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Showing posts with label Lewis. Show all posts
Showing posts with label Lewis. Show all posts

THE SKED'S PILOT + 1 REVIEW: "Homeland"


A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on HOMELAND: In a raid on an Afghan terrorist camp, US soldiers find and rescue Sgt. Nicholas Brody (Damian Lewis), who was captured 8 years earlier and given up for dead.  Brody is flown back home and celebrated as a hero, but CIA analyst Carrie Anderson (Claire Danes), who had been tipped off by a source that terrorists had turned an American soldier, believes that Brody is the sleeper agent.  She undertakes an intensive surveillance on Brody, planting cameras and microphones all over his house, initially without a warrant or even the knowledge of her mentor Saul Berenson (Mandy Patinkin).  Carrie is already distrusted by her CIA superiors as a loose cannon, but it's more than than they know:  she's secretly bipolar.  Meanwhile, Brody has no idea that during the long years of his imprisonment, his wife Jessica (Morena Baccarin) has been having an affair with his best friend and comrade Mike (Diego Klattenhoff).  We know that Brody underwent awful torture during his time as a prisoner, and that he hasn't told anyone the whole truth--he may have killed his own friend and fellow prisoner at the orders of his captors--but not whether Carrie is actually right about his loyalties.


Episode 2:  The one significant difference from the original version of the Homeland pilot and the series is the recasting of Brody's wife Jessica with Baccarin.  She's a very strong actress, who elevates what could easily be a relatively soapy part of the overall story into an aspect that deserves attention.  (This being pay-cable, her first scene also fulfilled the fanboy fantasies of some diehard Firefly and V viewers.)  

The second episode of the series, written by Alexander Cary and directed by pilot director Miguel Cuesta, continues to be exceptionally well-acted and tautly written, but it also underscores how tricky this show is going to be to pull off.  The central issue is, well, the central issue:  for just how long can the series put off telling us whether Brody actually is or isn't a terrorist?  At some point--and that point can't be years from now--the story has to go past being hinty and suggestive (at the end of tonight's episode, we discovered that Brody is comforted by secretly saying Muslim prayers on a prayer rug, naturally in the one place where Carrie was unable to place a camera), and definitively answer that question.  Whatever that answer is, it will change the nature of the series.  

There are other difficulties as well.  The show, by its nature, is a somewhat static experience:  we spend a lot of time looking at Carrie sitting on her couch, intently watching Brody and his family on her video screens, even though the writers have been inventive about getting the story up and about.  Tonight a new subplot was introduced involving another intelligence asset of Carrie's, a mistress of a Saudi sheik who's seen her employer with terrorist mastermind Abu Nazir; we also learned more about how Carrie manages her illness (badly, with illegal medications obtained from her doctor sister).  There's less cat and mouse to the Carrie/Brody story than you'd expect, because the two have virtually no contact--in the first 2 hours of the series, they've shared only one scene together.

The measured pace of Homeland make it Showtime's most HBO-like drama, and as with a series like Boardwalk Empire, the satisfactions are in the nuances of character and performance, here marked especially by the superb work of Lewis, Danes and Patinkin.  Whether the series will be able to sustain itself on that basis for an entire season and beyond is something we'll all find out over time.

Original Verdict:  Potential DVR Alert

Pilot + 1:  A High-Wire Act Without Much Net

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THE SKED PILOT REPORT: Showtime's "Homeland"


Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn't be taken as full TV pilot reviews, but rather as a guide to the general style and content of the new shows coming your way.

HOMELAND -  Sundays 10PM on Showtime starting October 2:   Potential DVR Alert

Pay TV networks, and Showtime in particular, thrive on hot-button concepts for their original programming.  They've given us a serial-killer hero, heroines who are variously drug kingpins, schizophrenics and addicted nurses, and both gay and lesbian soap operas.  With their new HOMELAND, which begins its run October 2 after the season premiere of Dexter, they're broadening the network's footprint to include a topical political thriller.


The show is based on an Israeli series called Prisoners of War, Americanized by 24 veterans Howard Gordon and Alex Gansa (with the Israeli creator Gideon Raff) to draw on the Iraq war rather than the Palestinian conflict.  Damian Lewis plays Scott Brody, an American who's been missing and presumed dead for 8 years, miraculously rescued alive in a raid on an Al Queda stronghold.  But is his survival really a lucky fluke?  CIA analyst Carrie Anderson (Claire Danes) has her doubts--she tells her superiors, who include mentor Saul Berenson (Mandy Patinkin), that a Iraqi prisoner had told her Al Queda has a deeply undercover American double agent, a POW that they'd turned to their side.  Carrie thinks Brody may be that secret terrorist--but she has her own issues, including bipolar disorder and a history of making trouble at the Agency.  Is Brody a hero or a sleeper agent?  Is Carrie's suspicion about him a product of her brilliantly gifted abilities, or merely paranoia bred by her instability?  That's the series.

There's a soapy aspect to the story as well:  Brody's wife (who has been recast, almost surely for the better, with Morena Baccarin, of V and Firefly renown) hasn't been a nun while her husband was believed dead, and naturally her lover was Brody's best friend Mike (Diego Klattenhoff).  Carrie, meanwhile, has an engagement ring that surely has some history attached to it, not to mention some inappropriate Agency relationships. 

Homeland has a provocative premise, with the prospect of tensely heightened face-offs between two superb actors in Lewis and Danes, each of them playing characters who may or may not be trustworthy.  The problem it faces as a continuing series is that there's really only one crucial issue presented in the pilot, and while the writers find a tantalizing way to end that episode, for how long can they sustain the question of is-he-or-isn't-he?  Even the pilot itself (directed by Miguel Arteta, a veteran of Dexter among other shows) feels a bit padded, with much footage of Danes intently watching surveillance footage.  At some point, the series will have to tell us what side Brody is on, or risk going around in circles endlessly.   Homeland's Sunday night slot is a highly competitive one for cable TV, as we've noted before--Showtime will face opposing shows this Fall on CBS and ABC, as well as HBO, AMC and probably others.  For now, the show certainly earns our early attention.


Read more about TV's new shows at THE SKED PILOT REPORT.



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