RSS
Showing posts with label CW. Show all posts
Showing posts with label CW. Show all posts

SHOWBUZZDAILY @ PALEYFEST 2012: "The Vampire Diaries"





When the PaleyFest panels end, cast members often linger for a bit to sign autographs and otherwise make contact with the fans.  Therefore when the moderator says "Thank you" and the lights go up, there's usually a movement of audience members toward the stage.  But "movement" doesn't do justice to the full-scale rush that greeted tonight's salute to THE VAMPIRE DIARIES, a rock-concert level scramble that left onlookers ducking out of the aisles.


To some extent, that kind of response isn't a surprise:  Vampire Diaries is in its 3rd year as the unquestionably biggest--well, only--hit on CW, and the viewers who watch that network are younger and in better shape than those of the others.  Because of its genre and demographic, Diaries is also regularly underrated, almost never given full credit as one of the smartest, wittiest and most narratively satisfying serialized dramas on the air. 

The evening began with a screening of this coming Thursday's episode, the first back after a hiatus.  At the request of series co-creator/showrunner (with Kevin Williamson) Julie Plec, its climactic revelation won't be spoiled here, except to say that it's in keeping with the grand story twists that have marked this show from the beginning, and sets the stage for a new conflict to play out over the rest of the season.  

After a brief (inconclusive) discussion of said twist, the main part of the panel began.  Apart from Plec, most of the major cast members were in attendance:  Elena (Nina Dobrev), beloved of vampires and constantly stalked; brother vampires Stefan and Damon (Paul Wesley and Ian Somerhalder); Alaric (Matt Davis), who started as a vampire-hunter and is now Elena's guardian and a veritable vampire bud; witch Bonnie (Kat Graham); and relatively new vamp Caroline (Candice Accola).  

These folks have been together on a hit for years, and they're a loose, talkative bunch (the moderator mostly just had to toss in a question every so often and let them go).  Any spoilers were more in the nature of hints:  before the season is over, Elena will have to make "a" choice (but not necessarily "the" choice) between the brothers, we haven't seen the last of Klaus and the Original Vampires, it's possible that we'll meet Elena's parents in a flashback.  Plec was noncommittal about whether the show would ever consider following the L.J. Smith novels and making Elena into a vampire, or when evil Katarina, Elena's vampire doppelganger (just go with it) would make a return appearance.  Dobrev got the evening's biggest laugh when she wondered aloud why Gossip Girl got to film episodes in Paris and they were stuck in Mystic Falls.  Somerholder was appropriately Damon-ish caustic much of the time, but like his character, he could become surprisingly heartfelt, notably when he talked about how he'd survived the brutal audition process for the show.   Audience squeals greeted any mention of the Elena/Stefan/Damon triangle (and for those more interested in the tabloid side of things, Somerholder placing his jacket around Dobrev's shoulders made their night.)  

The Vampire Diaries airs in the toughest hour on television, the 8PM slot that's home to the deadly battle between American Idol and The Big Bang Theory, and yet its ratings have barely budged.  Beyond that success, it's as smoothly and effectively run as any series in primetime.  Young audience tastes change--Buffy the Vampire Slayer is a legend now, but when it left the air, its ratings had preceded it--and Diaries' status won't last forever.  Nonetheless, it should have plenty of frenzied audience response still ahead of it.




  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: CW's Finale Schedule






CW has announced the line-up for its 2011/12 regular season finales, as well as a late-season premiere:

First to exit will be ONE TREE HILL, which winds up its 9 seasons on April 4 with a 2-hour special.


On April 17, RINGER will be done for the season (and maybe longer).  Starting April 24, its timeslot will be filled by the new LA COMPLEX, which sounds like the return of the return of Melrose Place:  a group of Hollywood wannabes all live in the same apartment building, and no doubt suds fly.

The remainder of the network's shows end in mid- to late-May.

May 10:  THE VAMPIRE DIARIES and THE SECRET CIRCLE

May 14:  GOSSIP GIRL and HART OF DIXIE

May 15:  90210

May 18:  NIKITA and SUPERNATURAL

May 29:  LA COMPLEX

May 30:  AMERICA'S NEXT TOP MODEL

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED'S MIDSEASON RETURN: "The Vampire Diaries"


CW's biggest only hit THE VAMPIRE DIARIES returned to the schedule.

WHERE WE LEFT OFF:  The painstakingly-mounted plot to once and for all kill Original Vampire Klaus (Joseph Morgan) failed when Stefan (Paul Wesley), realizing that Klaus had rigged things so that if any harm came to him, Stefan's brother Damon (Ian Somerholder) would be murdered by Klaus's army of half-vampire, half-werewolf, virtually unkillable (you have to pull out their hearts and chop off their heads) hybrids.  Klaus, having been saved, freed Stefan from his Compelled loyalty, and Stefan promptly stole Klaus's entire semi-dead family in their coffins, where they'd been waiting for Klaus to eventually bring them back from the dead.  If Klaus hurt Stefan's true love Elena (Nina Dobrev) or anyone else, Stefan threatened, he'd destroy all the relatives.  Meanwhile, Elena let Klaus's sister Rebekah (Claire Holt) know that Klaus had, hundreds of years before, killed their mother, then stabbed Rebekah with the same kind of magic knife Klaus had used on everyone else in the family,  temporarily killing her.  Whew!

WHERE WE ARE: The midseason premiere of Kevin Williamson's series was a somewhat unusual episode, but all, as it turned out, for the good:  at least for now, the series got rid of its single drippiest character, Elena's little brother Jeremy (Steven R. McQueen).  Jeremy just didn't figure into the "This is insane, but what the hell" spirit the rest of the characters have, and the show never really knew what to do with him--he was involved with witch Bonnie (Kat Graham), he fell for a ghost, he was constantly narrowly escaping death, Elena had to worry about him all the time, and basically he was an appendage and an annoyance.  Now he's been Compelled by Damon to move to Denver and date live girls, and he should live and be well.

The other major event of the episode, for those particular shippers, was what appeared to be a major Damon/Elena kiss, which will surely have repercussions down the road, as Stefan seems too consumed for now by his deal with the witch spirits to hide the coffins from Klaus to have much time for romance.  Thinking of romance, Alaric (Matthew Davis), recovering from one of his now-you're-dead-now-you're-not experiences, met a comely doctor we seem sure to be seeing more of down the road.

All of these events meant that the episode had little time for other characters--charming vampire Caroline (Candice Accola) didn't appear at all.  Disappointingly, although Elena made a deal with Klaus to give Rebekah back in exchange for Jeremy's safety, Klaus instantly re-killed Rebekah, since he knew that because she was now aware he was guilty of matricide, she'd be trying to kill him as soon as she regained consciousness.  But now that all this narrative shoe leather has been laid down, next week the show should be back to its usual speedy form.

Vampire Diaries obviously suffers from content restrictions that True Blood doesn't have to worry about (one can only imagine how that hybrid decapitation would have been lovingly detailed on HBO), but its plotting and wit are often superior to the more celebrated show.  (Come on:  half-vampire, half-werewolf, unkillable hybrids?!?)  Diaries hits the right tone of wry humor mixed with deadly serious storylines, and while it's not anywhere near the pantheon of Buffy as high school comedy-horror goes, it's consistently entertaining in a way most broadcast dramas can only envy.

In the ratings, Diaries is American Idol by CW's terms, and even though it's down a bit from last year's average, that still leaves it the 600-pound gorilla of the network's schedule.  As long as the series can stay as inventive and amusing as it's managed so far, it deserves to be invited into America's households to continue its undead reign.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED'S MIDSEASON RETURN: "The Secret Circle"



After a hiatus so long that it seemed as though CW had found its own witchcraft to create more repeats of THE SECRET CIRCLE than there'd been original episodes to start, the series finally returned to original episodes.

WHERE WE LEFT OFF:  The major revelation of the fall finale was that heroine Cassie (Britt Robertson) wasn't just a member of the titular coven through the powers she'd gotten from her mother--she had also inherited "dark magic" powers from her mysterious dad.  Also (hunky) witch/witchhunter Jake (Chris Zylka) betrayed his fellow hunters to rescue Cassie from their clutches, and rode off on their boat to an uncertain future.



WHERE WE ARE:  The midseason premiere was a surprisingly self-contained hour.  Mostly it concerned the arrival of Diana (Shelley Hennig)'s grandmother played by Stepfanie Kramer (I'll pass over how old the fact that Stepfanie Kramer is playing grandmas makes me feel).  After Cassie almost killed (hunky) Adam (Thomas Dekker) out of pique, Granny confirmed that Cassie's dark powers come from an evil place--her dad was apparently much the Anakin Skywalker type--and lured Cassie to the woods to "cure" her of her evil potential.  It seemed like she was trying to murder the girl, but subsequent dialogue indicated that it was some kind of test, and the fact that Cassie lived meant she could be a force for good or evil.  This plot didn't tell us much we hadn't already guessed, but it had one good moment, with Cassie going all Kill Bill as she decisively escaped from being buried alive by Granny.

In the B story, the show increased its hunk quotient by adding a voodoo expert for Mean Witch Faye (Phoebe Tonkin) to exchange banter with as she tried to get power to perform spells without the rest of the Circle--doubtless we'll be seeing more of him.  (And of Jake, revealed at the episode's close to be done with his sea voyage.)

Although Secret Circle has Kevin Williamson as an Executive Producer, he's not the showrunner, and the show is far inferior to Williamson's own Vampire Diaries, lacking the self-aware wit and intricate plotting of that show.  Secret Circle is very much a 90210-level horror teenfest, with a cast that can't bring much shading to their bland roles.  Still, with Diaries as lead-in, Circle is CW's 2d-highest rated series, and considering how badly the rest of its schedule is slumping, the show is almost certain to be back for a 2d season.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: UPDATED - CW Declares All-Out Victory; NBC Rewards the Undead


The definition of "success" on network television becomes ever more flexible...

CW has decided to make lemonade with its awfully lemony-looking new shows, and it's given back-orders to HART OF DIXIE, THE SECRET CIRCLE and RINGER.  None of them are doing better than an 0.8 (Dixie only managed a 0.6 on Monday), but the network is calling it all a win.  Contributing factors here probably include the fact that the veteran lead-ins for the new shows are suffering themselves (90210, GOSSIP GIRL and VAMPIRE DIARIES are all down at least 10% from last season), and launching new shows for midseason would require considerable extra marketing costs for results that might very well be no better.  in the ratings took advantage of last night's uptick in RINGER's rating (all the way to 0.8!) to call it a win and give the show a back order today.  In truth, the show is doing at least as well as any of the network's other new series, so the only surprise in any of this is that SECRET CIRCLE wasn't the one to get the network's first pick-up, but apparently management needed a little more time to ponder their witches. 


Meanwhile, over at NBC:  both PRIME SUSPECT (1.5 rating last week) and HARRY'S LAW (1.2) have been declared successful enough to merit orders of 6 backup scripts.  Now, a backup script order is a long way from one for additional episodes--the difference in financial commitment is in the neighborhood of $500K vs. $5M--but it suggests that the network is (somehow) not displeased with the way the shows are going, and wants to be able to keep the series in continuing production without costly hiatuses if ratings continue as they are and the decision is made to pull the trigger on extra episodes.  In the real world, it's hard to see how either show could be doing worse, but at NBC these days, the philosophy increasingly seems to be that if you say something crazy in a strong enough voice, it'll start to sound sane. 

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

SHOWBUZZDAILY MUSIC: "Secret Circle" Leaves Me Sighing From Too Much Trying

I’m not sure why shows on the CW feel it necessary to over-saturate with wall to wall and poorly placed music in order to appeal to viewers.  It seems to me that the target demo that voraciously downloads music is also a generation that is much savvier than any of us was pre-iTunes.   A good story will capture an audience regardless of whether or not The Naked & The Famous or The Joy Formidable are thrust upon us where any possible opportunity arises. 


I like the premise of The Secret Circle, mostly because I’m one of “those people” that eagerly buys into anything remotely gothy and peppered with supernatural and mythical themes (thus my supervising career history).  I really want to like this show, but I’m having trouble getting past the blatant misfires of hipster music bombarding from moments that make no sense.  Why does Adam’s Dad’s dockside hang out only have music playing when Adam is working?  Do we really need to hear a song that has no scenic merit every time a teenager walks through a hall at school?  What the heck was up with that tonally bizarre track at the end of episode two?  The music supervisor on this show is fantastic so it seems pretty clear to me that this directive is coming from someone that believes that the audience is gullible enough to need a cool soundtrack in order to stay with the show.  Call me old fashioned, but I think the show would be much better off if they quit forcing and let it shape up organically.  Shame is…I’m not sure I’ll be able to watch another episode to see whether or not this was just a fancy launching ploy or the actual musical direction of the series.   


  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED'S PILOT + 1 REVIEW: "Hart of Dixie"



A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.


Previously... on HART OF DIXIE:  Dr. Zoe Hart (Rachel Bilson) is your basic hard-driving, super-ambitious young New York doctor, a bit puzzled by the fact that an elderly solo practitioner from the wilds of Bluebell, Alabama, Dr. Harley Wilkes, who had approached her with hearty compliments at her medical school graduation, has stayed in touch ever since, repeatedly asking her to join his practice.  When Zoe is rejected from her cardio-thoracic fellowship and told she needs to develop some bedside manner, she goes down to Bluebell, only to find out that Harley is dead and has left her his half of his practice.  It turns out there's a reason for this--as she discovers at the end of the pilot, Zoe is actually Harley's illegitimate daughter.  She decides to stay in Bluebell, and quickly makes the acquaintance of many of the notable townspeople, particularly mayor and former NFL star Lavon Hayes (Cress Williams), bad-boy bartender Wade (Wilson Bethel), with whom she promptly hooks up, and good-guy lawyer George (Scott Porter), who inconveniently is engaged to high-strung belle Lemon (Jaime King).  In case Lemon wasn't going to hate Zoe anyway, she's also the daughter of Brick (Tim Matheson), who shared Harley's practice and wants nothing more than to drive Zoe out of town.


Episode 2:  The biggest change in HART OF DIXIE from its pilot doesn't hit until the end of the second episode:  Nancy Travis, who played Harley's nurse and Zoe's mentor in the medical practice, was also Tim Allen's wife in the Last Man Standing pilot, and her contractual obligations to that show were in 1st position to this one, so this episode marks her exit.  (Her departure isn't handled particularly well, with an unconvincing "Hey, sorry I didn't tell you I was leaving town" scene at the end of the episode.)  It's unclear how or whether her character will be replaced.

Apart from that, the first regular episode of the series, written by series creator Leila Gerstein (Josh Schwartz of Gossip Girl, Dixie's Monday mate on the CW, is a producer here but doesn't write) and directed by pilot director Jason Ensler, is more of the same.  The show has one definite asset:  Bilson, who's as appealing and likable a lead actress as there is on TV.  Luckily, the show's concept forces her to be in virtually every scene of the series.  And there are moments when Gerstein achieves a version of the kind of Gilmore Girls charm the show seems to be reaching for.  But it's not reaching hard enough:  every episode can't, in the same backwards-condescending manner, require Zoe to appreciate the down-home warmth of Bluebell and its inhabitants, while she proves to them all that, while a New Yorker, she's also a human being.

The episode introduced a new continuing plot point, which is that under Harley's partnership agreement with Brick, Zoe will have to bring in enough patients to cover 30% of the total practice revenues, or Brick can buy her out.  Since at the moment everyone in town except Lavon, Wade and George has contempt for her, this will be a challenge, but considering that the show's storyline will require it, we can expect she'll manage to meet the obligation.  The medical story of the episode had Zoe agreeing to hide the MS of Lemon's cousin so that the cousin could take part in the Founders Day parade, even though doing so meant Zoe had to wreck the parade herself and bear the town's wrath (showing, again, that Zoe really does have a good heart).

The dynamic of Hart of Dixie is basically the same as that of A Gifted Man, except with a little more soap and humor, and no ghosts.  If the show is to survive, it'll have to start finding plots that go beyond the original premise, and make more of the supporting characters than the stick figures they currently are--one of the reasons Northern Exposure worked for years, with essentially the same storyline, was that the ensemble was so strong.  For now, Bilson's charisma and the geniality of the proceedings is enough to justify giving Hart of Dixie a little time to--like its lead character--try to find its better self.

Original Verdict:  Change the Channel

Pilot + 1:  Could Recover
 

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: Week 1 + 1 - Network Scorecard



None of the networks should be throwing a parade after the first 8 days of the new season, but some may be in more of a marching mood than others.

FOX:  It was all going so well for FOX.  NEW GIRL launched as strongly as the network could possibly have wished.  X-FACTOR may not be a blockbuster, but it looks like it'll provide 2 solid nights of ratings each week and win the marquee night of Thursdays.  Despite their age, Sunday's animation anchors are holding up like champions.  Even the FRINGE nerds (I'm one of them) showed up for the series premiere.  Sure, GLEE seems to have passed its prime, but at least for now it's performing fine.  And then came TERRA NOVA, after one airing already on the bubble between disappointment and failure, and with a giant price-tag attached.  Still, one bad hour can't undo all the rest of the week:  B-plus.


CBS:  The Eye is having the Monday night of a network's dreams--not just one hit show after another (including the brand-new 2 BROKE GIRLS), but the increasingly rare kind of hits that should even hold up in reruns.  Plus the network's stalwarts like the NCIS franchise and CRIMINAL MINDS continue to do their jobs, and even more satisfyingly, the network won the battle of the reboots, with the Ted Dansonified CSI spanking Law & Order:  SVU in their shared timeslot.  The less good news is that except for Broke Girls, none of the new shows are showing much:  UNFORGETTABLE, PERSON OF INTEREST and A GIFTED MAN are meh at best, and that's without post-premiere declines.  Their other daring scheduling move, putting THE GOOD WIFE on Sundays, doesn't seem to have helped that show and may be hurting CSI MIAMI.  For a lot of the week, the network is just running in place:  B.

ABC:  The Marketing department deserves a pat on the back, because neither REVENGE nor PAN AM were sure things, and both were beautifully launched.  (Particular credit for effectively making sure viewers knew that of the season's 1960s nostalgia specials, Pan Am and not Playboy Club was the one to watch.)  On the other hand, CHARLIE'S ANGELS seems to be going nowhere.  While MODERN FAMILY is a bigger hit than ever, in the other 9PM slots that count, DANCING WITH THE STARS, GREY'S ANATOMY and especially DESPERATE HOUSEWIVES are showing their age.  ABC still has plenty of shows to premiere, with Suburgatory starting tomorrow, and Last Man Standing, Man Up and Once Upon A Time to come in October, but for now a very mixed bag:  B-minus.  

NBC:  The Peacock is exactly one hour away from being Sunday Night and the Six Dwarfs:  if it weren't for Thursday 9-10PM, where THE OFFICE is holding up well (so far) and WHITNEY is looking strong (so far), the network would literally not have a single non-football series on the air with so much as a 2.5 rating.  PLAYBOY CLUB, FREE AGENTS and PRIME SUSPECT are all flopping, UP ALL NIGHT is mired in 4th place in its timeslot, the opportunity to rejuvenate SVU was utterly squandered, and the decision to throw Monday night to the wolves by not finding a way to bring back The Voice has been a disaster.  Since it's hard to credit management with doing anything to earn that football rating other than writing a big check:  D-plus.

CW:  Teen shows can only hold their audience for so long, and except for VAMPIRE DIARIES (which isn't really a teen show), the CW's veterans are sagging.  HART OF DIXIE and RINGER had unimpressive launches, H84 is an utter flop, and even SECRET CIRCLE, which gets the Vampire lead-in, is hardly setting Nielsen meters aflame.  How long can a network last with only one show that gets over a 1.0?  I guess we'll find out:  D.  

Tonight, we'll see how New Girl and Unforgettable hold up in their second appearances--look for our Pilot + 1 reviews for both.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED PILOT REPORT: The CW's "Hart of Dixie" - PREMIERING TONIGHT

Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full TV pilot reviews, but rather as a guide to the general style and content of the new shows coming your way.

HART OF DIXIE -  Monday 9PM on The CW:  Change the Channel

HART OF DIXIE has one of those premises easy to encapsulate in a single sentence:  "Cristina from Grey's Anatomy stars in Northern Exposure--only in the South."  After all, Northern Exposure and Grey's are both solidly entertaining shows, so why shouldn't this work?  As it turns out, for lots of reasons.


Hart comes from Josh Schwartz's production company; he's the mind behind The OC, Gossip Girl and Chuck, but he's only a producer on this one and not the writer.  The script is by Leila Gerstein, who's been writing on Gossip Girl, and the difference in voice is obvious.  Our heroine, Zoe Hart (Rachel Bilson, herself a Schwartz veteran as one of the brightest presences on The OC) is a hard-driven young doctor who fully intends to become a leading cardio-thoracic surgeon in New York, just like her emotionally distant father.  When things go badly in the big city, she (implausibly) decides to dump her entire life and answer those postcards she's been getting since her graduation from medical school, joining the practice of the general practitioner in Bluebell, Alabama who's been sending them since he watched her deliver the class valedictory address.  In the ways of TV pilots, it turns out the GP's assistant (Nancy Travis, who'll have to be recast, since she plays Tim Allen's wife on Last Man Standing) has continued to send out the postcards even though the old doc recently died.  But guess what?  The deceased mysteriously left his half of the practice to Zoe in his will.  (I know, you've already guessed the only possible reason he'd do that, but let's not spoil it.)

Bluebell is a town that seems to pride itself on featuring the highest possible number of Southern cliches.  There are the belles who parade around town in Confederate-era gowns and who are led by the lovely Lemon (Jaime King), who's really the meanest of mean girls and whose name really is Lemon (for a more complex version of this character, wait for Bryce Dallas Howard in the upcoming film of The Help)--and hey!  the mean girl is also the daughter of the crotchety doctor who owns the other half of Zoe's new practice, and wants to drive her out of town!  There's also the local electric system that can't keep two bungalows lit at the same time.  And let's not forget the Mayor's pet alligator.  By the end of the pilot, Zoe's met her 2 potential love interests, one a hunky lawyer (Scott Porter from Friday Night Lights) who (oops) is engaged to the mean girl, the other a hunky bad boy (Wilson Bethel).  After initially wanting to run back to New York, she delivers a baby and darned if she doesn't realize that she can become a better human being and a better doctor by staying in a small town.  And she's found out the dead old doc's secret, cementing her place in Bluebell.

As obvious as all this is, with the right writing and production it could be entertaining enough--it's not as though the premise for Northern Exposure wasn't silly.  But Gerstein's script doesn't have any of the self-mocking, knowing humor that usually enlivens Schwartz's shows; it just unravels its cliches, good-natured but simple-minded.  Bilson is an extremely appealing actress, yet not so much an obsessive cardio-thoracic surgeon (try to imagine her playing Cristina in Grey's and you'll see the fundamental miscasting).  The supporting cast, even Porter, comes off as bland, with the exception of Cress Williams (also from Friday Night Lights!) as that Mayor, who has a sense of humor and his own secret.  And the pilot is an extraordinarily ragged piece of work, stitched together with enough voice-over narration for an entire season of Gossip Girl, and capped with an awkward Big Speech of exposition.     

All hope isn't lost for Hart of Dixie.  The CW has given it the slot behind Gossip Girl on Mondays, and none of the competition (the revamped 2 1/2 Men and Mike & Molly on CBS; House on FOX, and reality competitions on ABC and NBC) is aimed at its target young woman audience.  Now that the pilot and its burden of premise are out of the way, it'll just be a show about a cute young doctor in a small town, and maybe it can gather itself together.  If the series is going to be watchable, though, everyone involved, from the top down, has a lot of work to do.

 

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED'S PILOT + 1 REVIEW: "The Secret Circle"


A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on THE SECRET CIRCLE:  When Cassie Blake (Britt Robertson)'s mother is mysteriously killed, she goes to stay with her grandmother in the picturesque seaside town of Chance Harbor.  There she discovers that she is the sixth, and pivotal, member of a coven of teen witches, who will collectively wield great power if they bind themselves together.  What none of them know is that they're being manipulated by the survivors of the previous generation's coven, who had their powers taken away when something they did caused the deaths of many of the members.  That older coven--which includes the high school principal (Natasha Henstridge)--is responsible for killing Cassie's mother in order to get the girl to town, since the new coven's existence will somehow bring back their elders' powers.


Episode 2:  The biggest problem with The Secret Circle is that The Vampire Diaries exists (and airs as its lead-in), and although both shows are produced by Kevin Williamson and based on books by L.J. Smith, Vampire is infinitely more fun.  Circle is much more of a "teen" show, partly because some of the high school students in Vampire are actually hundred-year old vamps, but more because Vampire early on abandoned all but the barest pretext of teen life and turned to the business of intricately plotted, darkly romantic storytelling.  Vampire also has a flair for killing off just about any character at a moments noticej (not that they always--heh heh--stay dead), making for some genuine suspense, while the victim in tonight's Circle was so obvious that he should have been carrying around his own burial instructions.

In the series' second episode, written by Executive Producers Williamson and Andrew Miller, most of the action involved Cassie's deciding whether or not to join the coven's "binding spell" that would focus their powers but also place them under group control.  After she and designated cute-boy Adam (Thomas Dekker)--naturally another coven member's boyfriend--had adorably made lightbulbs fizzle and explode with their repressed passion for one another, and Mean Witch Diana (Shelley Hennig) almost killed a civilian, Cassie reluctantly agreed to the spell, and its casting ended the episode.

Thus far, Secret Circle is more than a little plodding.  Cassie, as played by Robertson, is all too normal, without any of the snap that Nina Dobrev brings to her heroine Elena in Vampire (even before we knew that Elena had an ingeniously bloodthirsty vampire doppelganger--but I digress).  The villains are a colorless lot, and with their very limited powers--they have to clutch a crystal to be able to cast any spells--they're none too scary.  The show's jokey references to Harry Potter aside, Circle needs a Voldemort--and fast.  

Secret Circle has the most cushioned spot on the CW schedule, with Vampire handing it a lead-in every other show on the network can only envy.  So unless the ratings collapse, it'll have an extended chance to prove itself.  But it's soon going to need sparks beyond the ones from its many shattered lightbulbs if it's to justify its existence.

Original Verdict:  If Nothing Else Is On...

Pilot + 1:  Keep Looking--Something Else Probably IS On

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: TUESDAY Ratings September 20

FOX's New Girl starring Zooey Deschanel is the clear standout so far this week.  At a 4.7 Adult 18-49 rating, New Girl's series debut was the highest rated show on any network last night, rising 24% from its Glee lead-in.  This is an impressive showing from the freshman comedy.

On CBS, Unforgettable made its debut at 10 pm, winning the time period with a 2.9 demo rating (down 19% from its NCIS: Los Angeles lead-in, however).  But a win is a win, and a high-two rating is about what it takes to win most 10 pm time periods, when audiences often turn to their DVRs, switch over to cable, or just go to bed.



NBC struggled with the season premiere of Biggest Loser, stuck in the low-2 rating range from 8-10 pm, and winding up with a 2.1 for Parenthood's second outing at 10 pm.

ABC had somewhat better results from 8-10 pm with the Dancing with the Stars special at 8 pm (Meet the Cast) turning in a 2.0 but the live Results show hitting a 2.8 rating.  This lead-in advantage was enough to allow Body of Proof (2.3 rating) to edge Parenthood for second place.

On The CW, the second week of 90210 and Ringer settled in under a 1 rating, officially becoming non-factors in their time periods.

Compared to the ShowBuzzDaily ratings projections, all programs on the broadcast networks are running very close to the projected numbers, with the notable exception of New Girl, which does have the potential for breakout status as the fall unfolds.  Look for New Girl to come down to a low-4 rating in coming weeks, which is still well ahead of forecast.



TUESDAY FALL 2011   Estimates         Episode Rating      
                    May   Sep   #1   #2   #3   #4   #5   #6   Avg
ABC
 800 Last Man Stand 2.7   2.4   10/11
 830 Man Up         2.3   2.1   10/18
 900 Dancing        3.2   3.1   2.8
1000 Body of Proof  2.4   2.4   2.3 
CBS
 800 NCIS           3.9   3.9   4.2
 900 NCIS LA        3.5   3.5   3.6
1000 Unforgettable  2.8   2.8   2.9
NBC
 800 Biggest Loser  2.3   2.3   2.2
 900 Biggest Loser  2.7   2.7   2.4
1000 Parenthood     2.2   2.3   2.2  2.1
FOX
 800 Glee           4.1   4.0   3.8   
 830 New Girl       2.9   2.8   4.7

 900 Raising Hope   2.7   2.6   3.1
CW

 800 90210          n/a   n/a   0.9  0.7
 900 Ringer         n/a   n/a   1.2  0.9

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED'S PILOT + 1 REVIEW: "Ringer"



A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on RINGER:  Bridget (Sarah Michelle Gellar) is an ex-stripper and recovering addict who's supposed to testify against a crime boss.  She's watched over by an FBI agent (Nestor Carbonell) but afraid for her life, so she escapes to New York, where her wealthy, identical twin sister Siobhan (Gellar again) lives.  To Bridget's shock, Siobhan takes a header off a boat in the middle of the ocean, and Bridget seizes the opportunity to take over Siobhan's life.  But it turns out that Siobhan's world is itself a tangle, with an estranged husband (Ioan Gruffudd), a lover (Kristoffer Polaha) who's the husband of her best friend (Tara Summers), and a troubled stepdaughter (Zooey Deutsch).  Also, Siobhan's life is as much in danger as Bridget's--during the pilot, Bridget had to kill one of the thugs stalking Siobhan in self-defense.  And?  And Bridget doesn't know it, but Siobhan is very much alive and plotting something in Paris.

Episode 2:  Deficiencies in the series concept are starting to surface in the first regular episode, written by creators Eric Charmelo and Nicole Snyder.  One problem is is an increasingly high level of contrivance.  The episode's storyline mostly concerned Bridget's attempts to get rid of the body of the man she killed in the pilot, while she plotted to clean out Siobhan's bank account and make a break for it.  In order to ramp up the suspense, a ridiculous twist involved Siobhan's husband's last-second decision to hold a cocktail party in the under-contruction loft where the body was hidden, and then the dead man's phone ringing incessantly at the party's only quiet moment, because apparently the corpse owned the world's only cell phone without voice mail.  The episode's big (but predictable) twist was that when Bridget finally opened the trunk where the body was supposed to be, it had vanished.  Equally unconvincing was Bridget's decision to stay in town purely because of her empathy for Siobhan's party-girl stepdaughter, despite the fact that she now knows there are two separate groups of bad guys converging on her, one team aiming for Bridget and the other for Siobhan.   

More serious, in terms of the show's tone, is the fact that it seems content to be completely humorless, thereby shortchanging viewers on one of Gellar's greatest strengths as a leading lady.  The show doesn't even manage much in the way of wish-fulfillment, despite the fact that Bridget is now living Siobhan's very rich life.  Gellar also plays Bridget and Siobhan more or less interchangeably, which means we don't get the usual pleasure of identical twin stories: watching the lead performer play two strongly contrasting characters at the same time.  Plus, Bridget shows no sign so far of being very smart--there was an opportunity in this episode to have her do something clever as she tried to figure out Siobhan's bank PIN number, but she couldn't do it and had to be bailed out by the bank manager.  The supporting characters are mostly dull, especially Siobhan's husband and lover.  And the gimmick of having the last 2 minutes of each episode bring us a glimpse of Siobhan's secret existence will get old fast.

Ringer still has promise:  the unraveling of what's going on with Siobhan is intriguing, and Bridget's attempt to fit into Siobhan's life could be fun.  And Gellar has plenty of talents the show hasn't exploited yet.  But Bridget, who's supposed to be street-smart, needs to be more ingenious than she's been so far, and the villains have to move beyond the level of B-movie thugs if Ringer is to be diverting fun.

Original Verdict:  Potential DVR Alert

Pilot + 1:  Give It A Few More Episodes

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: Monday Ratings - Network Scorecard

And... they're off!  The 2011-12 broadcast TV season is underway, and already there are some clear winners and losers.

CBS:  Last night was always going to be a good night for the Eye, but the extent of the good news is remarkable.  The first un-Charlie Sheened 2 1/2 MEN was the most publicized event of the summer, and it delivered a massive 10.3 in the 18-49 demo (in comparison, May's season finale of American Idol did a 9.2).  And the decision to schedule the pilot of 2 BROKE GIRLS as a follow-up at 9:30 proved a huge success with a 7.0; whatever happens to that show now, the network will never be able to say viewers didn't give it a look.  Also great news for 2 Broke Girls:  viewers were apparently longing for the return of its real lead-in HOW I MET YOUR MOTHER, which had an exceptionally strong Season 7 debut with 4.9.  (Next week, though, it'll face the debut of FOX's hugely hyped Terra Nova.)  The only slightly dark cloud for the night was HAWAII 5-0's 3.4, which (in preliminary numbers) won the time slot, but couldn't sustain the night's momentum and lost over 50% of its Broke Girls' lead-in.


NBC:  Bob Greenblatt, welcome to network TV!  The opening night of his first Fall schedule couldn't have gone any worse.  The decision to push The Voice to mid-season and risk pitting THE SING-OFF against regular season competition proved disastrous, and the Peacock is now facing 2 hours every Monday of the fall with a potential sub-2 rating.  Even worse, whatever chance THE PLAYBOY CLUB had of finding a toehold was damanged by its lead-in, and with its 1.6 rating, it becomes the instant leader in the fall TV dead pool.  An awful debut is bad news for any show, but even worse for a serialized drama like Playboy, because viewers rarely gravitate to a series whose story is already underway.  If the network doesn't give up on the show quickly, look for stunt casting and other desperate measures to hype viewer interest in the coming weeks.

ABC:  Facing the CBS juggernaut, and without a giant name in this season's competition, DANCING WITH THE STARS did an OK 3.9, which was down significantly from last year's premiere.  The better news at the Alphabet was CASTLE's solid 3.3 at 10PM.  That show's number tends to come down a bit in final ratings because of Dancing overruns, but in any event the show benefited from NBC's failure in the time-slot (and a big season finale dliffhanger in May), and is now a strong player on the night.

FOX:  They're waiting till next week to launch their new shows, probably because they didn't want the 2-hour Terra Nova premiere to have to face last night's 2 1/2 Men.

CW:  On the shelf till next week.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: Broadcast Ratings September 12-18

The week before the big network Premiere Week has NBC in first with about a 2.7 Adult 18-49 rating for the week and the other three major broadcasters at about a 1.7 rating.  NBC was helped by another very good Sunday Night Football game (Atlanta defeating Philadelphia in a close contest and the return of Michael Vick to Atlanta) as well as the finale of America's Got Talent and a solid preview of the comedy Up All Night. 

ABC stayed in the game thanks to the finale of Wipeout and a terrific 3 rating on Saturday night for college football.  FOX had the Primetime Emmy Awards on Sunday at about a 4 rating against NFL football's 9+ rating.  The exact number for the Emmy Awards will be available tomorrow after the time zones are tabulated correctly.  FOX followed NBC's lead of broadcasting the awards show live in the West at 5 pm PT and replaying the telecast at 8 pm PT (ratings of both feeds in effect are combined).  NBC pioneered this format with the Golden Globes and did it again last year when it had the Emmys.


CBS also tied for second for the week with good performances by the Survivor premiere, Big Brother finale, Big Bang Theory repeats (which bodes extremely well for its premiere this week), and a football-delayed 60 Minutes on Sunday.  Finally, The CW, with its early premieres of its dramas, almost tripled its weekly average from a 0.3 in the summer to a 0.8 this week.

The new season gets under way TONIGHT with multiple Monday premieres.  We will repost our Monday ratings projection later this afternoon.   


Estimated Non-Official Weekly Network Averages
               Adult 18-49 rating

Week of     ABC   CBS   NBC   FOX   CW
June 13     1.2   1.1   2.0   1.6   0.3
June 20     1.3   1.1   1.8   1.4   0.3
June 27     1.3   1.0   1.6   1.2   0.3
July 4      1.4   1.2   1.6   1.3   0.3
July 11     1.3   1.3   1.4   1.7   0.3
July 18     1.3   1.4   1.3   1.5   0.3
July 25     1.3   1.3   1.3   1.6   0.3
Aug  1      1.4   1.3   1.2   1.4   0.3
Aug  8      1.35  1.45  1.22  1.80  0.3
Aug  15     1.28  1.41  1.64  1.81  0.3

Aug  22     1.45  1.67  1.77  1.17  0.3
Aug  29     1.41  1.30  1.25  1.07  0.3
Sep  5      1.38  1.53  3.80  1.52  0.3
Sep  12     1.71  1.67  2.72  1.67  0.8


The second chart below lists the hit network shows by night (those programs at or near a 2.0 Adult 18-49 rating or higher). 

Top Network Shows (Adult 18-49 rating 2.0+)
Week of September 12-18

Mon: FOX Hell's Kitchen 2.4
     ABC Bachelor Pad 1.9
Tue: NBC America's Got Talent 3.8
     NBC Parenthood premiere 2.2 
     ABC Wipeout 2.0 
Wed: NBC America's Got Talent finale 3.6
     NBC Up All Night preview 3.7
     NBC Free Agents preview 2.1
     CBS Survivor premiere 3.4 
     CBS Big Brother finale 2.9 
Thu: ABC Wipeout finale 2.3
     CBS Big Bang Theory repeat 8:00 2.3 
     CBS Big Bang Theory repeat 8:30 2.6

Sat: ABC NCAA FB OKLAHOMA-FLORIDA ST 3.0
Sun: NBC NFL PHI-ATL 9.4 (est. from fast national)
     FOX Primetime Emmy Awards 4.0 (est. from fast nationals)
     CBS 60 Minutes 2.6 (7:30-8:30 est. from fast nationals) 

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THURSDAY Ratings -- Early Results

Two shows premiered last night, both on The CW.  Vampire Diaries returned to a 1.4 Adult 18-49 rating, while Secret Circle debuted at almost the same level (1.3 rating).  Last year Vampire Diaries debuted with a 1.6 rating, and we'll need to wait until next week to see if the Vampire Diaries can defend its 1.4 rating against all-original competition on the large networks.  See the updated ratings chart below.


THURSDAY FALL 2011  Estimates         Episode Rating     
                    May   Sep   #1   #2   #3   #4   #5   #6   Avg
ABC
 800 Charlie's Ang  2.3   2.2   9/22

 900 Grey's Anatomy 3.7   3.6   9/22
1000 Private Practi 2.6   2.5   9/29 
CBS
 800 Big Bang Theor 3.9   4.0   9/22
 830 How Gentleman  3.2   2.9   9/29
 900 Person Interest3.5   3.5   9/22

1000 Mentalist      3.3   3.3   9/22
NBC
 800 Community      1.9   1.9   9/22
 830 Parks & Rec    2.1   2.1   9/22
 900 The Office     3.1   3.0   9/22

 930 Whitney        2.6   2.4   9/22
1000 Prime Suspect  2.5   2.4   9/22

FOX
 800 X-Factor       3.4   3.4   9/22   
 900 Bones          2.5   2.5   11/3
CW
 800 Vampire Diar   n/a   n/a   1.4
 900 Secret Circle  n/a   n/a   1.3

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED PILOT REPORTS: The CW's "Ringer"


Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full TV pilot reviews, but rather as a guide to the general style and content of the new shows coming your way.

RINGER -  Tuesday 9PM on The CW:   Potential DVR Alert

RINGER has both a high concept and enough plot for 3 ordinary series, but its main selling point is that it marks the return of Sarah Michelle Gellar to series television.  Hard as it is for some of us to believe, it's been 14 years since Buffy Summers started keeping the world safe from vampires and other monsters, establishing (via Genius-in-Charge Joss Whedon) a tone and subset of genre that's only grown more popular in the ensuing years.  Gellar is a genuine TV star, and in Ringer she's as beset by melodrama (everything but the bloodhounds snapping at her rear end, to quote All About Eve) as the Slayer used to be.


Where to start?  In the pilot script by the team of Eric Charmelo and Nicole Snyder (they were previously writers on Supernatural), Gellar plays Bridget Cafferty, former stripper, former hooker, former addict, currently about to testify against a vicious Native American mob boss at his murder trial.  At the last minute, convinced the FBI (in the person of Nestor Carbonell--Lost's Richard Alpert--as Victor Machado) can't protect her, Bridget bolts.  Her destination is the Hamptons, where her identical twin sister Siobhan Marx (also Gellar) has an estate, possibly just down the beach from the evil snobs of Revenge.  Bridget and Siobhan haven't seen each other in years--something unspecified in their past is Bridget's fault--but Siobhan takes her in.  Except... almost immediately afterwards, Siobhan vanishes, an apparent suicide.  So Bridget decides that the most effective way for her to disappear herself is to take over Siobhan's identity.

We are, believe it or not, just starting.  (For those who think pilots can have spoilers:  Spoiler Alert ahead.)  Conveniently, Siobhan never told her husband Andrew (Ioan Gruffudd) that Bridget exists, so although he senses there's something odd about his "wife," he has no reason to suspect a substitution.  Nor does Siobhan's bratty teen (and coke user) stepdaughter Juliet (Caitlin Custer), or Siobhan's best friend Gemma (Tara Summers).  Gemma is more concerned that her husband Henry (Kristoffer Polaha) is having an affair--which he is, with Siobhan.  Oh, and Siobhan is/was--guess what?--pregnant.  And the FBI is still after Bridget.  And the guy Bridget thought was out to kill her?  Maybe not.  And I'm not even giving away the pilot's final twist.

All of this, mind you, unfolds in about 40 minutes of screen time.  Ringer is stylishly ripe fun; it doesn't stop to wonder whether it's making any sense.  (The pilot is directed by Richard Shepard, who did the pilot for Ugly Betty; he seems to have rented every mirror in the general vicinity to repeatedly underscore the dualities and reflections in the plot.)  Even as you're thinking how silly it all is, you can't help wondering what's going to happen next.

A crazy story like this needs an anchor, and Gellar knows her way around bizarre plotlines.  The pilot, though, currently takes itself too seriously, and thus wastes one of its biggest assets--in Gellar, they have a champion at the art of wisecracking in the course of heavy drama, and with a show that could desperately use a dose of sardonic humor, the writers need to make use of that skill if the series is to keep rolling along.  The other actors don't get to do much more in the pilot than establish who their characters are--they seem to be hanging on for dear life--but in the course of episodes, one would think talented actors like Carbonell, Gruffudd and Polaha will make more of an impression.      

If Ringer can keep its complications aloft, it could prove addictive.  Its biggest challenges may be its network and timeslot.  Ringer was developed for CBS, which passed because the show doesn't fit within that network's brand (no procedural elements, soapy style).  It was then passed to CBS's sister network The CW (co-producer ABC Studios dropped out at that point), but it's an uneasy fit there;  Gellar isn't in her 20s anymore, and this is a more serious soap than Gossip Girl or the show that serves as Ringer's lead-in, 90210.  That's not the greatest match, and it's not clear if Ringer will appeal to the young women 18-34 audience that's The CW's usual core.  Also, the Tuesday 9PM competition includes the Dancing With the Stars results show, NCIS Los Angeles, Biggest Loser and FOX's strong Zooey Deschanel sitcom New Girl--none of them pushovers.  (The good news is that it doesn't take much of a rating to be a "hit" on The CW.)  Can the show battle its way past all of that?  This is where Slayer powers could come in handy.  

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: The CW Update



The CW has announced their Fall premiere dates, and not unusually for them, several of their series will be unveiled the week before the other networks open for business.  (The downside for viewers is that this is one of the reasons The CW takes such long breaks between original episodes later in the season).  So:

90210 and the new RINGER will premiere on Tuesday, September 13

Reality shows H8R and America's Next Top Model will premiere on Wednesday, September 14

The Vampire Diaries and newcomer THE SECRET CIRCLE will premiere on Thursday, September 15

The Friday lineup of Supernatural and Nikita will launch with the rest of the networks on September 23

Monday's Gossip Girl and newbie HART OF DIXIE will start on September 26.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED PILOT REPORT: The CW's "The Secret Circle"



Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full reviews, but rather as a guide to the general style and content of the new shows coming your way.

THE SECRET CIRCLE -  Thursday 9PM on The CW:  If Nothing Else Is On...

Kevin Williamson has turned The Vampire Diaries into one of network TV's most effectively guilty pleasures, an intoxicating stew of vampires, werewolves, witches and all manner of ancient curses and devices.  The CW hasn't gone far afield in seeking a companion piece for their biggest hit, adapting another book series by L. J. Smith and placing Williamson again at the helm (this time with co-writer Andrew Miller).  At first glance, The Secret Circle is a somewhat dimmer shadow of Vampire, but it's still fairly diverting.


The mythology this time is more straightforward, at least for now.  It's basically The Craft as a TV show:  instead of ageless vamps moving to a small town, it's our suddenly orphaned heroine Cassie (Britt Robertson, another CW vet from Life Unexpected) who comes to Chance Harbor to move in with her grandmother.  By the time the pilot is over, Cassie's found out that her high school classmates are a coven of witches--and that she, naturally, is the most powerful of them all.  There's a mystery brewing about just what happened with the previous generation of witches, who were the parents of the current coven (but each is now a widow or widower), and what that elder generation is plotting now that Cassie's in town. 

Secret Circle is more teen-centric than Vampire (even though the frozen ages of the vampires semi-plausibly place them in or near high school, they've got adult sensibilities, and the show is able to do flashbacks set all over the world through the centuries), and it doesn't have the frisson of Ian Somerhalder's antihero gleefully murdering people half the time.  The teens (Thomas Dekker, Phoebe Tonkin, Jessica Parker Kennedy, Louis Hunter, Shelley Henig), too, are less quirky:  a couple of stereotypical mean girls, a class-president type, and some doe-eyed boys to be romantic interests.  In the pilot, Robertson is mostly wide-eyed, alternating between mystification and shock, but now that she knows who she is, her character may become more substantial.  The adults don't yet make much of an impression except for Gale Harold, who cuts a nicely villainous figure.  Liz Friedlander's direction (she's worked on Vampire) is capable, although the show doesn't gather much in the way of serious creepiness.

Notwithstanding Secret Circle's very tough Thursday 9PM slot, against Bones, The Office, Grey's Anatomy and the new Person of Interest, The CW is in a ratings world of its own--Mitch Metcalf doesn't include its numbers in his Thursday projection because the network's shows cater to the 18-34 young woman audience, rather than to adults 18-49.  It has the best possible lead-in with Vampire, so at the very least it will get sampled by its target demo and have some time to tell its story.  That will give it a chance to expand its reach, hopefully to include some of the narrative zigs and zags that have made its predecessor such fast-food TV fun.

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: 1st Pre-Look At The CW's New Dramas

DISCLAIMER: These initial impressions are based on the clips (usually 3-5 minutes) released by the networks to use in their Upfront presentations and for promos.  They're chosen to sell the show, not to accurately represent it.  So take the reactions below with a large satchel of salt--we may well feel differently about these shows once we see the full pilots.  That being said, it's also true that these clips are carefully selected to give the best impression possible of a show--if it still doesn't look great, that may not bode well.


Clips are available, among other places, at CWTV.com.  

RINGER (Tuesday 9PM):  Considering that there's talk of a rebooted Buffy the Vampire Slayer movie (wthout Joss Whedon), it's not clear that the target audience at The CW will really feel much nostalgia about Sarah Michelle Gellar returning to her WB/UPN roots.  Also, Ringer was actually developed for The CW's sister network CBS, and at first glance, it's a somewhat odd fit for The CW--and particularly with its lead-in 90210.  The premise has Gellar, in some kind of desperate trouble, substituting herself for her identical twin sister who's disappeared, only to find out her sister's life is just as dangerous as hers.  It feels rather glum by The CW's standards, and older-skewing than their usual fare, but probably the show will be somewhat redeveloped (the pilot's writers are Eric Charmelo and Nicole Snyder of Supernatural) now that it's headed for a new network.




THE SECRET CIRCLE (Thursday 9PM): This one couldn't be a more prototypical CW project:  teen witches, based on a novels by L.J. Smith and written/produced by Kevin Williamson, both of the network's runaway hit Vampire Diaries (and not so coincidentally scheduled immediately after Vampire on Thursdays).  As of this writing, the only live clip on The CW's website is a 30-second promo, so too soon to say much about the content--we'll update as more material is made available--but it would be a surprise if the show departed much from its successful template.


HART OF DIXIE (Monday 9PM):  Think of it as Southern Exposure, or a younger version of ABC's new Good Christian Belles.  Rachel Bilson of The OC (produced by Josh Schwartz, who again not so coincidentally also produces Gossip Girl, Dixie's lead-in) plays a NY doctor who finds herself practicing medicine in a small southern town where the natives are colorful and unwelcoming.  Bilson was one of the best features of OC even when that show started to slide, and on the basis of the clips, she'll be doing her spunky, charming thing here, this time while curing patients. 

Thoughts on The CW Schedule (and Our Predictions)


ABC ANALYSIS     CBS ANALYSIS     NBC ANALYSIS     FOX ANALYSIS     CW ANALYSIS

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS

THE SKED: CW

NEW SHOWS in BOLD.  New Time Periods in Italics.

WHAT WE LIKE:  A lot of new shows (four new shows on a five-night network).  CW is playing like the clock is running out and trying to make something happen.  Four of five nights feature a new series, with three of the new shows (all scripted) provided a solid (for The CW) lead-in.  Gossip Girl leads into Hart of Dixie (starring Rachel Bilson as a young New York doctor in Alabama), 90210 leads into Ringer (Sarah Michelle Gellar as a murder witness on the run who adopts the identity of her missing twin sister), and Vampire Diaries leads into Secret Circle (no stars but a Kevin Williamson drama about teen witches right in CW's wheelhouse). On paper all three new scripted shows look promising -- Mitch Salem's take on the clips and trailers is here.  


WHAT WE DON'T LIKE:  H8R.  The lone alternative show on the schedule about "celebrities" who try to win over their haters.  Oh, and it's hosted by Mario Lopez.  Who will sample such a show?  and this is the only new show being asked to open without a lead-in.  America's Next Top Model will do slightly better at viewer-rich 9 pm than at 8 pm (regardless of its lead-in), which is probably the more important consideration.  In all probability, anyway, ANTM repeats will be playing at 8 pm sooner rather than later.  Sorry to be such a hater. 

WHERE WE GOT IT RIGHT AND WRONG:  We had Hart of Dixie, Secret Circle and Awakening (teenage zombies) on the fall schedule.  (Ringer was actually developed for CBS, not CW, and since CBS is a co-owner with Warner Bros of CW, the show switched networks as an act of corporate synergy.)  We correctly predicted the Vampire Diaries / Secret Circle Thursday, but placed Hart of Dixie on Tuesday and Awakening on Friday.   But CW's decision to put all returning shows on Friday (and putting the new shows on Monday-Thursday) makes more sense.  We used America's Next Top Model to lead into Nikita to take it to the next level, although the concept of an all-reality Wednesday would be a good decision with the right show at 8 pm.

CW DRAMAS

ABC ANALYSIS     CBS ANALYSIS     NBC ANALYSIS     FOX ANALYSIS     CW ANALYSIS

  • Digg
  • Del.icio.us
  • StumbleUpon
  • Reddit
  • RSS