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Showing posts with label Wilson Yip. Show all posts
Showing posts with label Wilson Yip. Show all posts

[2011.12.02] WU CHUN'S MAGIC CANNOT MAKE FRAGILE STATE DISAPPEAR


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courtesy of singtao.com
courtesy of takungpao.com

The Wilson Yip Wai Shun directed, Raymond Wong Pak Ming produced, Louis Koo Tin Lok, Wu Chun, Wu Jing, Karena Ng Chin Yu, Yan Ni, Tonny (Chung Ming) starred fantasy film MAGIC TO WIN (HOI SUM MOR FAT) has been slated for a December 1 release; the five male leads will play magicians of the five elements metal, wood, water, fire and earth.  Although Hong Kong rarely makes this film genre and its experience naturally cannot compare to that of Hollywood, Wu Chun, Wu Jing and Chung Ming said that they were not afraid of comparison.

Speaking of the difference between magic, professional magician Chung Ming, Wu Chun and Wu Jing explained that one required training and many props while the other was truly magical like a super power.  Thus the film had a lot of special effects, wire and computer generated effects.  It even had many scenes that required acting with air, which even Wu Jing said was a lot of fun.  For his first modern fantasy film Wu Chun also praised the feeling as very interesting and fun.  In particular Hollywood made more movies of this genre and Hong Kong less.  Was he worried about comparison?  He immediately said, "Of course we can't compare with Hollywood, but our director has many of his own ideas.  He can use a small budget to achieve the effects that he wants, which is something that may not be able to achieve overseas even with money."  Wu Jing pointed out that with more consideration the production could not be made.  Thus no one should think too much and should just make the film first. Since he was not dead yet, he still had opportunities.

Speaking of the production, the trio said that it had both pain and joy.  Wu Jing said that during storms and rain the location would be very dirty and hot.  However he was also very happy that this was the first time he did not get hurt from a fight scene.  Despite the fact that the director asked him to make over 100 flips and only used one, the result was well worth the effort.  Wu Chun pointed out that the most difficult was the numerous night scenes because he could not sleep during the day.  In addition in the film he had to play injured, playing fragile was rather difficult.  Wu Jing joked that he could help and beat him into a fragile state; as for joy, Wu Chun pointed out that although they came from the Mainland, Hong Kong and Taiwan, the collaboration was pleasant.  In particular with Chung Ming around, they could ask him to perform and teach magic tricks.  Chung Ming joked, "Everyone knows where my hardship lies, haha; actually everyday on the shoot has been very happy.  The tough part is when I am trapped inside a small and hot prop box.  Ordinarily this trick only took five to ten minutes, but for the shoot it took 30 minutes."  He also revealed that Wu Jing planned ahead.  Before he even started dating he already learned to make a wedding ring appear for the proposal.  Wu Chun learned card tricks but absolutely would not use them to get girls.  He joked that with Wu Chun's qualities he did not need to rely on them to be able to get girls.

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[2011.11.23] RAYMOND WONG LAMENTS GIRL SELF DEFENSE DIFFICULTIES

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courtesy of takungpao.com

Raymond Wong Pak Ming two nights ago as the producer along with director Wilson Yip Wai Shun and the previous generation of Happy Girls Charine Chan Ka Ling, Gigi Fu Ming Hin, Law Ming Chu and the new generation Happy Girl Karena Ng Chin Yu attended a "MAGIC TO WIN JOURNEY OF MEMORY".  Although over 20 years separated the two generations, they still happily gathered together.

Speaking of Rose Chan Ka Wun's incident, Wong Pak Ming said that he was uncertain about the matter.  How did he manage the group of girls then?  He said that artists who he managed were very nice because he was very strict, like no smoking or foul language on the set.  If he knew someone was smoking he would inspect handbags.  He also revealed that once he heard a girl went to a dance club and he immediately went to retrieve her.  Finally he saw Fennie Yuen Kit Ying.  Did he teach the girls how to protect themselves?  He said that the times are already different, teaching protection would be hard.  In the past he promoted across many countries without any similar incident.  He also praised Ng Chin Yu as very nice.  This time after the shoot she immediately returned home.

Ng Chin Yu heard about Chan Ka Wun's encounter, but she was not afraid of promoting in the Mainland because she was under the care of the boss and the director.  Her assistant would also accompany her.  Was her family worried?  She said that they would not be because she often talked to her family about her working conditions.  Her parents would also communicate with the boss.  She also said that the after the shoot meals were with people who she was familiar with.  Embraces with good friends were very normal.  If she was with strangers she would leave first.

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[2011.11.17] WU CHUN AND KARENA NG PROMOTE IN BEIJING

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courtesy of mingpao.com

Wu Chun, Karena Ng Chin Yu, Wu Jing, Raymond Wong Pak Ming, Yan Ni, Tonny and director Wilson Yip Wai Shun yesterday attended the Beijing MAGIC TO WIN (HOI SUM MOR FAT) press conference.  The film's ultimate poster, theme song music video and "MAGIC" character video specials were unveiled.

Yip Wai Shun, Tonny and Wong Pak Ming teamed up for magic tricks.  Yip Wai Shun said that it was rare to invite a real life magician Tonny to participate.  During the shoot, he and Wu Chun often asked Tonny for advice.

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[2011.07.19] RAYMOND WONG CONTINUES HIS CLASSIC WITH MAGIC


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courtesy of mingpao.com

Wilson Yip, Tonny Jan, Raymond Wong, Wu Jing
courtesy of takungpao.com

The Raymond Wong Pak Ming produced, Wilson Yip Wai Shun directed new film MAGIC TO WIN (HOI SUM MOR FAT) two nights ago shot a highly difficult wire action scene with Wu Jing in the old amusement park set in the studio. Also on hand were Mainland magician Tonny Jan. While waiting for his shoot he even performed magic for Wu Jing and Wong Pak Ming.

Wong Pak Ming said that MAGIC cost US$10 million, a continuation of HAPPY GHOST (HOI SUM GWAI) which had over 20 years of history. He said. "Many people ask me to make a continuation of HAPPY GHOST, yet in recent years all of my efforts have been in action films like the IP MAN series. I also had the ALL'S WELL ENDS WELL (GA YAU HEI SI) series to make, so I didn't have time."

Wong Pak Ming revealed that earlier he and Yip Wai Shun talked about making the HAPPY GHOST series. Finally they chose to make a movie about magic; he also said that over 20 years ago he already made a movie about magic like HARRY POTTER. HAPPY GHOST used new comers in every film, this time Wong Pak Ming as usual chose a young actress. He said, "When I made ALL'S WELL ENDS WELL 2011 (JUI KEUNG HEI SI), some asked why I would pay all that money for (Cecilia Cheung) Pak Chi's comeback and not use someone new. Because that film required star power, I had to wait until I had a chance for new comers to show their potential."

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[2011.04.16] TSUI HARK HAS A GOOD CHANCE TO WIN BEST DIRECTOR

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With the 30th Hong Kong Film Award a day away, nominees have been busy with preparation to attend the event. Entering the final countdown, today we look at the Best Director nominees: GALLANTS (DAI LUI TOI)'s Derek Kwok Chi Kin and Clement Cheng Si Kit, DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (DIK YUN KIT ji TUNG TIN DAI GOK)'s Tsui Hark, IP MAN 2's Wilson Yip Wai Shun, REIGN OF ASSASSINS (GIM YU)'s Su Chao-Bin and STOOL PIGEON (SIN YUN)'s Dante Lam Chiu Yin.

Directors who are nominated for Best Director are of certain quality. They need to lead actors, cast and crew in the production, with a little less ability they would have difficulty completing the film.

The most experienced has to be Director Tsui Hark. His films often feel fresh to people. Previous Hong Kong Film Award Best Director winner he is nominated this time with DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (DIK YUN KIT ji TUNG TIN DAI GOK). The scenery in the film is memorable. Would he win Best Director again?

As for the 28th Hong Kong Film Award New Director Kwok Chi Kin, he is nominated with Cheng Si Kit with GALLANTS. GALLANTS earlier at the 17th Hong Kong Film Critic Society Award won Best Actor for Teddy Robin Kwan. Would Kwok Chi Kin and Cheng Si Kit win Best Director at the Hong Kong Film Award? They indeed have "dark horse" potential.

The 20th and 28th Hong Kong Film Award Best Director nominee with JULIET IN LOVE (JU LAI YIP YU LEUNG SAN BAK) and IP MAN, Yip Wai Shun this time is nominated again with IP MAN 2. With an all new direction he makes the film sequel, the continuous and exciting action scenes leave people with a deep impression. His potential is raised higher.

Nominated with the film STOOL PIGEON (SIN YUN), Lam Chiu Yin's film BEAST STALKER (JING YUN) at the 28th Hong Kong Film Award successfully made Nick Cheung Ka Fai a seven time Best Actor and Liu Kai Chi the Hong Kong Film Award Best Supporting Actor. This time with the original team he made STOOL, which might win Lam Chiu Yin the Best Director award.

Su Chao-Bin's REIGN OF ASSASSINS earlier at the 17th Hong Kong Film Critic Society won Best Director. With one award in hand he should not be overlooked.

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[2011.04.06] LOUIS KOO INJURES HIS LEG FROM CATCHING DEMONS

courtesy of mingpao.com


courtesy of takungpao.com

The Wilson Yip Wai Shun directed all new remake of the classic film A CHINESE GHOST STORY (SIN NUI YAU WON) will open on the 28th. Playing Yin Chet Ha in the film, Louis Koo Tin Lok's most memorable scene was when he had to catch 12 demons. Goo Jai said, "The director made me into a demon catcher. A professional demon catcher often had to be agile, unfortunately I successfully caught the demons but injured my leg." After the injury Goo Jai did not know how severe it was and kept going in pain. Then around dinner time, he saw his leg was both swollen and in pain, Louis Fan Siu Wong was worried that he injured his ligament and urged him to return to Hong Kong to see a doctor.

Because the film was in the middle of the production, it could only shoot more important scenes first so Goo Jai could rest. Unfortunately one of the important scenes made Goo Jai's injury even worse. The scene required Goo Jai to be tied to a tree. Goo Jai recalled, "At first I thought only my upper body was tied up so the injury would not be affected. However as soon as I moved my injured leg I would be sweating bullets from the pain. After the shoot when the workers carefully lowered me down, I was in so much pain that I was on my knees and could not stand up for a long time." The director gave him a few days off to return to Hong Kong for treatment.

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[2011.03.02] WAI YING HUNG SCARES CRYSTAL LIU

Wai Ying Hung has a gentle side with Crystal Liu Yifei

courtesy of takungpao.com

Director Wilson Yip Wai Shun's remake of A CHINESE GHOST STORY (SIN NUI YAU WON) had Louis Koo Tin Lok and Crystal Liu Yifei to play Yin Chet Ha and Nip Siu Sin to add to the romance. Although the film was an all new adaptation and differed from the previous films, a few soul characters remained. For example great actress Wai Ying Hung played the memorable Tree Demon this time.

The Tree Demon and Siu Sin's relationship was close and had many scenes together. Liu Yifei this time also worked with Wai Ying Hung for the first time. At first she was obviously a little nervous. "Sister Siu Hung went to make up and prepare as soon as she arrived on the set. As soon as I started acting with her, I truly was somewhat afraid and had a little pressure too. Luckily I didn't have bad take due to fear!" Instead Wai Ying Hung who was used to playing villains was quite at ease, sometimes permitting Siu Sin to lie in her embrace while at other times she would yell at her and beat her. Sister Siu Hung said, "In the film I had to play kind to coax Siu Sin into seducing some men, but if she went against my will she definitely would suffer. Because I thought whether actors or viewers would fear me, so before the shoot I became serious. With the make up and fake nails they truly were afraid of me."

The director also said that Sister Siu Hung as the Tree Demon truly could not be more fitting. "When she is mean sometimes even I am scared, but off screen Sister Siu Hung actually is very nice. Sometimes she would provide some suggestions to us. In addition with her on the set, she covered most of the afternoon tea!"

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