CBS: The network experimented with a new episode of THE MENTALIST at 9PM, and while the 2.0 rating was 20% below the show's Thursday season low, Friday offers fewer available eyeballs, so a decline was to be expected. Mentalist nevertheless considerably outrated what CSI NY and A Gifted Man have been doing at 9PM, easily winning its timeslot, pushing Grimm near a series low, and helping BLUE BLOODS inch up to a 1.8. And that wasn't even CBS' best news of the night: in the 4-way unscripted battle at 8PM, UNDERCOVER BOSS was the winner by far with a 2.2, the highest rated broadcast on any network last night.THE SKED'S FRIDAY NETWORK SCORECARD
CBS: The network experimented with a new episode of THE MENTALIST at 9PM, and while the 2.0 rating was 20% below the show's Thursday season low, Friday offers fewer available eyeballs, so a decline was to be expected. Mentalist nevertheless considerably outrated what CSI NY and A Gifted Man have been doing at 9PM, easily winning its timeslot, pushing Grimm near a series low, and helping BLUE BLOODS inch up to a 1.8. And that wasn't even CBS' best news of the night: in the 4-way unscripted battle at 8PM, UNDERCOVER BOSS was the winner by far with a 2.2, the highest rated broadcast on any network last night.THE SKED THURSDAY NETWORK SCORECARD
NBC: A 20% drop from a series premiere isn't ordinarily anything shocking or particularly worrisome. But when you start with a 2.0 the way AWAKE did, that leaves you with a 1.6 in Week 2, and that makes Week 3, when the show will be facing fresh competition on both CBS and ABC for the first time, look like an oncoming train. (The show continues to be problematic creatively, too: see our Pilot + 1 Review.) Earlier in the evening, 30 ROCK had its last 8PM airing of the season (COMMUNITY arrives next week) and remained 0.1 above its season low with 1.4, while PARKS & RECREATION was comparatively robust at 1.9. THE OFFICE and UP ALL NIGHT (with what may have been its most insufferable episode yet--if the show would just own up to the contempt it feels for almost all human beings, it might be a lot better) were up 0.1 from last week.THE SKED'S WEDNESDAY NETWORK SCORECARD
ABC: Serialized dramas repeat notoriously badly, so the network had the clever idea of filling in the spring schedule gap with a "news" show about true-life crimes that presumably are similar to those in the show, albeit without Emily Van Camp or Madeleine Stowe. The resulting REVENGE FOR REAL was probably about where ABC expected, a full ratings point down from real Revenge episodes, but a little higher than repeats have been scoring. The network tried to give For Real a lead-in with a new episode of HAPPY ENDINGS, but that ended up unnecessarily burning off a fresh (and funny, particularly for John Hughes fans) Happy episode, which hit a season low and didn't do any better coming out of a MODERN FAMILY repeat than a Happy rerun would have done. THE SKED'S TUESDAY NETWORK SCORECARD
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NBC: Airing against repeats on both of the other networks, SMASH was up a big 0.4 to 2.7, a healthy number for any 10PM drama these days. So... yay? Maybe, but the show itself continues to get markedly worse, moving with near-rocket speed from "potential Emmy contender" to "disappointing" to just plain "not good." Smash, very sadly, is becoming a collection of unbelievable characters, unmotivated bitchfest scenes and bad, on-the-nose dialogue, with increasingly painful plot developments (was it just me, or did last night's final sequence suggest the writers had been watching "On the Street Where You Live" from My Fair Lady on Autorepeat?). But I digress: the rating was, no question about it, very good. Apart from the ABC/CBS repeats, it helped that lead-in THE VOICE was also up 0.7 from last week, confirming its new place as the big bad reality show of the season.THE SKED SUNDAY NETWORK SCORECARD
ABC: GCB (aka Good Christian Bitches, aka Good Christian Belles) had a very unimpressive debut, a 2.2 that was way below Pan Am's premiere in the fall. (In fairness, the DESPERATE HOUSEWIVES lead-in to Pan Am was a lot higher than last night's rating.) GCB wasn't able to win its hour, and considering that it was only 0.2 ahead of 3rd place CSI Miami, the likelihood is that once it settles into post-premiere numbers, it'll be in last place at 10PM. ABC was hoping this could be the show that inherits the 9PM Housewives slot next season, but the signs aren't good. Meanwhile, Housewives itself, as it nears the home stretch of its run (7 episodes left), was up a nice 0.3 from its pre-Oscar week airing. The queen of ABC's Sunday night, though, is ONCE UPON A TIME, with a terrific 3.4 that was more than a half-point higher than anything else on network TV last night. THE SKED'S FRIDAY NETWORK SCORECARD
CBS: The season finale of A GIFTED MAN ticked up a bit to a 1.4, but while that would be great news for, say, Fringe, don't get your hopes up for Man's renewal. A far more telling sign: we've talked here before about "second position" pilot deals for actors, and Gifted Man's female lead Rachelle Levebre just signed for one produced by Man's own production company (and that being CBS Studios, not unacquainted with its network). CBS won the night's other hours (UNDERCOVER BOSS slightly up, BLUE BLOODS even) to tie for the evening win.THE SKED'S THURSDAY NETWORK SCORECARD
NBC: In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is: AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour. So there's that. Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure. It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice. (Even against a Mentalist repeat, its margin of victory was a mere 0.2.) So: on to next year! Meanwhile, the rest of the evening was dismal as well: none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks. Creatively, it was also a down night: THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered. (Let's not even speak of UP ALL NIGHT.)THE SKED'S WEDNESDAY NETWORK SCORECARD
ABC: The first "midseason arc" episode of REVENGE looked almost exactly like all the other episodes, so it was fitting that the rating stayed even. The show will now take a break from fresh episodes until the end-of-season push in April. (Meanwhile, the network will air REVENGE FOR REAL, some kind of "ABC News" concoction about actual rich-people crimes. If it works, no doubt NBC is poised to launch Smash For Real.) Elsewhere, even with a 2-hour Idol as competition, HAPPY ENDINGS had a very nice 0.4 bump over the last 2 weeks--and continued to pile up its pre-Community Random Pop Culture Reference points with a nod to Krippendorf's Tribe that must have made Richard Dreyfuss very happy. THE MIDDLE was also up a gratifying 0.4, while SUBURGATORY was slightly up and MODERN FAMILY was even. THE SKED'S TUESDAY NETWORK SCORECARD
NBC: Creatively, PARENTHOOD's season finale wasn't the show at its best (too many storyline conclusions crammed into too little time). But its 1.9 rating built on last week's increase, and "tied for 1st place" isn't a phrase NBC gets to hear very often these days in reference to any timeslot. The show at least gave itself a fighting chance. Parenthood's number was particularly impressive because it was just 0.1 below its BIGGEST LOSER lead-in, which was close to a season low thanks to the atypical competition on FOX.THE SKED'S FRIDAY NETWORK SCORECARD
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FOX: AMERICAN IDOL's 4.4 rating was its lowest since the show began as a summer series 10 years ago. That was down 14% from last week, 38% from the first hour of last year's parallel episode, and 43% from last season's Thursday average. The combined Wednesday/Thursday average for this week was more than 20% lower than NBC's rating for Monday's The Voice. Oh, I could go on. The question is what--if anything--can FOX do to reverse the trend? The show is locked into its format and judges, so look for some high-profile theme nights and other stunting. The network may also have to give Idol some of the valuable promo time that would otherwise have gone to launching shows like Touch. Meanwhile, THE FINDER was down to the rating it was getting before it had Idol as a lead-in, although considering that Idol was down 1.4 rating points from the lead-in it provided 2 weeks ago, Finder's 0.2 decline wasn't at all alarming.THE SKED'S TUESDAY NETWORK SCORECARD
FOX: Despite perhaps the most melodramatic midseason finale of any "comedy' in TV history (a suicide attempt, an as-yet unexplained pregnancy, and a dead-or-not-dead? cliffhanger), GLEE was up only 0.1 from last week's season low. The show won't air again until mid-April. NEW GIRL was down to a new series low, and RAISING HOPE, while marginally up, was only 0.2 above its own season low. After next week's 2-hour special Tuesday Idol, both sitcoms will be part of FOX's 4-sitcom Tuesday through March, with Hope moving to earlier in the evening.THE SKED'S MONDAY NETWORK SCORECARD
NBC: Leaving the numbers aside for a moment, on a dramatic level SMASH after 3 episodes is starting to lose its practically-cable sheen, and look a lot more like a high-class ABC soap. The post-pilot episodes haven't even been as good as a typical Parenthood or The Good Wife, much less Mad Men. And those numbers continue to crumble: last night's 2.3 was down 40% from the premiere, and as Mitch Metcalf's analysis shows, the drop in the show's 2d half-hour suggests the ratings aren't done falling. It's only fair to say that if Smash could just stabilize where it is, that would still be a very good number for NBC, on a level with The Office, still the network's highest-rated scripted show. And as The Sked has noted, the series appeals to the upscale viewers that advertisers covet. But... coming in 2d place to Hawaii 5-0 (and not that far ahead of Castle in 3d place) is hardly where NBC wanted Smash to be. On the very important plus side for the the network, though, THE VOICE is holding beautifully, down less than 15% over 3 weeks, and enabling NBC to keep airing those promos asserting domination over once-untouchable American Idol. THE SKED'S WEDNESDAY NETWORK SCORECARD
REVENGE... not so sweet.
ABC: It was finally time for Revenge to wind itself back around and reach the flashforward that started the pilot, climaxing the series' initial plotline, but viewers weren't all that interested, with a 2.4 that was slightly below last week and around where the show has been for the past month. As a limited defense, its lead-in was down even further from last week, with both MODERN FAMILY and HAPPY ENDINGS dented by last night's extra hour of American Idol. THE MIDDLE and SUBURGATORY were at season lows, but that's pretty much where they've been since Idol arrived.
CBS: A small amount of excitement for Elisabeth Shue's arrival on CSI provided a 0.2 boost, enough to win the 10PM hour. Earlier in the evening, SURVIVOR's 3.0 was a season low and the show's lowest-rated cycle premiere ever, and CRIMINAL MINDS, airing against Idol, set a new season low.
FOX: AMERICAN IDOL's 6,0 gave it the easy win for the night, but was still down 25% from last season.
NBC: Must we? OK... WHITNEY was up 0.1, and that was it for the good news. ARE YOU THERE, CHELSEA?, ROCK CENTER and SVU all set season lows, and for SVU, that was the all-time low of a 13-year run.
CW: ONE TREE HILL held with a CW-good 0.7, but REMODELED fell to a downright alarming 0.2 in the next hour.
Tonight brings one of the most hallowed artifacts of a TV sweeps month: the crossover. The mother of Cooper's son from PRIVATE PRACTICE has been dying of cancer this season, and her only chance of survival is surgery by none other than Derek from GREY'S ANATOMY, so tonight that story is played out on both shows. All the networks feature new episodes, including another 2-hour IDOL on FOX, the exception being a repeat GRIMM on NBC to keep the timeslot warm for the arrival of AWAKE in 2 weeks.
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NBC: THE VOICE, down only around 10% from last week's huge rating, is in great shape at 8PM, and those 2 strong hours pretty much guarantee NBC Monday wins the rest of the season. So far so good. But nightly wins aside, an enormous amount of NBC's stature and even its identity has been wagered this season on SMASH, and that part of the night is still unsettled. Last night, Smash's 2.8 was down about 25% from last week, and as Mitch Metcalf details, that number went down sharply at the half-hour mark. Right now the show can still fairly be called a hit, winning its hour against CBS and ABC. But its margin of victory was a shrinking 0.2 (and really it only won the 10-10:30PM half-hour), so the show needs to stabilize quickly. As I noted in my Pilot + 1 review, creatively the 2d episode started to show some dramatic strain, and NBC will hope those are rectified before more viewers depart. THE SKED'S SUNDAY NETWORK SCORECARD
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CBS: On a night where CSI NY and BLUE BLOODS both won their hours and were up slightly from last week, A GIFTED MAN went down 0.1 and tied for 3rd place at 8PM.THE SKED'S THURSDAY NETWORK SCORECARD
NBC: The gradual season-long collapse of THE OFFICE continued last night, as the show's 2.5 hit not just a season low, but its lowest rating since Season 1 in 2005--i.e., the season that almost got it canceled. That was still by far the s network's highest number of the night. 30 ROCK was misleadingly up from last week, which was an aberration caused by a program description that resulted in DVRs not picking up the episode; last night's 1.6 was in line with the other episodes this season (and slightly below recent episodes of Parks & Recreation, which it replaced for the night). UP ALL NIGHT tied its Thursday low. Perhaps the most pathetic news of the evening was that the meager 1.5 earned by a repeat of the post-Super Bowl VOICE at 10PM still marked almost double the rating Prime Suspect and The Firm had been doing in that slot.THE SKED'S WEDNESDAY NETWORK SCORECARD
CBS: The attempt to resurrect Murrow's 59-year old celebrity interview vehicle PERSON TO PERSON with Charlie Rose and Lara Logan flopped badly with a 1.1 (wait, people didn't want to see the inside of Warren Buffet's house?). But Survivor will be back next week, so no long-term damage done. CRIMINAL MINDS was in its recent neighborhood (its lead over Mobbed on FOX will likely look better when final ratings are released and the Idol overrun into Mobbed's hour is removed). As expected, CSI took a big hit from the last new episode, which was Marg Helgenberger's finale, but still won its hour. Next week Elisabeth Shue debuts as the show's new female lead, and we'll see if that does anything for the show.




