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Showing posts with label Grey's Anatomy. Show all posts
Showing posts with label Grey's Anatomy. Show all posts

The Sked: Upscale Ratings -- ABC Profile

Previously we examined the upscale ratings picture of the Monday at 10 pm hour, which showed the first few episodes of Smash as solidly upscale, Hawaii Five-0 as fairy downscale and Castle in the middle.  Today we turn our attention to ABC's schedule, which is averaging a 2.4 rating with Adults 18-49 for its regularly scheduled programs this season to date.  However, the regular schedule averages a 2.7 rating with Adults 18-49 in $100K+ income homes.  This translates to a 113 index (100=average and anything above 100 indicates an upscale skew overall), one of the highest concentrations of high-income viewers on network television.

ABC's schedule is paced by the most upscale program on TV, Modern Family with a 158 $100K+ index.  But index only tells part of the story, as it simply measures concentration of high-income viewers.  Modern Family is also toward the top of the ratings charts, ranked #5 with Adults 18-49 (5.6 rating season to date) and ranked even higher (#3) with Adults 18-49 in $100K+ income homes (8.8 rating season to date).  This is important because other shows like NBC's 30 Rock have a very high index (152) but much lower absolute ratings levels (#87 and a 1.6 rating with young adults versus #55 and a 2.4 rating with upscale young adults).  To make these distinctions clear, we divided all network programs into high, medium and low levels on two measures: upscale index and overall young adult rating.  Modern Family is the perfect example of a show that fits into the high rating-high upscale index, a holy grail for advertisers since it reaches a large audience that is highly concentrated with upper income viewers. 


High Rating-Upscale Shows.  In addition to Modern Family, ABC has two other programs in this most desirable category: Grey's Anatomy (116 index) and Dancing with the Stars (110 index, just barely making the cut).

High Rating-Midscale Shows.  Only one other ABC show is above the 3.2 rating level (our defintion for a high rating), freshman fantasy drama Once Upon a Time with an almost perfectly average 101 upscale index.  Although its ratings could very well grow in its second and third seasons, chances are the 101 index will not change very much, given historical patterns.

Downscale Shows.  ABC has no shows in the high rating-downscale category (as opposed to say, CBS -- the next post will show many of The Eye's crime dramas have high ratings but relatively few upper income viewers).  In addition, ABC has relatively few programs in the other downscale categories (middle rating-downscale and low rating-downscale).   Wipeout (89) and The River (87), as well as the now-cancelled Charlie's Angels (81) and Extreme Makeover Home Edition (76), are examples.

Low Rating Shows.  ABC also has relatively few shows in the other low rating categories (low rating-midscale and low rating-upscale -- as opposed to NBC, which has more than its share of upscale-skewing programs with tiny audiences). 

Middle Rating-Upscale Shows.  By default, ABC has a disproportionate number of shows with middling ratings but a upscale skews.  The Bachelor has a terrific upscale index (142), but it is on the downside of the ratings curve.  In contrast, Happy Endings (139 index) and Revenge (130) have a high proportion of upper-income viewers could find themselves moving up to the high rated category with a little patience and luck.  The same cannot be said of Pan Am (129 index): while its upscale skew remains strongly positive, the ratings are headed in the wrong direction and would be classified as a low rating show if we only looked at the last few months.

Finally, as the chart below shows, the once signature series Desperate Housewives (100 index) finds itself in the middle of the pack, undistinguished as a middle rating-midscale show.  Nothing to be ashamed of, it's just showing its age as a show that has migrated from the upper right box, where it burst upon the scene.  Last Man Standing (94 index) is starting its career in the middle box.  In the absolute best case scenario, it might move up the chart (although I wouldn't bet on higher ratings in coming seasons).  However, it has virtually no chance of moving to the right (more upscale in the future).  Like Home Improvement, Last Man Standing will always be solidly midscale and probably should be very happy with a 94 index.

In the next post on upscale ratings we will turn to CBS, which is more concentrated in the upper left section of the chart (high rating but midscale to downscale).


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THE SKED'S THURSDAY NETWORK SCORECARD



Lots of news, but it's only good for one network.

CBS:  Keeping in mind that the Thursday 8-9PM landscape will change drastically next week with the return of American Idol, CBS got everything it could have wished from the debut of ROB at 8:30PM.  The show's 4.1 blew past the numbers that Rules of Engagement was doing in that slot (let alone How To Be A Gentleman), retained 80% of its BIG BANG THEORY lead-in, and boosted PERSON OF INTEREST at 9PM to its own season high of 3.2.  THE MENTALIST was at a standard 2.7 at 10PM, good enough to win the hour.  Last year, the CBS 8:30PM sitcom (S#![ My Dad Says) did a 2.8 against the debut of Idol, after a 4.2 for Big Bang Theory, so even if Rob takes a hit from last night, it's in a good position to improve CBS's numbers overall.


NBC:  Ugh.  30 ROCK only made it to a 1.8 in its season debut.  That's a little better than what Community had been doing at 8PM, but a whopping 30% behind last year's season average.  On any other network, it would be in line for cancellation.  PARKS & RECREATION didn't benefit from the new lead-in, rising only 0.1 from its last original outing after a Community episode.  (In what now look like the halcyon days of 2011, NBC's 8-9PM sitcoms averaged a 2.2 against the debut of Idol.  That's not gonna happen next week.)  Despite all the marketing dollars spent to promote the new 9PM hour, THE OFFICE tied its season low, and UP ALL NIGHT, in its new timeslot, was up only 0.1 from Whitney's lowest rating in the slot.  But the worst was yet to come:  THE FIRM had its timeslot premiere with a catastrophic 1.0, 45% lower than the number Outsourced did last season at 10:30PM.  That would be a decent (and not exceptional) number for USA; it's a ridiculous rating for NBC. 

FOX:  THE FINDER had a very unimpressive 1.7 debut.  Of course its lead-in beginning next week will be probably triple the 2.4 it had from BONES last night, which should certainly leave it looking healthier--but still, a 4th place finish doesn't suggest much audience enthusiasm.

ABC:  The network took a hit from the higher level of competition on the night, not to mention the marketing dollars spent by the other networks in promoting their changes, as GREY'S ANATOMY and PRIVATE PRACTICE fell to the mid-levels of their season numbers.

CW:  VAMPIRE DIARIES was down a significant 0.3 (by CW terms), but still huge (by CW terms) with a 1.2.  Even with the diminished lead-in, SECRET CIRCLE held steady at a strong 0.8.

Tonight:  the return of FRINGE!  (There may not be many more chances to use that phrase.)  And the final regular episodes of EXTREME MAKEOVER:  HOME EDITION.  

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THE SKED: ABC'S Spring Schedule



The bi-yearly gathering of TV journalists is going on in LA this week, and while the schedules for most networks have already been set through the rest of the season (sudden cancellations notwithstanding), ABC, with its piles of short-run series ordered from last year's pilot season, had some additional announcements to make:

TUESDAYS:  Beginning April 24, PRIVATE PRACTICE will move for the remaining 4 weeks of the season into the 10PM slot currently occupied by the not-long-for-this-world BODY OF PROOF.  This will give the network a chance to see whether the show is now strong enough to survive without a Grey's Anatomy lead-in, and also clear space for the Thursday move below.


WEDNESDAYS:  Starting April 11 (after HAPPY ENDINGS is done for the season, with what should be a minimum of repeats from here on), the very promising sit-com now known as DON'T TRUST THE B____ IN APT 23 will inherit the prime post-Modern Family slot at 9:30PM.  For those keeping count, this makes 2 series this season in which ABC is coyly trying to suggest but not use the word "Bitch," the other being whatever they're calling Good Christian Bitches, which will air on Sundays starting in March.  We all look forward to next season's network spin-off Once Upon a F___ing Time.  

THURSDAYS:  Shonda Rhimes isn't losing the post-Grey's slot, just shuffling it a bit.  When Private Practice moves to Tuesdays, Rhimes' new Washington-set soap SCANDAL takes over, as of April 5.

The one piece on the ABC board still unaccounted for is the return of COUGAR TOWN, as to which the network continues to be vague.  One can't help but notice, though, that a half-hour might open up on Tuesdays if WORK IT were to meet a tragically untimely demise, providing yet another reason (as if any were needed) to root against it.

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THE SKED'S THURSDAY NETWORK SCORECARD


Most of the other networks yielded the floor to ABC for the night.

ABC:  GREY'S ANATOMY hadn't aired a new episode, remarkably enough, since November 10, and viewers were thrilled to have it back, providing the show with a season-high 4.5.  PRIVATE PRACTICE, gone since November 17, was just below its season-high at 2.7.  WIPEOUT's 2.8 was far below last year's 3.8 season premiere, but good enough for 2d place in its hour.


CW:  THE VAMPIRE DIARIES was also new for the first time since early November, and returned in form with a terrific (for its network) 1.4.  THE SECRET CIRCLE was also in form, but that meant a 0.8, still above just about every other CW series.
   
CBS:  Champions of the reruns (of course), with a win at 8PM for the repeat BIG BANG THEORY, and 2d place showings the rest of the night.

FOX:  Decent 1.1-1.2 for 2 hours of BONES repeats.

NBC:  Apart from a 1.1 for the 9PM OFFICE repeat, nothing topped a 0.9.

Tonight, despite the Cotton Bowl on FOX, the other networks air all-new programming with the exception of a repeat GRIMM on NBC.

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THE SKED'S MIDSEASON RETURN: "Grey's Anatomy"



Even diminished from the powerhouse it once was, GREY'S ANATOMY is the foundation of ABC's drama schedule, and its return to the air after a nearly 2 month absence should lift the network's Thursday considerably.

WHERE WE LEFT OFF:  Things were grim when we last visited Seattle Grace.  Cristina (Sandra Oh) had, unknowingly, operated on Teddy (Kim Raver)'s husband--and presided over his tragic, unavoidable death on the table.  Avery (Jesse Williams) had carelessly left an object in a young mother's body that had shredded her heart.  (And while Teddy desperately tried to save the woman's life, the rest of the staff withheld the news of her husband's death from her.)  Meanwhile Meredith (Ellen Pompeo), having just learned that she and Derek (Patrick Dempsey) weren't going to be allowed to adopt the baby they'd been caring for, was caught with Karev (Justin Chambers) in a horrific accident in which the ambulance carrying them and the (other) baby they were trying to save was hit on a blind curve, overturning them and totaling the car that crashed into them.


WHERE WE ARE:  The 2012 premiere picked up just where the midseason finale had left off, and things didn't get markedly more cheerful.  The oldest daughter of the car crash family had to watch not just one but both of her parents die in front of her eyes at the hospital (in a rather too convenient plot turn, she had just turned 18 in the hours since the accident, and so was able to order life support turned off for her dad).  Various teams of regulars worked on the survivors while Meredith tried to comfort the girl.  While all this was going on, a blatant but irresistibly dramatic contrivance found Teddy insisting on having Cristina to assist her in trying to save the woman with the shredded heart--cheerfully enjoying their operating table camaraderie, oblivious to the other doctors watching the ghastly spectacle from the gallery, having no idea that her husband was dead and Cristina had performed the operation.  

Even eight years into its run, with many of its original characters gone and its ratings a memory of what they used to be, Grey's is still a powerfully slick piece of entertainment.  Shonda Rhimes' sense of pace and ability to alternate light and dark storylines is far more effective here than it's ever been on Private Practice, exemplified here by the episode's final, however implausible, happy ending for Meredith and Derek after the hell they'd gone through in the preceding hours.  The cast continues to perform at a very high level:  although Meredith Grey is still technically the show's center, Sandra Oh's Cristina has long been doing the heavy dramatic lifting on the series, and this episode gave her and Kim Raver a showcase, for much of which Oh had to make her miserably mixed emotions clear under a surgical mask, able to act with only her eyes. 

However downsized its ratings may be, Grey's sole dramatic competition on the ABC drama schedule is the new Once Upon A Time, which got off to a strong start but has been stung by its own hiatus and some questionable scheduling moves by the network.  Like ER in its time, Grey's should continue on its network's air for as long as economics permit.

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THE SKED'S WEDNESDAY NETWORK SCORECARD



America gives a warm "Welcome Back" to ABC's Wednesday line-up.

ABC:  With new episodes airing for the first time in a month, the network's shows (admittedly airing against lots of repeats and low-level specials on the other networks) took every half-hour of the night.  Everything was up from its last new episode in early December, although glass-half-emptiers might note that SUBURGATORY and REVENGE were only up 0.1 from what had been (excluding Thanksgiving Eve) their previous series lows.  Still, up is up, and a particularly ingenious HAPPY ENDINGS was only 0.2 off its season high.


FOX:  An off-night GLEE repeat didn't give much of a lead-in to a new MOBBED, which could only manage a 3d place 1.2 in its hour.

CBS:  A special I GET THAT A LOT pulled a not-bad 2.3, good enough for 2d place in the hour, then repeats held on to 2d place the rest of the night.

NBC:  The network's last night of repeats until it launches its "unfunny women in their 20s" 8PM hour of sit-coms next week.  The night's high point was a 1.1 for the SVU repeat.

CW:  Finally new episodes return to CW tonight, but there was still time for one more night of SECRET CIRCLE repeats with their 0.3 ratings.

Tonight, yes, CW unwraps new episodes of guilty pleasure Vampire Diaries and guilty not-so-much-pleasure Secret Circle, while ABC has 2012's first new chapters of Grey's Anatomy and Private Practice.  CBS, FOX and NBC (goodbye for now, Community) air reruns.

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THE SKED'S THURSDAY NETWORK SCORECARD



More repeats:  CBS could do this all season.

CBS:  A sparkling 2.0 average, spearheaded by BIG BANG THEORY's 2.8--a number so good that if it were earned by a new episode on any other network, it would be enough to get that show renewed.


ABC:  At least they aired HAPPY NEW YEAR, CHARLIE BROWN to break up the monotony.  Its 1.1 was better than the 0.9 average for 2 hours of the serialized GREY'S ANATOMY.

FOX:  2 hours of BONES yielded a 1.1.

NBC:  Apart from a 1.1 for the 9PM OFFICE, nothing cracked a 0.8.

CW:  0.3 for 2 hours.

Tonight, in its race to get CHUCK the hell off its air, NBC will actually air a new episode, the first original scripted show we've seen since... well, since NBC burned off another Chuck and a PRIME SUSPECT last week.  DATELINE will also be new (but GRIMM in between them is a repeat).

For all the numbers, see Mitch Metcalf's ratings report. 

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THE SKED'S THURSDAY NETWORK SCORECARD



For one network, a night that moved in the wrong direction.

FOX:  Does FOX have to start worrying about X FACTOR?  The show seemed to make its way through the wave of baseball-related preemptions and reschedulings very smoothly, but this week has been troubling.  Both Wednesday and last night, the show has hit season lows for those respective nights, and while the numbers are still perfectly fine (last night's 3.3 was enough for a strong 2d place in its hour), this is the part of the season when competition shows are supposed to start building, not falling apart.  BONES was also down almost 20% from last week, although a drop after the season premiere isn't unusual.  


ABC:  If the network hadn't used the 8PM hour to burn off what may have been the last completed episode of CHARLIE'S ANGELS, ABC might have won the night.  The "fall finale" episode of GREY'S ANATOMY was up to a very solid 4, the highest number it's seem since the season premiere, and PRIVATE PRACTICE is peaking at the right time, with its season-highest rating as lead-up to next week's  2-hour special.

CBS:  Even with mostly reruns, CBS was in the hunt to win the night.  BIG BANG THEORY and RULES OF ENGAGEMENT won their hour handily, and the MENTALIST rerun easily beat NBC's new programming at 10PM.

NBC:  The good news was that THE OFFICE stayed on the safe side of a 3 rating, and WHITNEY, while far from a hit, retained a steady 70% of that number.  The 8PM hour was a disaster, though, with COMMUNITY and PARKS & RECREATION both tying their season lows.  (And when it comes to those shows, that does mean "low.")  PRIME SUSPECT, like a crippled racehorse no one will have the mercy to shoot, continued to howl in pain at a 1.2.

CW  The "fall finale" gambit worked less well for VAMPIRE DIARIES and SECRET CIRCLE, which were both down a bit from last week.

Tonight the Friday watch will be on GRIMM, which needs to stop dropping so NBC can reasonably claim a fall hit (by Friday standards), and A GIFTED MAN, fighting to stay off the autopsy table.

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