NBC: In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is: AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour. So there's that. Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure. It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice. (Even against a Mentalist repeat, its margin of victory was a mere 0.2.) So: on to next year! Meanwhile, the rest of the evening was dismal as well: none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks. Creatively, it was also a down night: THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered. (Let's not even speak of UP ALL NIGHT.)THE SKED'S THURSDAY NETWORK SCORECARD
NBC: In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is: AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour. So there's that. Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure. It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice. (Even against a Mentalist repeat, its margin of victory was a mere 0.2.) So: on to next year! Meanwhile, the rest of the evening was dismal as well: none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks. Creatively, it was also a down night: THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered. (Let's not even speak of UP ALL NIGHT.)THE SKED'S THURSDAY NETWORK SCORECARD
FOX: AMERICAN IDOL's 4.4 rating was its lowest since the show began as a summer series 10 years ago. That was down 14% from last week, 38% from the first hour of last year's parallel episode, and 43% from last season's Thursday average. The combined Wednesday/Thursday average for this week was more than 20% lower than NBC's rating for Monday's The Voice. Oh, I could go on. The question is what--if anything--can FOX do to reverse the trend? The show is locked into its format and judges, so look for some high-profile theme nights and other stunting. The network may also have to give Idol some of the valuable promo time that would otherwise have gone to launching shows like Touch. Meanwhile, THE FINDER was down to the rating it was getting before it had Idol as a lead-in, although considering that Idol was down 1.4 rating points from the lead-in it provided 2 weeks ago, Finder's 0.2 decline wasn't at all alarming.The Sked: Upscale Ratings -- CBS Profile
In the last post on upscale ratings, we looked at ABC, which has a high number of series that skew substantially toward upper-income viewers but not enough programs with a sizable total audience. Today, we turn our attention to CBS, which has taken a very different pathway to success: many shows with a large audience although very few series attract upper-income viewers. While the CBS prime time schedule averages a 2.9 rating with Adults 18-49 this season to date (far superior to ABC's 2.4), CBS falls to a 2.6 rating with Adults 18-49 in $100K+ homes (trailing ABC's 2.7). The CBS $100K+ index of 91 (100=average and anything under 100 indicates a downscale skew) is the lowest of the four major broadcast networks, and only quasi-network The CW has a lower index (83).
In the chart below, we have added each CBS regular series (in red) to one of nine categories (based on the combination of high, middle or low rating and upscale, midscale or downscale skew). Notice how few CBS shows are in the extreme right column (the upscale categories) or the bottom row (the low rating categories). The CBS line-up is very heavily concentrated in the upper-left area of the chart (high- and middle-rated shows in the downscale and midscale areas).
Monday Comedies. The most upscale shows on CBS are the Monday 8-10 pm and Thursday 8:00 pm comedies: How I Met Your Mother (111), Big Bang Theory (105), 2 Broke Girls (100), Two and a Half Men (97) and Mike & Molly (93). We are categorizing How I Met Your Mother as an upscale show, but keep in mind its index is just over the dividing line and actually is fairly close to the other flagship CBS multi-camera sitcoms. Although none of these shows has an exceptionally high index (denying the CBS sales department an upscale pricing premium), the ratings are high enough that no one at CBS is going to go hungry anytime soon. Additionally, the granddaddy of reality shows, Survivor, has an index similar to the CBS comedy hits (99), unspectacular but relatively high for CBS and decent for the reality genre as a whole.
Crime Dramas. In contrast, crime and detective dramas (the other staple of the CBS schedule) are not exactly magnets for upper-income viewers. The best index values for this CBS specialty are found with freshman series Person of Interest (89), the veteran NCIS (85) and its spinoff NCIS: Los Angeles (77). Hawaii Five-0 (83) also fits perfectly in this group and gives up any upscale traction (albeit limited) on CBS Monday earlier in the evening with the comedies. But others such as Criminal Minds (67), Unforgettable (65), the original CSI (62) and brand extensions CSI: Miami (68) and CSI: New York (65) are positively downscale. Again, the overall ratings are high enough that the revenue is there -- it's just that the network is leaving money on the advertising negotiating table by repelling viewers with more disposable income.
CBS Sunday. One upscale oasis on the CBS schedule is Sunday night, with the venerable 60 Minutes boasting a 132 index (much better than the Dateline or 20/20 indices, which are around 100). Amazing Race, perennial favorite of the TV Academy at Emmy time, with a 134 index also attracts high income viewers (who not surprisingly are also much more likely to have a passport and travel internationally, as lifestyle and psychographic studies consistently show). Finally, The Good Wife at 9 pm sports a 120 index, clearly the most upscale drama on CBS. However, the audience size on CBS Sunday is anything but dominant -- so any upscale premium is added to a middling price base.
Certainly, CBS chief Leslie Moonves would say something like, "CBS has a game plan that works very well for us. As the best broadcaster in the business, CBS attracts more viewers than any other network [i.e., change the subject from 18-49 ratings to 2+ because CBS has huge advantages in the 50+ and 65+ age groups], and we are paid very handsomely by Madison Avenue for our consistent audience delivery. Let the other networks crow about their ratings with tiny demographic groups like 35-49 year-old professors in New York City. At CBS, we look at the total score on the scoreboard, and that tally tells us the future is very bright at CBS." In fact, CBS is in very good overall shape, but imagine their strength if their comedies were more like 120 or 125 index values and if the crime dramas could move into the 100-110 range. They would be unstoppable.
The Sked: Cable Ratings Jan 31-Feb 6
Not much change at the top of the weekly cable ratings chart, with Jersey Shore, Pawn Stars and Teen Mom 2 leading the pack. However, all three shows were down from recent highs as we enter the February sweep and these shows face nothing but original episodes on the broadcast networks.
Tosh.0 returned to Comedy Central for another burst of original episodes and score a very good 1.9 rating with young adults. As it hits all-time series highs on CBS Thursd, Big Bang Theory is also performing extremely well for TBS in the 10 pm hour weeknights.
THE SKED'S THURSDAY NETWORK SCORECARD
THE SKED'S THURSDAY NETWORK SCORECARD
FOX: Does FOX have to start worrying about X FACTOR? The show seemed to make its way through the wave of baseball-related preemptions and reschedulings very smoothly, but this week has been troubling. Both Wednesday and last night, the show has hit season lows for those respective nights, and while the numbers are still perfectly fine (last night's 3.3 was enough for a strong 2d place in its hour), this is the part of the season when competition shows are supposed to start building, not falling apart. BONES was also down almost 20% from last week, although a drop after the season premiere isn't unusual. THE SKED: Thursday Ratings - Network Scorecard
ABC: The network had to be hoping that with a repeat Office on NBC and the male-skewing World Series on FOX, they could get some extra viewers for GREY'S ANATOMY. But the show actually went down 0.1 from last week, which means its 3.5 rating, down over 20% from last year's average, is about where it's going to be for a while. The weird thing about CHARLIE'S ANGELS isn't its 1.2 last night, but the fact that as of now, the network is still planning to air another dead episode on November 3, in the midst of sweeps.






