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Showing posts with label Big Bang Theory. Show all posts
Showing posts with label Big Bang Theory. Show all posts

THE SKED'S THURSDAY NETWORK SCORECARD





AWAKE didn't keep anyone from a full night's sleep.

NBC:  In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is:  AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour.  So there's that.  Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure.  It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice.  (Even against a Mentalist repeat, its margin of victory was a mere 0.2.)  So:  on to next year!  Meanwhile, the rest of the evening was dismal as well:  none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks.  Creatively, it was also a down night:  THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered.  (Let's not even speak of UP ALL NIGHT.)


FOX:  It's been the same story all week, as AMERICAN IDOL, with another 2-hour episode, was up from last Thursday (since this week aired against ABC and CBS reruns), but horribly down (more than 40%) from the parallel episode last season.  

ABC:  For an explanation of the network's schedule shenanigans last night, see Mitch Metcalf's rating reportIn any case, nothing on the night scored higher than a 1.3.

CBS:  With THE BIG BANG THEORY in repeats, the season finale of ROB hit a series low 2.6, which on the bright side was down only 0.6 from its depressed lead-in.  Repeats of PERSON OF INTEREST and THE MENTALIST were both under a 2.

CW:  Reruns of VAMPIRE DIARIES and SECRET CIRCLE were at 0.4 and 0.3, respectively.

Tonight is all new (except CW), with the notable event--such as it is--being the season (at least) finale of CBS' A GIFTED MAN.


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THE SKED'S THURSDAY NETWORK SCORECARD




Ow, says FOX.  See FOX say Ow.

FOX:  AMERICAN IDOL's 4.4 rating was its lowest since the show began as a summer series 10 years ago.  That was down 14% from last week, 38% from the first hour of last year's parallel episode, and 43% from last season's Thursday average.  The combined Wednesday/Thursday average for this week was more than 20% lower than NBC's rating for Monday's The Voice.  Oh, I could go on.  The question is what--if anything--can FOX do to reverse the trend?  The show is locked into its format and judges, so look for some high-profile theme nights and other stunting.  The network may also have to give Idol some of the valuable promo time that would otherwise have gone to launching shows like Touch.  Meanwhile, THE FINDER was down to the rating it was getting before it had Idol as a lead-in, although considering that  Idol was down 1.4 rating points from the lead-in it provided 2 weeks ago, Finder's 0.2 decline wasn't at all alarming.


NBC:  The lower Idol numbers on FOX didn't do anything for 30 ROCK or PARKS & RECREATION, both of which were even with last week's season lows (if you exclude 30 Rock's oopsie DVR listing episode).  This is too bad, as both featured first-rate episodes this week, especially 30 Rock with its inspired Leap Day William concoction.  THE OFFICE is also on a creative upswing, although the Tallahassee gambit that's perking the show up is by definition a temporary one.  Office, facing The Finder instead of Idol, was up a decent 0.3 from last week, still far from its numbers earlier this season.  UP ALL NIGHT also had a 0.3 boost with the higher lead-in.  The last rerun GRIMM before Awake arrives next week received little interest with a 0.9.

ABCGREY'S ANATOMY tied its season low, and PRIVATE PRACTICE took a big 0.4 hit from last week's crossover episode.  

CBSTHE BIG BANG THEORY is now the unquestioned king of the 8PM slot, although ROB slipped a bit to a new low (at 3.0, it's still in pretty good shape).  PERSON OF INTEREST benefited from the reduced FOX competition at 9PM and rebounded 0.3, but THE MENTALIST tied its season low.  (The 10PM ratings in general support the idea that in the absence of strong programming, this is when people are catching up on their DVR playlists, since Mentalist and Private Practice were both down, and no one was watching NBC.)

CW:  Already in repeat mode for the night (new shows won't return till mid-March), with a SUPERNATURAL thrown in instead of the usual SECRET CIRCLE at 9PM and garnering an unremarkable 0.3. 

No special events for the evening tonight, just fresh sweeps episodes of all the regular shows (except at CW).

 


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The Sked: Upscale Ratings -- CBS Profile

In the last post on upscale ratings, we looked at ABC, which has a high number of series that skew substantially toward upper-income viewers but not enough programs with a sizable total audience.  Today, we turn our attention to CBS, which has taken a very different pathway to success: many shows with a large audience although very few series attract upper-income viewers.  While the CBS prime time schedule averages a 2.9 rating with Adults 18-49 this season to date (far superior to ABC's 2.4), CBS falls to a 2.6 rating with Adults 18-49 in $100K+ homes (trailing ABC's 2.7).  The CBS $100K+ index of 91 (100=average and anything under 100 indicates a downscale skew) is the lowest of the four major broadcast networks, and only quasi-network The CW has a lower index (83).   

In the chart below, we have added each CBS regular series (in red) to one of nine categories (based on the combination of high, middle or low rating and upscale, midscale or downscale skew).  Notice how few CBS shows are in the extreme right column (the upscale categories) or the bottom row (the low rating categories).  The CBS line-up is very heavily concentrated in the upper-left area of the chart (high- and middle-rated shows in the downscale and midscale areas). 

Monday Comedies.  The most upscale shows on CBS are the Monday 8-10 pm and Thursday 8:00 pm comedies: How I Met Your Mother (111), Big Bang Theory (105), 2 Broke Girls (100), Two and a Half Men (97) and Mike & Molly (93).  We are categorizing How I Met Your Mother as an upscale show, but keep in mind its index is just over the dividing line and actually is fairly close to the other flagship CBS multi-camera sitcoms.  Although none of these shows has an exceptionally high index (denying the CBS sales department an upscale pricing premium), the ratings are high enough that no one at CBS is going to go hungry anytime soon.  Additionally, the granddaddy of reality shows, Survivor, has an index similar to the CBS comedy hits (99), unspectacular but relatively high for CBS and decent for the reality genre as a whole.

Crime Dramas.  In contrast, crime and detective dramas (the other staple of the CBS schedule) are not exactly magnets for upper-income viewers.  The best index values for this CBS specialty are found with freshman series Person of Interest (89), the veteran NCIS (85) and its spinoff NCIS: Los Angeles (77).  Hawaii Five-0 (83) also fits perfectly in this group and gives up any upscale traction (albeit limited) on CBS Monday earlier in the evening with the comedies.  But others such as Criminal Minds (67), Unforgettable (65), the original CSI (62) and brand extensions CSI: Miami (68) and CSI: New York (65) are positively downscale.  Again, the overall ratings are high enough that the revenue is there -- it's just that the network is leaving money on the advertising negotiating table by repelling viewers with more disposable income.

CBS Sunday.  One upscale oasis on the CBS schedule is Sunday night, with the venerable 60 Minutes boasting a 132 index (much better than the Dateline or 20/20 indices, which are around 100).  Amazing Race, perennial favorite of the TV Academy at Emmy time, with a 134 index also attracts high income viewers (who not surprisingly are also much more likely to have a passport and travel internationally, as lifestyle and psychographic studies consistently show).  Finally, The Good Wife at 9 pm sports a 120 index, clearly the most upscale drama on CBS.  However, the audience size on CBS Sunday is anything but dominant -- so any upscale premium is added to a middling price base.

Certainly, CBS chief Leslie Moonves would say something like, "CBS has a game plan that works very well for us.  As the best broadcaster in the business, CBS attracts more viewers than any other network [i.e., change the subject from 18-49 ratings to 2+ because CBS has huge advantages in the 50+ and 65+ age groups], and we are paid very handsomely by Madison Avenue for our consistent audience delivery.  Let the other networks crow about their ratings with tiny demographic groups like 35-49 year-old professors in New York City.  At CBS, we look at the total score on the scoreboard, and that tally tells us the future is very bright at CBS."  In fact, CBS is in very good overall shape, but imagine their strength if their comedies were more like 120 or 125 index values and if the crime dramas could move into the 100-110 range.  They would be unstoppable.


   

            

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The Sked: Cable Ratings Jan 31-Feb 6

Not much change at the top of the weekly cable ratings chart, with Jersey Shore, Pawn Stars and Teen Mom 2 leading the pack.  However, all three shows were down from recent highs as we enter the February sweep and these shows face nothing but original episodes on the broadcast networks. 

Tosh.0 returned to Comedy Central for another burst of original episodes and score a very good 1.9 rating with young adults.  As it hits all-time series highs on CBS Thursd, Big Bang Theory is also performing extremely well for TBS in the 10 pm hour weeknights. 




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THE SKED'S THURSDAY NETWORK SCORECARD


Most of the other networks yielded the floor to ABC for the night.

ABC:  GREY'S ANATOMY hadn't aired a new episode, remarkably enough, since November 10, and viewers were thrilled to have it back, providing the show with a season-high 4.5.  PRIVATE PRACTICE, gone since November 17, was just below its season-high at 2.7.  WIPEOUT's 2.8 was far below last year's 3.8 season premiere, but good enough for 2d place in its hour.


CW:  THE VAMPIRE DIARIES was also new for the first time since early November, and returned in form with a terrific (for its network) 1.4.  THE SECRET CIRCLE was also in form, but that meant a 0.8, still above just about every other CW series.
   
CBS:  Champions of the reruns (of course), with a win at 8PM for the repeat BIG BANG THEORY, and 2d place showings the rest of the night.

FOX:  Decent 1.1-1.2 for 2 hours of BONES repeats.

NBC:  Apart from a 1.1 for the 9PM OFFICE repeat, nothing topped a 0.9.

Tonight, despite the Cotton Bowl on FOX, the other networks air all-new programming with the exception of a repeat GRIMM on NBC.

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THE SKED'S THURSDAY NETWORK SCORECARD



For one network, a night that moved in the wrong direction.

FOX:  Does FOX have to start worrying about X FACTOR?  The show seemed to make its way through the wave of baseball-related preemptions and reschedulings very smoothly, but this week has been troubling.  Both Wednesday and last night, the show has hit season lows for those respective nights, and while the numbers are still perfectly fine (last night's 3.3 was enough for a strong 2d place in its hour), this is the part of the season when competition shows are supposed to start building, not falling apart.  BONES was also down almost 20% from last week, although a drop after the season premiere isn't unusual.  


ABC:  If the network hadn't used the 8PM hour to burn off what may have been the last completed episode of CHARLIE'S ANGELS, ABC might have won the night.  The "fall finale" episode of GREY'S ANATOMY was up to a very solid 4, the highest number it's seem since the season premiere, and PRIVATE PRACTICE is peaking at the right time, with its season-highest rating as lead-up to next week's  2-hour special.

CBS:  Even with mostly reruns, CBS was in the hunt to win the night.  BIG BANG THEORY and RULES OF ENGAGEMENT won their hour handily, and the MENTALIST rerun easily beat NBC's new programming at 10PM.

NBC:  The good news was that THE OFFICE stayed on the safe side of a 3 rating, and WHITNEY, while far from a hit, retained a steady 70% of that number.  The 8PM hour was a disaster, though, with COMMUNITY and PARKS & RECREATION both tying their season lows.  (And when it comes to those shows, that does mean "low.")  PRIME SUSPECT, like a crippled racehorse no one will have the mercy to shoot, continued to howl in pain at a 1.2.

CW  The "fall finale" gambit worked less well for VAMPIRE DIARIES and SECRET CIRCLE, which were both down a bit from last week.

Tonight the Friday watch will be on GRIMM, which needs to stop dropping so NBC can reasonably claim a fall hit (by Friday standards), and A GIFTED MAN, fighting to stay off the autopsy table.

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THE SKED: Thursday Ratings - Network Scorecard



On a night when atypical competition should have made for some shuffling in the numbers, the news was that there wasn't much at all.

ABC:  The network had to be hoping that with a repeat Office on NBC and the male-skewing World Series on FOX, they could get some extra viewers for GREY'S ANATOMY.  But the show actually went down 0.1 from last week, which means its 3.5 rating, down over 20% from last year's average, is about where it's going to be for a while.  The weird thing about CHARLIE'S ANGELS isn't its 1.2 last night, but the fact that as of now, the network is still planning to air another dead episode on November 3, in the midst of sweeps.


CBSPERSON OF INTEREST is reportedly about to receive a full-season pick-up, but it didn't benefit from the repeats on NBC last night, and may have been slightly dented by the World Series.  The good news for CBS was that while RULES OF ENGAGEMENT will never be a blockbuster, it's far more compatible with BIG BANG THEORY than the deceased How To Be A Gentleman was.

FOX:  They now know that they'll have a Game 5 on Monday, removing the need to air House and Terra Nova reruns, but won't know until at least Sunday if they're going to get into the promised land of a Game 6 and potential Game 7.  Last night's number, like Wednesday's, looks to be again just about what they've been doing with X FACTOR.

NBC:  They sat out the night with repeats, and if Sunday's football game is on the low side (and with New Orleans a 2-touchdown favorite over the Colts, that's a possibility), the weekly average could be truly woeful.

CW:  In the universe of this network, where tenths are truly meaningful, the 0.9 for SECRET CIRCLE counts as good news.  The show has been improving creatively over the past couple of weeks as well, with less soap and more deadly villains.

In the stories about CBS's pending pick-ups, notably absent has been A GIFTED MAN, so tonight's rating for that show may be critical.  Also, EXTREME MAKEOVER will make its Friday debut for ABC.

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THE SKED: Thursday Ratings - Network Scorecard


On what used to be network TV's marquee night, only one series had a rating over a 4...

NBC:  ...and it certainly wasn't on NBC.  THE OFFICE is now the only non-football show on NBC to exceed even a 2.5 rating.  So far, Office is holding up pretty well post-Carell (down about 20% from last year's season average), although its number isn't all that impressive compared to comedy hits on all the other networks.  Still, that's by far the network's good news.  WHITNEY's plunge means that not a single new NBC fall series is any kind of success.  (Under the "you can't cancel everything" rule, that doesn't mean all these failures will be thrown off the schedule.  In fact, it's very possible several of them may get back orders for spring, not because NBC is suddenly talent-friendly--ah, the spin!--but out of sheer desperation, since apart from Smash, the network's midseason shows are midseason for a reason.)  NBC may be a couple of weeks away from a very difficult decision:  if they can't save both Whitney and Up All Night, which one gets the life-raft of the Office lead-in?  Meanwhile, at 10PM PRIME SUSPECT is on the critical list with a dire 1.5 rating.  From 8-9PM, COMMUNITY and PARKS & RECREATION provide some stability, albeit of the low-rated kind.


CBS:  THE BIG BANG THEORY is the hit of the night, with a terrific (and stable) 4.8.  But after that, things are a lot bumpier.  HOW TO BE A GENTLEMAN didn't open (meaning that CBS Marketing was only able to get 2 Broke Girls any kind of debut sampling this fall, and that was because of the 2 1/2 Men lead-in) and is probably headed downhill from there.  It's not just that PERSON OF INTEREST is running 20% below CSI's rating in the same timeslot last year-- it's about 13% below the number CSI is doing now in its weaker Wednesday 10PM slot.  And THE MENTALIST is 20% below last season's average, despite NBC being a non-factor in the timeslot.

ABC:  It's just a matter of time till the misbegotten CHARLIE'S ANGELS heads to the trash-heap.  GREY'S ANATOMY, unable to capitalize on NBC's and CBS's problems, is running 20% below its average last year, but at least in its season debut, PRIVATE PRACTICE hit last year's average. 

FOX:  Once again, when all the smoke had cleared, X FACTOR may have declined a bit from last week, but it gave FOX an easy win for the night.  Next week's experiment with a repeat New Girl at 9:30PM is sure to have a strong lead-in, and the results should be interesting.

CWVAMPIRE DIARIES continues to be by far the network's strongest show, and even ticked up a bit this week, while SECRET CIRCLE seems to have settled in to a 0.9 rating, which ain't much, but is above-average by CW standards.

Tonight, CBS will hope that viewers watching A GIFTED MAN, unlike the show's protagonist, won't be seeing dead people.  Look for our Pilot + 1 Review later.

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THE SKED: Emmy Odds - Theirs and Ours: Comedy



With the help of some online bookmaking sites, we have the latest "official" odds for tonight's Emmy Awards.  Let's take a look about what they say about the conventional wisdom, and make some adjustmentswhere they don't make sense.

BEST COMEDY SERIES

Bookie Odds:

Modern Family - 1:7
The Office - 8:1
30 Rock - 8:1
Glee - 12:1
The Big Bang Theory - 16:1
Parks & Recreation - 25:1

ShowbuzzDaily Odds:

Modern Family - 1:2
Parks & Recreation - 5:1
30 Rock - 8:1
The Office - 10:1
The Big Bang Theory - 15:1
Glee - 18:1

The Emmys have a tendency, once they find a show they like, to reward it over and over again (Frasier won 5 years in a row, and more recently 30 Rock was a 3-time winner).  The big money is betting that Modern Family will be the new Emmy darling, repeating last year's win.  This may well be the case, particularly because the consensus is that The Office and 30 Rock both had off years, and Big Bang Theory doesn't seem to have the kind of comedy stature the voters look for.  (Glee, with its hybrid 1-hour format and comedy-drama mix, is badly-placed for a win--especially since the show it starting to look like it may have peaked.)  If there's going to be a surprise, look out for the longshot on the board:  Parks & Recreation hit its creative stride this season, and it has a chance for an upset.

BEST COMEDY ACTOR

Bookie Odds:

Steve Carell, The Office - 1:6
Jim Parsons, The Big Bang Theory - 7:2
Alec Baldwin, 30 Rock - 14:1
Matt LeBlanc, Episodes - 33:1
Louis CK, Louie - 33:1
Johnny Galecki, The Big Bang Theory - 40:1

ShowbuzzDaily Odds:

Steve Carell, The Office - 1:10
Louis CK, Louie - 8:1
Alec Baldwin, 30 Rock - 11:1
Jim Parsons, The Big Bang Theory -13:1
Matt LeBlanc, Episodes -25:1
Johnny Galecki, The Big Bang Theory - 40:1

The smart money (or "smart" money) is going all-in on the idea that Steve Carell--who has never won--will take home a valedictory Emmy for his last season on The Office, and with weak competition, that sounds right (it helps that his last couple of episodes were the best of the season).  Parsons and Baldwin have traded the award each of the last 2 years, so neither is "owed" one, and the feeling seems to be that Galecki is subsumed by his co-star.  Matt LeBlanc is in the race for the getting-tired thrill of watching him play a surreal version of himself in Episodes (Larry David may not have invented that concept, but he owns it for now).  Louis CK is deservedly the hot name of the moment; his problem is that Emmy voters are unlikely to know what to do with his auteur-driven show.

BEST COMEDY ACTRESS

Bookie Odds:

Laura Linney, The Big C - 4:6
Amy Poehler, Parks & Recreation - 7:4
Tina Fey, 30 Rock - 6:1
Edie Falco, Nurse Jackie - 14:1
Martha Plimpton, Raising Hope - 25:1
Melissa McCarthy, Mike & Molly - 33:1

ShowbuzzDaily Odds:

Amy Poehler, Parks & Recreation - 8:5
Laura Linney, The Big C -2:1
Tina Fey, 30 Rock - 8:1
Edie Falco, Nurse Jackie - 10:1
Melissa McCarthy, Mike & Molly - 20:1
Martha Plimpton, Raising Hope - 30:1

This has been a quirky category in recent years, with Edie Falco and Toni Collette each winning for little-watched Showtime comedy-dramas, and the bettors are jumping on Laura Linney as the impeccable successor to that crown with her turn as a funny cancer patient.  Our thought is that the Academy will change gears and go for a more conventional (but still offbeat and classy) network comedy, with the well-liked Amy Poehler winning for Parks & Recreation.  Fey and Falco already have their multiple Emmys, Plimpton is on the cusp between Lead and Supporting on Raising Hope, and McCarthy is likely getting a "welcome to the club" nomination.

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