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Showing posts with label Person of Interest. Show all posts
Showing posts with label Person of Interest. Show all posts

THE SKED THURSDAY NETWORK SCORECARD





AWAKE is getting sleepy.

NBC:  A 20% drop from a series premiere isn't ordinarily anything shocking or particularly worrisome.  But when you start with a 2.0 the way AWAKE did, that leaves you with a 1.6 in Week 2, and that makes Week 3, when the show will be facing fresh competition on both CBS and ABC for the first time, look like an oncoming train.  (The show continues to be problematic creatively, too:  see our Pilot + 1 Review.)  Earlier in the evening, 30 ROCK had its last 8PM airing of the season (COMMUNITY arrives next week) and remained 0.1 above its season low with 1.4, while PARKS & RECREATION was comparatively robust at 1.9.  THE OFFICE and UP ALL NIGHT (with what may have been its most insufferable episode yet--if the show would just own up to the contempt it feels for almost all human beings, it might be a lot better) were up 0.1 from last week.


CBSBIG BANG THEORY continued to dominate Idol at 8PM, and a repeat Big Bang provided strong competition for FOX at 8:30PM, holding on impressively to almost 80% of the new episode's audience.  That (along with the weak competition on ABC and FOX) pushed PERSON OF INTEREST to a new series high of 3.4, which in turn gave THE MENTALIST its best number in a month.

FOXAMERICAN IDOL came awfully close to losing the full 8-9PM hour (4.8 vs 4.6), continuing its diminished ways.  THE FINDER aired its last Thursday episode before being burned off on moving to Fridays, with a 2.3 that was last place among the original shows in its hour.

ABC:  Repeats for the evening, putting it in last place (other than CW) in every hour.

CW:  Also in repeat mode, with a rerun SUPERNATURAL substituted for THE SECRET CIRCLE to little effect.

Tonight's interesting move is CBS experimenting with a new Mentalist episode at 9PM.  Apart from the CBS shows and GRIMM, everything is unscripted or a repeat.

 

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The Sked: PROMO WATCH -- Update through March 1

The most recent Promo Watch numbers are based on prime time broadcast network programming between February 16 and March 1, with about 16 hours of programming sampled for each network over that period.  (Click "read more" to see the latest chart.)


ABCGCB continues to be the top ABC priority as it heads toward Sunday night's premiere.  On-air promotion has been heavy, averaging 38 seconds per hour over the last two weeks.  Over the past week, the on-air promo commitment to GCB has been 46 seconds per hour, nearing saturation levels.  As we have seen with NBC's Awake, heavy promotion does not guarantee a high premiere rating.  A compatible lead-in and an easy to communicate premise helps, and GCB has both of those things going for it.  Check back later today for a forecast of GCB's premiere ratings.  Promotion for Missing (starring Ashley Judd) has picked up to 20 seconds per hour over the past two weeks (and up to 25 seconds per hour over the past week).  Scandal (starring Kerry Washington) premieres later and has fallen down to 8 seconds per hour over the past two weeks (and an almost non-existent 2 seconds per hour the past week).  It will be interesting to see if the creative approach for Scandal has been re-tooled when promos start airing again in heavier rotation.  

NBCAwake averaged 44 seconds per hour over the past two weeks (peaking at 46 seconds per hour this past week leading up to Thursday's premiere).  The 1.9 Adult 18-49 rating the debut received Thursday at 10 pm is surely a disappointment.  Yes, it built on its Up All Night lead-in, it was in first place in the time period (if you exclude cable and forget it faced repeats on ABC and CBS), it improved on the performance of The Firm, and it slightly beat Prime Suspect's premiere (by all of one tenth of a rating point).  But these are "world's tallest midget" comparisons.  Amazing that some television writers actually picked up on that spin.  The promos were given every opportunity to run, and the audience either was confused or simply didn't care. Next up is Fashion Star, which has averaged 19 seconds per hour over the past two weeks (and 18 seconds over the most recent week).  Look for its allocation to zoom as Awake levels come back down to Earth.  
        
CBSPerson of Interest stays in the top spot with 23 seconds over the past two weeks.  Even the repeat episode that aired Thursday received heavy support (19 seconds over the past week).  Undercover Boss has received substantial support, 19 seconds per hour over the past two weeks and 21 seconds over the past week (actually making it the #1 priority this week only), emphasizing an emotional sell and a teary Popeye's Chicken CEO understanding the pain of Americans.  CBS is hoping Boss can bounce back from last week's 1.9 rating (which featured a rather cold, unemotional CEO, by the way) after the very promising 2.4 rated premiere.  Amid scripted series repeats, Survivor and Amazing Race stand out with original episodes and have also received 18 seconds per hour each.      


FOX.  The heat has started to be turned up on Touch starring Kiefer Sutherland, 19 seconds per hour over the past two weeks but up to 23 seconds per hour over the past week.  While not a full commitment when compared to the other networks, Touch is clearly FOX's priority.  Bob's Burgers clocks in at 11 seconds per hour (over both the past two weeks and the past week), while the network has eased off the gas for Breaking In (10 seconds per hour over the past two weeks and a barely noticeable 6 seconds per hour the past week). Not shown on the chart, Q'Viva (Jennifer Lopez and Marc Anthony scour the world for young talent) premieres Saturday for a short run.  The show has averaged 3 seconds per hour the past two weeks and 7 seconds per hour the past week (with a few spots in American Idol, for Ms. Lopez's benefit).     



                          PROMO WATCH

                    Top Priorities by Network
              On-Air Promo Seconds per Hour Sampled
               Past Two Weeks (Feb 19-Mar 1, 2011)

      ABC                          CBS
     GCB                38        Person of Interest 23
     Missing            20        Undercover Boss    19
     Oscars             15        Amazing Race       18
     Revenge            10        Survivor           18
                                  Hawaii Five-O      13

     NBC                          FOX
     Awake              44        Touch              19
     Smash              20        Alcatraz           14
     Fashion Star       19        Bob's Burgers      11
     SVU                10        Breaking In        10
     The Voice          10       
    

###

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THE SKED'S THURSDAY NETWORK SCORECARD




Ow, says FOX.  See FOX say Ow.

FOX:  AMERICAN IDOL's 4.4 rating was its lowest since the show began as a summer series 10 years ago.  That was down 14% from last week, 38% from the first hour of last year's parallel episode, and 43% from last season's Thursday average.  The combined Wednesday/Thursday average for this week was more than 20% lower than NBC's rating for Monday's The Voice.  Oh, I could go on.  The question is what--if anything--can FOX do to reverse the trend?  The show is locked into its format and judges, so look for some high-profile theme nights and other stunting.  The network may also have to give Idol some of the valuable promo time that would otherwise have gone to launching shows like Touch.  Meanwhile, THE FINDER was down to the rating it was getting before it had Idol as a lead-in, although considering that  Idol was down 1.4 rating points from the lead-in it provided 2 weeks ago, Finder's 0.2 decline wasn't at all alarming.


NBC:  The lower Idol numbers on FOX didn't do anything for 30 ROCK or PARKS & RECREATION, both of which were even with last week's season lows (if you exclude 30 Rock's oopsie DVR listing episode).  This is too bad, as both featured first-rate episodes this week, especially 30 Rock with its inspired Leap Day William concoction.  THE OFFICE is also on a creative upswing, although the Tallahassee gambit that's perking the show up is by definition a temporary one.  Office, facing The Finder instead of Idol, was up a decent 0.3 from last week, still far from its numbers earlier this season.  UP ALL NIGHT also had a 0.3 boost with the higher lead-in.  The last rerun GRIMM before Awake arrives next week received little interest with a 0.9.

ABCGREY'S ANATOMY tied its season low, and PRIVATE PRACTICE took a big 0.4 hit from last week's crossover episode.  

CBSTHE BIG BANG THEORY is now the unquestioned king of the 8PM slot, although ROB slipped a bit to a new low (at 3.0, it's still in pretty good shape).  PERSON OF INTEREST benefited from the reduced FOX competition at 9PM and rebounded 0.3, but THE MENTALIST tied its season low.  (The 10PM ratings in general support the idea that in the absence of strong programming, this is when people are catching up on their DVR playlists, since Mentalist and Private Practice were both down, and no one was watching NBC.)

CW:  Already in repeat mode for the night (new shows won't return till mid-March), with a SUPERNATURAL thrown in instead of the usual SECRET CIRCLE at 9PM and garnering an unremarkable 0.3. 

No special events for the evening tonight, just fresh sweeps episodes of all the regular shows (except at CW).

 


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The Sked: PROMO WATCH -- Update through February 23

GCB and the Oscars are the big bets for ABC in recent days, while NBC continues to make an extraordinary push for Awake.  CBS is hoping to take Person of Interest to another level, and FOX just doesn't seem to be making any choices about what to promote hard.  The most recent Promo Watch numbers are based on prime time broadcast network programming between February 9 and 23, with about 18.5 hours of programming sampled for each network over that period.  (Click "read more" to see the latest chart.)


ABCGCB has become the top priority for ABC over the past few weeks, now averaging 21 seconds per hour sampled in prime time.  ABC has been repeating the same 30-second spot over and over (the rhyming spot with "witches" and "riches" instead of the expected "bitches" from the original series title).  The spot is not particularly clever, but ABC is hoping the repetition of the show's premise will cut through.  With a last minute rush of Oscar spots (often over 30 seconds per hour on recent nights), the Academy Awards spots have moved into the #2 priority position, averaging 17 seconds per hour over the past two weeks (after being in the high single digits recently).  Of note, the spots promote the Oscar app and Oscar.com almost as much as the show itself.  (Clips of the still niche The Artist and visuals of Jean Dujardin and Berenice Bejo are not going to persuade marginal viewers to tune in.)  Revenge remains a fairly important priority (16 seconds per hour), as ABC keeps trying to make it break out  from the 2.5 range into the high-2 rating area.  Scandal is now averaging 11 seconds an hour (up sharply from the middle single digits).  That number is going to continue to rise as we move through March.  Missing (starring Ashley Judd as a CIA agent/ mom searching for her son) is holding at 9 seconds per hour.  It looks like it has the production quality of The Firm, and -- just a hunch -- will not receive much higher promotion levels in coming weeks, as opposed to the Shonda Rhimes project Scandal.

NBCAwake premiering next Thursday at 10 in the dead zone time period is now averaging an amazing 41 seconds per hour over the past two weeks.  If it fails it won't be for lack of trying.  With Up All Night as its lead in, Awake's success will be based on the inherent appeal of the show's premise, which is described in every spot.  We shall see.  Smash is holding at a very strong 25 seconds per hour over the past two weeks.  As the ratings tumble each week (and during each quarter hour that airs), the network is trying every promo trick in the book to get people to hang on.  Last week it was the sex appeal of the characters and storylines.  This week, it's a guest star -- Nick Jonas?!?  Maybe he has a high Q-score with the target audience for a drama about mounting a Broadway musical, but it seems a little desperate or cheesy for a show that relies on critic quotes like "Wow.  Just wow."  Fashion Star is holding at 20 seconds per hour, a very solid level for a new reality show.  The Voice, at 10 seconds per hour, is just enough to keep its name out there, and NBC is using the brief promos effectively to dub the night "Must See Monday".  (At least for the first two hours of the night, it's a very legitimate claim.) 


CBSPerson of Interest has been anointed by CBS as the new show most worthy of a midseason push.  At 21 seconds per hour the past two weeks, the JJ Abrams-produced freshman number is the #1 priority for the network, which clearly want to see if its ratings can break out of the low-3 range to above a 3.5 rating.  Undercover Boss has received a substantial investment of time the past several nights, moving its average into double digits (11 seconds per hour).  That is low compared to Survivor (19 seconds) and Amazing Race (17), but it is significant for a Friday show, and CBS hopes it can build on the show's promising initial ratings on the tough night.  Just missing the chart below is Late Show with David Letterman (9 seconds per hour), substantially more than the Tonight Show with Jay Leno (5 seconds) or Jimmy Kimmel Live (3 seconds).  Unless the guest is truly newsworthy, however, late night ratings are surprisingly inelastic to promo efforts.   


FOXBreaking In has edged up to 12 seconds per hour, up from 10 recently.  And the return of Touch is at a barely-committed 10 seconds per hour.  And pity poor Bob's Burgers (not shown on the chart below) whose return is starting with a base of 6 seconds per hour.  Not that any of those shows will make much of an impact in any scenario -- it's just that FOX doesn't seem to be betting on anything.   



                          PROMO WATCH

                    Top Priorities by Network
              On-Air Promo Seconds per Hour Sampled
                 Past Two Weeks (Feb 9-23, 2011)

      ABC                          CBS
     GCB                21        Person of Interest 21
     Oscars             17        Survivor           19
     Revenge            16        Amazing Race       17
     The River          14        Unforgettable      12
     Castle             13        Undercover Boss    11
     Scandal            11

     NBC                          FOX
     Awake              41        Alcatraz           13
     Smash              25        Breaking In        12
     Fashion Star       20        Glee               12
     The Voice          10        Touch              10
                                  New Girl           10
    

###
 

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The Sked: Upscale Ratings -- CBS Profile

In the last post on upscale ratings, we looked at ABC, which has a high number of series that skew substantially toward upper-income viewers but not enough programs with a sizable total audience.  Today, we turn our attention to CBS, which has taken a very different pathway to success: many shows with a large audience although very few series attract upper-income viewers.  While the CBS prime time schedule averages a 2.9 rating with Adults 18-49 this season to date (far superior to ABC's 2.4), CBS falls to a 2.6 rating with Adults 18-49 in $100K+ homes (trailing ABC's 2.7).  The CBS $100K+ index of 91 (100=average and anything under 100 indicates a downscale skew) is the lowest of the four major broadcast networks, and only quasi-network The CW has a lower index (83).   

In the chart below, we have added each CBS regular series (in red) to one of nine categories (based on the combination of high, middle or low rating and upscale, midscale or downscale skew).  Notice how few CBS shows are in the extreme right column (the upscale categories) or the bottom row (the low rating categories).  The CBS line-up is very heavily concentrated in the upper-left area of the chart (high- and middle-rated shows in the downscale and midscale areas). 

Monday Comedies.  The most upscale shows on CBS are the Monday 8-10 pm and Thursday 8:00 pm comedies: How I Met Your Mother (111), Big Bang Theory (105), 2 Broke Girls (100), Two and a Half Men (97) and Mike & Molly (93).  We are categorizing How I Met Your Mother as an upscale show, but keep in mind its index is just over the dividing line and actually is fairly close to the other flagship CBS multi-camera sitcoms.  Although none of these shows has an exceptionally high index (denying the CBS sales department an upscale pricing premium), the ratings are high enough that no one at CBS is going to go hungry anytime soon.  Additionally, the granddaddy of reality shows, Survivor, has an index similar to the CBS comedy hits (99), unspectacular but relatively high for CBS and decent for the reality genre as a whole.

Crime Dramas.  In contrast, crime and detective dramas (the other staple of the CBS schedule) are not exactly magnets for upper-income viewers.  The best index values for this CBS specialty are found with freshman series Person of Interest (89), the veteran NCIS (85) and its spinoff NCIS: Los Angeles (77).  Hawaii Five-0 (83) also fits perfectly in this group and gives up any upscale traction (albeit limited) on CBS Monday earlier in the evening with the comedies.  But others such as Criminal Minds (67), Unforgettable (65), the original CSI (62) and brand extensions CSI: Miami (68) and CSI: New York (65) are positively downscale.  Again, the overall ratings are high enough that the revenue is there -- it's just that the network is leaving money on the advertising negotiating table by repelling viewers with more disposable income.

CBS Sunday.  One upscale oasis on the CBS schedule is Sunday night, with the venerable 60 Minutes boasting a 132 index (much better than the Dateline or 20/20 indices, which are around 100).  Amazing Race, perennial favorite of the TV Academy at Emmy time, with a 134 index also attracts high income viewers (who not surprisingly are also much more likely to have a passport and travel internationally, as lifestyle and psychographic studies consistently show).  Finally, The Good Wife at 9 pm sports a 120 index, clearly the most upscale drama on CBS.  However, the audience size on CBS Sunday is anything but dominant -- so any upscale premium is added to a middling price base.

Certainly, CBS chief Leslie Moonves would say something like, "CBS has a game plan that works very well for us.  As the best broadcaster in the business, CBS attracts more viewers than any other network [i.e., change the subject from 18-49 ratings to 2+ because CBS has huge advantages in the 50+ and 65+ age groups], and we are paid very handsomely by Madison Avenue for our consistent audience delivery.  Let the other networks crow about their ratings with tiny demographic groups like 35-49 year-old professors in New York City.  At CBS, we look at the total score on the scoreboard, and that tally tells us the future is very bright at CBS."  In fact, CBS is in very good overall shape, but imagine their strength if their comedies were more like 120 or 125 index values and if the crime dramas could move into the 100-110 range.  They would be unstoppable.


   

            

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THE SKED'S THURSDAY NETWORK SCORECARD




Unfortunately for NBC, there are other nights in the week besides Monday.

NBC:  The gradual season-long collapse of THE OFFICE continued last night, as the show's 2.5 hit not just a season low, but its lowest rating since Season 1 in 2005--i.e., the season that almost got it canceled.  That was still by far the s network's highest number of the night.  30 ROCK was misleadingly up from last week, which was an aberration caused by a program description that resulted in DVRs not picking up the episode; last night's 1.6 was in line with the other episodes this season (and slightly below recent episodes of Parks & Recreation, which it replaced for the night).  UP ALL NIGHT tied its Thursday low.  Perhaps the most pathetic news of the evening was that the meager 1.5 earned by a repeat of the post-Super Bowl VOICE at 10PM still marked almost double the rating Prime Suspect and The Firm had been doing in that slot.


FOXAMERICAN IDOL was up 0.2 to a 5.7 (losing again in its first half-hour to Big Bang Theory), still down more than 20% from the parallel night last year.  THE FINDER was down slightly, mired in 4th place for its hour.

CBS:  BIG BANG THEORY continued to win its half hour, dead even with the past 2 weeks.  ROB, too, has spent the past 4 weeks within a tiny range of 0.2 up or down.  This stability has been great for PERSON OF INTEREST and THE MENTALIST, which both tied their season highs--Mentalist won its hour, and Person was a strong 2d at 9PM.

ABC:  WIPEOUT hit a new season low, but after that the news improved.  GREY'S ANATOMY, back on track after the previous week's "alternate universe" episode, had its highest rating in more than a month, while PRIVATE PRACTICE was on the lower end of its numbers, but very stable.

CW:  VAMPIRE DIARIES' steady 1.2 put it in hailing distance of both NBC and ABC for the hour.  SECRET CIRCLE was up slightly to (for CW) a very strong 0.8.

No sweeps events tonight, just an evening of all-new episodes.  On Saturday, NBC repeats its entire Monday night line-up all over again, while ABC prepares for the return of Cougar Town with a mini-marathon after a Valentine's Day-themed Charlie Brown special.  And FOX gets into the holiday spirit, too, with America's Most Wanted:  Crimes of Passion Special Edition

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THE SKED'S THURSDAY NETWORK SCORECARD



Sweeps!

FOX:  AMERICAN IDOL was steady with last Thursday at 5.4, which meant it was again down around 30% from last year and again saw its first half-hour lose to CBS's Big Bang TheoryTHE FINDER, airing against original episodes on every network this week, lost most of last week's gains and fell to a 4th place 2.4 in its hour (which may go down further if Idol had an overrun).


NBC:  The shows on NBC (you may know them better as "the stuff that airs between Smash commercials") suffered more ignominy, as 30 ROCK hit a new all-time low of 1.3 (down 20% from last week's then-all-time low), and THE OFFICE, with a 2.7, had its lowest ever rating on a Thursday.  PARKS & RECREATION provided comparatively good news by rising 0.1 from last week to a 1.8, but UP ALL NIGHT fell 0.1 from last week, also to a 1.8.  For anyone who wondered if THE FIRM could get any lower, the answer was yes--down to a 0.8, where it was probably beaten by plenty of cable networks.

ABC:  An unimpressive start to sweeps, as WIPEOUT matched its season low 1.8, GREY'S ANATOMY got no boost from its hyped "alternate universe" episode and matched the 3.5 of its last original, and PRIVATE PRACTICE, while up 0.2 from its last original, was still near that season low.

CBS:  A strong 2d place to FOX for the night.  BIG BANG THEORY won its half hour, and then ROB was steady with last week, both shows down only 0.1.  PERSON OF INTEREST hit a series high 3.3 that left it only 0.2 out of 1st place for its hour, and THE MENTALIST, while down 0.2 from last week, easily won its hour.

CW:  VAMPIRE DIARIES rose slightly to a 1.2, which left it only 0.1 behind 30 Rock at 8PM.  SECRET CIRCLE was even with last week's 0.7.  

Tonight everything is new again, and with CHUCK resting in peace, NBC brings back WHO DO YOU THINK YOU ARE? at 8PM. 

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THE SKED'S THURSDAY NETWORK SCORECARD



Lots of news, but it's only good for one network.

CBS:  Keeping in mind that the Thursday 8-9PM landscape will change drastically next week with the return of American Idol, CBS got everything it could have wished from the debut of ROB at 8:30PM.  The show's 4.1 blew past the numbers that Rules of Engagement was doing in that slot (let alone How To Be A Gentleman), retained 80% of its BIG BANG THEORY lead-in, and boosted PERSON OF INTEREST at 9PM to its own season high of 3.2.  THE MENTALIST was at a standard 2.7 at 10PM, good enough to win the hour.  Last year, the CBS 8:30PM sitcom (S#![ My Dad Says) did a 2.8 against the debut of Idol, after a 4.2 for Big Bang Theory, so even if Rob takes a hit from last night, it's in a good position to improve CBS's numbers overall.


NBC:  Ugh.  30 ROCK only made it to a 1.8 in its season debut.  That's a little better than what Community had been doing at 8PM, but a whopping 30% behind last year's season average.  On any other network, it would be in line for cancellation.  PARKS & RECREATION didn't benefit from the new lead-in, rising only 0.1 from its last original outing after a Community episode.  (In what now look like the halcyon days of 2011, NBC's 8-9PM sitcoms averaged a 2.2 against the debut of Idol.  That's not gonna happen next week.)  Despite all the marketing dollars spent to promote the new 9PM hour, THE OFFICE tied its season low, and UP ALL NIGHT, in its new timeslot, was up only 0.1 from Whitney's lowest rating in the slot.  But the worst was yet to come:  THE FIRM had its timeslot premiere with a catastrophic 1.0, 45% lower than the number Outsourced did last season at 10:30PM.  That would be a decent (and not exceptional) number for USA; it's a ridiculous rating for NBC. 

FOX:  THE FINDER had a very unimpressive 1.7 debut.  Of course its lead-in beginning next week will be probably triple the 2.4 it had from BONES last night, which should certainly leave it looking healthier--but still, a 4th place finish doesn't suggest much audience enthusiasm.

ABC:  The network took a hit from the higher level of competition on the night, not to mention the marketing dollars spent by the other networks in promoting their changes, as GREY'S ANATOMY and PRIVATE PRACTICE fell to the mid-levels of their season numbers.

CW:  VAMPIRE DIARIES was down a significant 0.3 (by CW terms), but still huge (by CW terms) with a 1.2.  Even with the diminished lead-in, SECRET CIRCLE held steady at a strong 0.8.

Tonight:  the return of FRINGE!  (There may not be many more chances to use that phrase.)  And the final regular episodes of EXTREME MAKEOVER:  HOME EDITION.  

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THE SKED'S THURSDAY NETWORK SCORECARD



Silent Night = America's TV sets during holiday season...

FOX:  Reality competition shows are supposed to build as contestants are eliminated and the show nears its conclusion.  THE X FACTOR, though, has been steadily slipping, and as it heads into its final week, it's now shed 35% of its early ratings.  The show is still a success for FOX, but like Dancing With the Stars and The Biggest Loser this season, it may reflect an audience that's getting a bit tired of the genre.  BONES was a repeat.


CBSPERSON OF INTEREST took some advantage of the fact that for the first time, it didn't air against any regular competition, with reruns on NBC and FOX, and a weak special on ABC--not that it zoomed upward last night, but holding steady from the prior week and a couple of ticks above a low looks like a win at this point.    THE MENTALIST technically faced a new competitor on NBC, but that was a straw foe, and it also held even with last week.  A repeat BIG BANG THEORY at 8PM held down RULES OF ENGAGEMENT at 8:30.

ABC:   A CHARLIE BROWN CHRISTMAS was down 10% from last year, and there was coal in the stocking for Katie Couric, whose Year In Review special could only muster a 1.5.

NBC:  Repeats at 8-10PM, with all ratings below a 1 except THE OFFICE's 1.1, set things up for a terrible PRIME SUSPECT result, and the show delivered:  even with a new episode, it barely breathed a 0.8 on its way to the Island of Misfit Television Shows.

CW:  Repeat after me:  Repeats!

Tonight, NBC airs new episodes of CHUCK and GRIMM, and ABC is also all-new.  FOX goes the holiday special route, with yet more Charlie Brown plus ICE AGE and SIMPSONS repeats, and CBS is in rerun mode.

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THE SKED'S THURSDAY NETWORK SCORECARD



The final Thursday of November sweeps wasn't impressive for anyone.

ABC:  The network had to be disappointed with the 2.5 earned by its 2-hour, much-promoted "intervention" episode of PRIVATE PRACTICE, which was down not only from Grey's Anatomy numbers but even from Practice's 2.8 last week.  (It was, however, a strong episode, especially the first hour written by Shonda Rhimes.)  The Katie Couric/Regis Philbin interview special at 8PM did better than recent episodes of the dead CHARLIE'S ANGELS, but not by much.


FOXX FACTOR continued its slide, with last night's 3 its lowest Thursday number by a factor of 10%.  That was, however, still good enough for an easy 2d place finish in its hour.  The news was better for BONES, which capitalized on the absence of Grey's to win at 9PM.  

NBC:  Well, on the plus side COMMUNITY and PARKS AND REC were both up slightly from last week.  But THE OFFICE, despite reduced competition in its hour, tied its season low, and WHITNEY, preparing for its move to Wednesday--where it will have to be a self-starter--hit a new all-time low and went below a 2 for the first time.  The cancelled PRIME SUSPECT played out the string, tying its series low.

CBS:  Even though all its shows except RULES OF ENGAGEMENT were down from last week (and PERSON OF INTEREST and THE MENTALIST both tied their season lows), the network was able to win the night thanks to the absence of Grey's.  

CW:  As the network's Thursday is on hiatus until January, it filled in for the night with an obscure aquatic action movie that happened to star VAMPIRE DIARIES' Paul Wesley.  Even with the temporary and artificial boost of NY and Denver preemptions for the brutal (if you're a Jets fan) football game, the movie did no better than the CW norm, and that will be reduced later today as national numbers come in.

Tonight the Grimm watch will continue for NBC.

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THE SKED: Thursday Ratings - Network Scorecard



With baseball out of the way, last night was a picture of what a "typical" Thursday will look like.

FOX:  The return of BONES was a very healthy 0.6 higher than its season premiere last year (when it was in the 8PM slot), and roughly on par with the numbers it was doing last Spring, when it had American Idol and its 6+ rating as a lead-in.  If it can hold at that level with a 45% lower lead-in from X FACTOR, FOX will be very happy indeed.  X Factor comparisons, meanwhile, are somewhat skewed by the fact that this was the show's first 1-hour episode, meaning that half of its running time faced off with Big Bang Theory on CBS.  With that in mind, a less than 10% drop from its previous Thursday average barely registers.


NBC:  That sigh of relief was the network seeing THE OFFICE return to a rating that starts with a "3".  However, that still puts it in 3rd place for its timeslot.  Otherwise, although the numbers for the night's other shows were all up by 1-3 tenths without baseball competition, not a single show scored over a 2.1.  And it's getting to be time to cut PRIME SUSPECT loose with its sad 1.2 rating.

ABC:  Nothing demonstrates the decreasing importance of November sweeps more than the fact that ABC is using it to burn off episodes of CHARLIE'S ANGELS.  (The last Thursday of Sweeps features a special 20/20 with Regis Philbin followed by a 2-hour PRIVATE PRACTICE ) GREY'S ANATOMY continues to run 20% below last season's average, making Private Practice--which admittedly faces no real competition from NBC in the hour--look comparatively impressive by running even with last year.

CBS:  It's hard to believe CBS is content with PERSON OF INTEREST's 4th place finish in its hour, almost 20% lower than its RULES OF ENGAGEMENT lead-in, but the show's back order suggests otherwise.  Nevertheless, it wouldn't be a surprise to see the network experiment with other programming in the hour.  THE MENTALIST, despite weak competition from NBC in its hour, is running about 10% below last year.

CW:  The network's one successful night continues to hold well, with VAMPIRE DIARIES' 1.5 not all that far behind NBC for the hour.

Tonight is, in a way, the whole Fall for NBC:  if GRIMM, without Game 7 World Series competition, can build or even hold its number from last week, it could win its hour and allow the network to claim an actual 2011 hit.  Also, A GIFTED MAN is nearing its make-or-break moment on CBS.
 

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THE SKED: CBS and Its Unforgettable Back Orders of Interest

It was a good day for most of the bubble shows on the CBS schedule, as the network handed out back-orders to UNFORGETTABLE and PERSON OF INTEREST (joining 2 Broke Girls).  Neither of these shows are performing very impressively--Unforgettable is doing about as well in its Tuesday 10PM slot as The Good Wife did last year, and that show was moved to another night; Person Of Interest is below CSI's score both last year in its Thursday 9PM slot and this season in its new home of Wednesday 10PM.  But both are Good Enough:  CBS tends to be patient in any case, neither is flopping, and the network has a slim bench of midseason 1-hours (just the cop show The 2-2) to play with.


Conspicuously absent from the announcement was any news about the remaining new CBS series A GIFTED MAN--not even an order for additional scripts.  This can't be good, although the show will continue to get some more rope on Friday nights before said rope is cut.

In other back order news, reports are that PAN AM will get some breathing room from ABC despite its languishing ratings, now that a new showrunner is being added to the flight crew.  Steven Maeda is a veteran of CSI Miami, Miami Medical and Lie To Me, and one assumes that his arrival will also mean a new creative tone for the series, hopefully including some consistency about whether it's a soap or a spy thriller.

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THE SKED: Thursday Ratings - Network Scorecard



On a night when atypical competition should have made for some shuffling in the numbers, the news was that there wasn't much at all.

ABC:  The network had to be hoping that with a repeat Office on NBC and the male-skewing World Series on FOX, they could get some extra viewers for GREY'S ANATOMY.  But the show actually went down 0.1 from last week, which means its 3.5 rating, down over 20% from last year's average, is about where it's going to be for a while.  The weird thing about CHARLIE'S ANGELS isn't its 1.2 last night, but the fact that as of now, the network is still planning to air another dead episode on November 3, in the midst of sweeps.


CBSPERSON OF INTEREST is reportedly about to receive a full-season pick-up, but it didn't benefit from the repeats on NBC last night, and may have been slightly dented by the World Series.  The good news for CBS was that while RULES OF ENGAGEMENT will never be a blockbuster, it's far more compatible with BIG BANG THEORY than the deceased How To Be A Gentleman was.

FOX:  They now know that they'll have a Game 5 on Monday, removing the need to air House and Terra Nova reruns, but won't know until at least Sunday if they're going to get into the promised land of a Game 6 and potential Game 7.  Last night's number, like Wednesday's, looks to be again just about what they've been doing with X FACTOR.

NBC:  They sat out the night with repeats, and if Sunday's football game is on the low side (and with New Orleans a 2-touchdown favorite over the Colts, that's a possibility), the weekly average could be truly woeful.

CW:  In the universe of this network, where tenths are truly meaningful, the 0.9 for SECRET CIRCLE counts as good news.  The show has been improving creatively over the past couple of weeks as well, with less soap and more deadly villains.

In the stories about CBS's pending pick-ups, notably absent has been A GIFTED MAN, so tonight's rating for that show may be critical.  Also, EXTREME MAKEOVER will make its Friday debut for ABC.

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The Sked: PROMO WATCH -- Through Tuesday October 18

On NBC, Grimm is now the network's #1 promo priority, based on our sampling of programming over the past week.  Up All Night, which received almost a full minute of promo time in Parenthood last night, moved into the #2 position on the priority list (from #3).  The network really has been pushing tonight's Up All Night episode flashing back to the birth of the baby -- so they have to expect some bump in the rating for the show.  Although it was promoted last night in Parenthood with a 15-second spot, Prime Suspect fell to the #3 priority position.  (Remember, our weekly tally of promo time is a rolling total -- the :15 for Prime Suspect last night goes into the total but the :35 the show received last Tuesday drops out of the total, for a net decline.) 

CBS supported Person of Interest and Unforgettable with 50 seconds of promo time each inside NCIS: Los Angeles last night.  The two first-year dramas are now tied for the top spot in the promo priority chart.  The network promoted nine other shows in the same hour (with mostly :10s and :15s), primarily reminder spots for veteran series.
 

Over the last week, Man Up! has received 160 promo-seconds in our sampling of ABC shows, followed by 120 each for Revenge and Once Upon a Time.  Now that Man Up! has premiered, look for Once Upon a Time to take the top spot very quickly, perhaps as soon as tomorrow's report.  ABC has been very methodical and disciplined as it has launched its new shows sequentially. 

Last night's X Factor included 30 seconds for the new Sunday animated comedy, Allen Gregory, which is now kind of a middling priority on the list, but look for FOX to push the show harder during the World Series, which starts tonight. 


To make the chart easier to read at a glance, there is now a "Cliffs Notes" version below that just lists the top four priorities for each network, making it easier to compare each network to the other.  For greater detail, the chart at the bottom lists all shows each network has promoted in the last week in case you are interested in finding a particular series.
   

ON-AIR PROMOTION PRIORITIES

TOP FOUR SHOWS EACH NETWORK
Over the Last Seven Days 
(# of promo-seconds)
Dates sampled: October 12-13 & 16-18, 2011


ABC
  Man Up!            160

  Revenge            120
  Once Upon a Time   120
  Pan Am             95
CBS
  Person of Interest 110

  Unforgettable      110
  Big Bang Theory    80
  Good Wife          70

NBC
  Grimm              130
  Up All Night       115
  Prime Suspect      90

  L&O: SVU           60

FOX
  MLB Postseason     100

  Bones              90
  Terra Nova         60
  Allen Gregory      55



ON-AIR PROMOTION PRIORITIES
Over the Last Seven Days 
ALL SHOWS PROMOTED

(# of promo-seconds)
Dates sampled: October 12-13 & 16-18, 2011


ABC
  Man Up!            160

  Revenge            120
  Once Upon a Time   120
  Pan Am             95
  Happy Endings      80
  Desperate Hswvs    65
  Castle             45
  Last Man Standing  40
  Suburgatory        30
  Grey's Anatomy     30
  Dancing...Stars    25

  Modern Family      25
  Extreme Mak. Home  20
  The Middle         20
  20/20              15

  The Chew           05
CBS
  Person of Interest 110

  Unforgettable      110
  Big Bang Theory    80
  Good Wife          70
  Amazing Race       60
  Survivor           60
  Rules Engagement   55
  CSI                45
  A Gifted Man       40
  The Mentalist      40
  Blue Bloods        40
  NCIS: LA           40
  Hawaii Five-O      40
  NCIS               35
  Criminal Minds     35
  CSI: Miami         30
  Late Show          30
  CSI: New York      20

  Two Half Men       20
  The Talk           20

  CBS News           20
  2 Broke Girls      20
  Mike & Molly       10
  NFL on CBS         10
  How I Met Mother   10

NBC
  Grimm              130
  Up All Night       115
  Prime Suspect      90

  L&O: SVU           60

  Whitney            45
  Rock Center        45
  The Office         40
  Parenthood         30

  Biggest Loser      30

  Harry's Law        30
  Leno/Fallon        30
  Sunday Night FB    25
  Chuck              15
  Community          10

FOX
  MLB Postseason     100

  Bones              90
  Terra Nova         60
  Allen Gregory      55
  The X Factor       50

  Kitchen Nightmares 50
  House              25

  Fringe             25

  Glee               20
  The Simpsons       15
  NFL on FOX         10



Programs Sampled
Tue Oct 18 2011: Last Man Standing, Man Up!, NCIS: Los Angeles, Parenthood, 8-9 pm portion of The X Factor

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THE SKED: Thursday Ratings - Network Scorecard


On a rare night this week not affected by baseball, a mixed set of results for the networks.

NBC:  The strategy of double-pumping WHITNEY and PRIME SUSPECT with repeat episodes on Mondays and Wednesdays in order to expose new viewers to the shows backfired:  those people must not have liked what they saw, because both series fell to new lows, a terrible 2.0 for Whitney and a worse 1.3 for Suspect.  On any other network (except CW), that would get them both cancelled, but the truth is that with NBC in its current state, it's hard to tell just what the network will find "acceptable."  Incredibly, with the exception of football and THE OFFICE (which held up well, albeit 20% below last year's average), there won't be a single show on NBC this week with a rating over 2.1.  In comparison, the entire Sun-Thurs CBS schedule probably won't have a single show under that mark.  Depending on what ratings were proffered to advertisers in this year's Upfront sales, the network may need to air a tremendous number of "make-good" (i.e., free) ads in compensation for under-delilvery.


ABC  CHARLIE'S ANGELS had s slight uptick from last week (and the network instantly issued a press release to crow about it), but let's face it:  a 1.3 and 5th place in the timeslot (behind CW) isn't good news, and it's hard to imagine the show seeing the lights of November in its current timeslot.  GREY'S ANATOMY was up, but still 20% below last year's average, while PRIVATE PRACTICE was also up and a more reasonable 15% below last year.

CBS:  A BIG BANG THEORY rerun proved far more compatible with the show's new episode than How To Be A Gentleman had been.  The bad news was that even with a much stronger lead-in, and an enormous amount of promo attention from the network, PERSON OF INTEREST barely ticked up and still ranked in 3d place for its hour.  THE MENTALIST just barely edged out Private Practice to take the hour at 10PM.

FOX:  The network finally got to air a regularly scheduled night of programming, but all the confusion of this past week may have taken a small toll, as X FACTOR declined slightly.  However, it was still strong enough to give FOX a comfortable win for the night.

CWVAMPIRE DIARIES had a good outing that was even with last season's average, but it didn't do anything for its companion THE SECRET CIRCLE, which lost more than 40% of its lead-in's number

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THE SKED: Thursday Ratings - Network Scorecard


Once-glorious Thursdays continue to become just another broadcast network night.

NBC:  Before the season started, all the attention on THE OFFICE was focused on how the show would replace Steve Carell.  But it's turning out that the bigger problem this season is the weirdly dark tone the series has taken--last night's episode had a premise that sounded funny (the warehouse guys hit the lottery and quit en masse), but chose to delve into the bleak depression of Daryl, who repeatedly begged Andy to fire him and put him out of his misery.  Viewers apparently feel the same way, as ratings have gone steadily down since the premiere; last night the show was almost 25% below last season's average.  As The Office goes, so goes WHITNEY, which like its fellow back orderee Up All Night is now doing a barely-passable 2.3 rating.  The rest of the the night was even worse, with COMMUNITY, PARKS & RECREATION and PRIME SUSPECT all under a 2.


ABC:  The news wasn't much better at the Alphabet.  Last night's GREY'S ANATOMY was 30% below last season's average, although that was still good enough for 2d place in the hour.  PRIVATE PRACTICE was also down over 20% from last year, which thanks to Prime Suspect was again good enough for 2d.  CHARLIE'S ANGELS is just playing out its string; it wouldn't be a surprise to see double-pumped episodes of ONCE UPON A TIME in this slot, once it premieres in 2 weeks.

CBS:  With last night's drop, THE BIG BANG THEORY is running even with last season, so that's a success story.  HOW TO BE A GENTLEMAN was fairly steady behind it but lost a hefty chunk of its lead-in, and the question for CBS is whether they think RULES OF ENGAGEMENT (currently scheduled for the limbo of Saturdays) would do better in the slot.  PERSON OF INTEREST is an unacceptable 4th place in its hour (will the network try a run of Unforgettable there to see if it can find a foothold?), but THE MENTALIST perked up to win at 10PM.

FOX:  X-FACTOR is winning the night for FOX by a 25% margin, and that's all that matters.  (But no one will be watching tonight's deciding Phillies-Cardinals playoff game with more attention than FOX executives.)

CWVAMPIRE DIARIES is holding fairly steady with last season (down about 15%).  But even with that lead-in, SECRET CIRCLE isn't doing better than the network's other new shows that have less help.  However, none of them would be as compatible with Diaries as Circle is, not to mention that the network will want to keep Kevin Williamson happy, so a back order should be coming soon.

Tonight, the main interest will be to see if the scrutiny of A GIFTED MAN becomes a death watch.

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THE SKED: Week 2 + 1 - CBS Network Scorecard


The third week of a network season is a critical one.  Ratings erosion after a series or season premiere is expected and even acceptable, because it's understood that not every viewer drawn by hype and marketing will be a satisfied customer.  But a continued fall in Week 3 can be a sign of trouble, and if that decline is from a number that wasn't great to begin with, the trouble could be serious.  That being said, let's take a look at where the networks stand as they begin this crucial week.  (Note:  since only 2 networks debuted their Monday schedules on the season's first official day, we'll include the next Monday in our review of the week.)

CBS

Thriving:
2 BROKE GIRLS - Even those (like I) who don't particularly love the show have to respect the way it fits into CBS's Monday night schedule.  With its addition, the 8-10PM hours on CBS are the most effective ensemble on TV.

CSI:  The addition of Ted Danson and consequent reboot couldn't have worked out better for an aging series that's now convincingly winning its new timeslot.

Holdovers:  2 1/2 MEN, MIKE & MOLLY, HOW I MET YOUR MOTHER, THE BIG BANG THEORY, NCIS, NCIS LA, CRIMINAL MINDS, SURVIVOR, BLUE BLOODS, HAWAII 5-0, THE MENTALIST

Struggling:
UNFORGETTABLE - This should have been a perfect CBS procedural, but while it's not a flop, its ratings have been soft, just a bit ahead of Parenthood.  With so much of the schedule--and especially Tuesday night--performing well, it's not clear how patient the network will be with it (even though it would already have gotten a back order from NBC).

PERSON OF INTEREST - It's a bit of a puzzle why this show isn't doing better.  As procedurals go, it's high-quality and has an intriguing premise, yet it's holding 4th place in its hour.  A timeslot move is more likely than an early removal.

HOW TO BE A GENTLEMAN:  It's only aired once, so judgment is premature, but it certainly didn't get off to a good start.  If it squanders most of Big Bang's lead, it won't be around for long.

THE GOOD WIFE - Any hope that the move to Sunday would find a wider audience for this excellent show seems to have been in vain.  It's the only true prestige show on CBS's schedule, so it's unlikely to be at great risk as long as its numbers stay stable, but it may not keep its Sunday slot for the entire season.

CSI MIAMI - Being pushed downward by Good Wife.

DYING:
A GIFTED MAN - It's OK to have low ratings on Friday night compared to any other night of the week (except Saturday).  But Gifted Man is in Fringe territory with a 1.2.  Any further slippage and the patient may die on the table.

GRADE:  B

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