DISCLAIMER: These initial impressions are based on the clips (usually 3-5 minutes) released by the networks to use in their Upfront presentations and for promos. They're chosen to sell the show, not to accurately represent it. So take the reactions below with a large satchel of salt--we may well feel differently about these shows once we see the full pilots. That being said, it's also true that these clips are carefully selected to give the best impression possible of a show--if it still doesn't look great, that may not bode well.
Clips are available, among other places, at ABC.com. ABC has not yet scheduled its midseason shows.
GOOD CHRISTIAN BELLES: More ABC soap. The trailer for this one is a bit unusual, as it's basically just one extended scene: Leslie Bibb, as our heroine, is back home in Dallas after 20 years away, and she remeets her high school friends, who are basically grown-up versions of the girls in Suburgatory. The script is by Robert Harling, who wrote Steel Magnolias, and the producer is Darren Star, who knows something about female-skewing television, so we can expect zingers aplenty. (The original title, before Standards made them change it, was "Good Christian Bitches.") The cast also includes Kristen Chenoweth and Annie Potts; it seems right down the ABC alley, but people said that about Dirty Sexy Money, too.
SCANDAL: ABC goddess Shonda Rhimes' new project is not about doctors. This time she's tackling the world of Washington DC crisis managers, a team headed by Kerry Washington. The trailer showcases Washington as the tough-talking head of the firm--she's not even intimidated by the (fictional) President--although in Rhimes' style it's to be expected that we'll find out about the personal lives of absolutely everyone. It looks glossy enough, and the millieu, which should provide no shortage of storylines, is at least a little different for network TV, making it worth a look.
MISSING: The network didn't release a real trailer for this one, just Ashley Judd talking about the show (seemingly a remake of Liam Neeson's Taken, with Judd as the female version of his ex-CIA agent tracking down her kidnapped son) and some stock footage. I'd feel better about it if the writer Gregory Poirier's biggest credit weren't National Treasure: Book of Secrets.
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