric films.
Blue-ness aside, Sanctum is an adventure/thriller that pairs cave diving with disaster. I liked how it has an adventurous spirit but also heart of realness to extreme adventuring, and that it brings a range of characters from business to worker folk, family to friends. It's not hard to keep people straight at all, as the film does tend to over-broadcast the characters at times which is a little too bad as although it is an adventure, connecting with the characters here is key. I did find that connection still came pretty easily though, and our protagonist is Josh (Rhys Wakefield), the skilled but not-interested son of Frank (Richard Roxburgh) the man running the show of finding a path through the underwater caverns. But, the money man here is actually Carl (Ioan Gruffudd) who brings along his girlfriend Victoria (Alice Parkinson) for the water ride. This sets up lots of dynamics that work well in to drive the suspense and story of the film.
The visuals are an huge highlight of the film, with gorgeous underwater and cave shots that we wonderous and awe inspiring. I get such a thrill seeing films that are actually shot on location! I did find that at certain moment we were building up to a big beautiful reveal shot... and then didn't get it, which was a slight disappointment. What wasn't a disappointment was that I was actually able to see a fair amount of the 3D, which is something I usually only get mere glimpses of in films but for some reason this time I saw lots which was so unexpected and exciting, even if it was just someone walking in front of the camera. Yes, it's a little silly - but it's also the truth!
Overall, it's an adventure film at heart that pulls together suspense and survival instinct. It's thrill range from pure adrenaline to hard choices. I appreciated that that if posed some serious questions but wasn't preachy. I enjoyed the characters and it was often gorgeous to look at. Although I could easily list off some things that weren't quite perfect about the film, I'd much rather just sit back and watch it again for the enjoyable entertainment value it delivers.
Shannon's Overall View:
I enjoyed it a lot
I'll buy it
I recommend it to fans of adventure films and survival films
Also see: All 2011 Films Reviewed and All Film Reviews
© Shannon Ridler, 2011
Dir: Alister Grierson (Kokoda)
Cast: Richard Roxburgh, Rhys Wakefield, Ioan Gruffudd, Alice Parkinson, Dan Wyllie
USA/Australia, 2011
Seen: February 5, 2011 in 3D!
Reason to see: Water films are a must-see for me
I'm being totally honest when I say I saw Sanctum because it's a water film. Any film with a lot of blue in it, be it a water films or a submarines film or a space film or some kind of arty film, I will see it. I had an oddly aligned love for blue-centric films.
Blue-ness aside, Sanctum is an adventure/thriller that pairs cave diving with disaster. I liked how it has an adventurous spirit but also heart of realness to extreme adventuring, and that it brings a range of characters from business to worker folk, family to friends. It's not hard to keep people straight at all, as the film does tend to over-broadcast the characters at times which is a little too bad as although it is an adventure, connecting with the characters here is key. I did find that connection still came pretty easily though, and our protagonist is Josh (Rhys Wakefield), the skilled but not-interested son of Frank (Richard Roxburgh) the man running the show of finding a path through the underwater caverns. But, the money man here is actually Carl (Ioan Gruffudd) who brings along his girlfriend Victoria (Alice Parkinson) for the water ride. This sets up lots of dynamics that work well in to drive the suspense and story of the film.
The visuals are an huge highlight of the film, with gorgeous underwater and cave shots that we wonderous and awe inspiring. I get such a thrill seeing films that are actually shot on location! I did find that at certain moment we were building up to a big beautiful reveal shot... and then didn't get it, which was a slight disappointment. What wasn't a disappointment was that I was actually able to see a fair amount of the 3D, which is something I usually only get mere glimpses of in films but for some reason this time I saw lots which was so unexpected and exciting, even if it was just someone walking in front of the camera. Yes, it's a little silly - but it's also the truth!
Overall, it's an adventure film at heart that pulls together suspense and survival instinct. It's thrill range from pure adrenaline to hard choices. I appreciated that that if posed some serious questions but wasn't preachy. I enjoyed the characters and it was often gorgeous to look at. Although I could easily list off some things that weren't quite perfect about the film, I'd much rather just sit back and watch it again for the enjoyable entertainment value it delivers.
Shannon's Overall View:
I enjoyed it a lot
I'll buy it
I recommend it to fans of adventure films and survival films
Also see: All 2011 Films Reviewed and All Film Reviews
© Shannon Ridler, 2011
Spirit Awards were held last night and it looks like Black Swan is no dark horse as it picked up several of the big awards of the night including Best Feature, Best Director, Best Cinematography and Best Female Lead (Natalie Portman). Best Actor when to James Franco for 127 Hours and both supporting acting awards went to Winter's Bone for John Hawkes and Dale Dickey.
Best Feature
Black Swan - Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin
Best Director
Darren Aronosfky for Black Swan
Best First Feature
Get Low - Aaron Schneider, Dean Zanuck, David Gundlach
John Cassavetes Award
for best feature made under $500,000, awarded to the writer, director and producer
Daddy Longlegs - Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott
Best Screenplay
Lisa Cholodenko, Stuart Blumberg for The Kids Are All Right
Best First Screenplay
Lena Dunham for Tiny Furniture
Best Female Lead
Natalie Portman in Black Swan
Best Male Lead
James Franco in 127 Hours
Best Supporting Female
Dale Dickey in Winter’s Bone
Best Supporting Male
John Hawkes in Winter’s Bone
Best Foreign Film
The King's Speech - Tom Hooper
Best Documentary
Exit Through The Gift Shop - Banksy
Best Cinematography
Matthew Libatique for Black Swan
Piaget Producers Award
honouring emerging producers who despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films
Anish Savjani for Meek's Cutoff
Acura Someone to Watch Award
to a filmmaker of singular vision who has not yet received appropriate recognition
Mike Ott - Littlerock
AVEENO Truer than Fiction Award
to an emerging director or non-fiction features who has not yet received significant recognition
Jeff Malmberg for Marwencol
Robert Altman Award
given to one films director, casting director and ensemble cast
Nicole Holofcener, Jeanne McCarthy, Ann Guilbert, Rebecca Hall, Catherine Keener, Amanda Peet, Oliver Platt, Lois Smith, Sarah Steele for Please Give
Jameson Find Your Audience Awards
Marwencol
The Spirit Awards wer presented on Saturday February 26, 2011.
See more at the Spirit Awards Website
Spirit Awards were held last night and it looks like Black Swan is no dark horse as it picked up several of the big awards of the night including Best Feature, Best Director, Best Cinematography and Best Female Lead (Natalie Portman). Best Actor when to James Franco for 127 Hours and both supporting acting awards went to Winter's Bone for John Hawkes and Dale Dickey.
Best Feature
Black Swan - Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin
Best Director
Darren Aronosfky for Black Swan
Best First Feature
Get Low - Aaron Schneider, Dean Zanuck, David Gundlach
John Cassavetes Award
for best feature made under $500,000, awarded to the writer, director and producer
Daddy Longlegs - Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott
Best Screenplay
Lisa Cholodenko, Stuart Blumberg for The Kids Are All Right
Best First Screenplay
Lena Dunham for Tiny Furniture
Best Female Lead
Natalie Portman in Black Swan
Best Male Lead
James Franco in 127 Hours
Best Supporting Female
Dale Dickey in Winter’s Bone
Best Supporting Male
John Hawkes in Winter’s Bone
Best Foreign Film
The King's Speech - Tom Hooper
Best Documentary
Exit Through The Gift Shop - Banksy
Best Cinematography
Matthew Libatique for Black Swan
Piaget Producers Award
honouring emerging producers who despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films
Anish Savjani for Meek's Cutoff
Acura Someone to Watch Award
to a filmmaker of singular vision who has not yet received appropriate recognition
Mike Ott - Littlerock
AVEENO Truer than Fiction Award
to an emerging director or non-fiction features who has not yet received significant recognition
Jeff Malmberg for Marwencol
Robert Altman Award
given to one films director, casting director and ensemble cast
Nicole Holofcener, Jeanne McCarthy, Ann Guilbert, Rebecca Hall, Catherine Keener, Amanda Peet, Oliver Platt, Lois Smith, Sarah Steele for Please Give
Jameson Find Your Audience Awards
Marwencol
The Spirit Awards wer presented on Saturday February 26, 2011.
See more at the Spirit Awards Website