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Showing posts with label Ang Lee. Show all posts
Showing posts with label Ang Lee. Show all posts

[2012.02.16] GUA AH LEI GETS TEARY EYED ABOUT FENG FEI FEI

courtesy of takungpao.com

Director Ang Lee's classic film EAT DRINK MAN WOMAN 19 years later yielded a Tsao Jui-Yuan directed continuation JOYFUL REUNION, which invited Gua Ah Lei to star.  This film participated in the 62nd Berlin Film Festival as the closing film of the Culinary Cinema Film and Food segment.  Two nights ago director Tsao Jui-Yuan led actors Gua Ah Lei, Lan Cheng-Long and others to Berlin from Taiwan.

For the continuation after 19 years, the only actor who remained was Gua Ah Lei.  She in the film played Lan Cheng-Long's mother, an international class dancer.  For the continuation, Gua Ah Lei pointed out that she reprised the role due to the internal changes and view of life.  In addition she used to have a dream of dance.  This time she spent a lot of time on practice and had a lot of fun during the shoot.

Speaking of Feng Fei Fei's passing, Gua Ah Lei who has worked with her was teary eyed.  She admitted that she missed her.  She said that Feng Fei Fei was a very familiar, nice girl of few words.

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[2011.07.22] TAKESHI KANESHIRO CALLS FANS "OLD LADIES"


courtesy of on.cc


Takeshi Kaneshiro shows that he has no wedding band

Donnie Yen loses sleep over both acting in and directing the action of WU XIA
courtesy of singtao.com

courtesy of takungpao.com

Peter Chan Ho Sun two nights ago led the cast of WU XIA like Donnie Yen Chi Tan, Takeshi Kaneshiro (Gum Sing Mo), Tang Wei, and the One Armed Swordsman who made his first public appearance after his stroke Jimmy Wang Yu to the Taiwan premiere. Almost 1,000 fans came in support. Gum Sing Mo was very excited to see the fans. Normally cool, he actually screamed "Old Lady" at the fans and had them under his spell.

Two nights ago Gum Sing Mo received the support of many fans. Host Matilda Tao Ching Ying even led fans in screaming "Hubby" at him. Gum Sing Mo awkwardly laughed but he finally responded, "Every Old Lady How Are You!" Fans screamed out of joy. Wang Yu made his first public appearance after his stroke and looked good. Many fans enthusiastically presented flowers to him. His good friend and Golden Horse Best Actor Ke Jun Hsung led over 20 members of the "action director union" in support. Wang Yu even joked, "In less than half a year after fighting with Yen Chi Tan I had a stroke, you can see how powerful his martial art is!" Chi Tan laughed and said, "Big Brother, when you talk like that I don't dare to go outside!"

Tang Wei was asked the difference between Ang Lee and Chan Ho Sun. She pointed out that Ang Lee was the principal and would arrange for them to attend many classes. Chan Ho Sun just asked her to perform freely. Chan Ho Sun joked, "One knows what he wants and the other doesn't know what he wants." After Taiwan, the director will lead Yen Chi Tan and Gum Sing Mo to Japan and Singapore to continue the Southeast Asia promotion. The team will gather again in Hong Kong on July 26 for the final stop.

Chan Ho Sun and Yen Chi Tan earlier talked about the joy and the pain of the film production in Hong Kong. Chi Tan said that the most difficult was his roof top chase scene with Wai Ying Hung in Yunnan. The location had many beautiful roof tile homes but because the homes were very close, they had a hard time to find places to put their equipment. Chan Ho Sun at first did not think about shoot on the roof top but Chi Tan thought the environment was so pretty that it would be a waste not to shoot there. However the people of Yunnan were very superstitious and did not like foreigners to jump around on top of their homes. In addition they had to stabilize the homes inside. Luckily finally after everyone's hard persuasion and forming the chase route, the shoot was successful.

However the inability to use wires during the shoot made it very dangerous. Chi Tan said that the tiles were very slippery. A stunt person during testing had blood all over his hand. Although it was dangerous, Chi Tan said that during the shoot he did not think about it. Instead before hand he had to plan in detail and take all the safety measures. Chan Ho Sun hoped that viewers would like it. They did their best and had no regret.

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[2011.03.23] CHENG PEI PEI PREPARES KING HU'S 80TH BIRTHDAY EXHIBIT

courtesy of takungpao.com


Star Cheng Pei Pei, director Ann Hui On Wa and others last Sunday attended a forum about late great director King Hu (Wu Kam Chuen). Sister Pei Pei revealed that she and members of the King Hu foundation will hold a King Hu 80th birthday memorial exhibit in Massachusetts. The Taipei Film Archive that stored King Hu's items is arranging for display items to be shipped to the U.S.

When Wu Kam Chuen passed, Sister Pei Pei took care of a lot of the director's items including scripts, drawings, costumes and Director Wu's large book collection. At the time Sister Pei Pei intended to hand them to Hong Kong Film Archive for storage, but Hong Kong Film Archive just opened then and could not accept such a large donation. She said that later Taipei Film Archive was willing to accept the items. Thus Wu Kam Chuen's valuable items were stored at the Taipei Film Archive.

This year would have been Wu Kam Chuen's 80th birthday. Sister Pei Pei and the foundation members planned to organize an exhibit in Massachusetts to remember this Hong Kong director who made great contributions to Chinese film. Sister Pei Pei said that Ang Lee's CROUCHING TIGER HIDDEN DRAGON had Wu Kam Chuen film's shadow. She also said that Director Ang Lee's wuxia film style was very close to Director Wu and was just as involved in action scenes. They would know like other directors who just minded the dramatic scenes and leave the action scenes to the action director.

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[2011.03.04] WEI TE-SHENG MIRACULOUSLY COMPLETES SEEDIQ BALE

courtesy of takungpao.com


CAPE NO. 7 director Wei Te-Sheng invested 12 years and over NT$700 million into the record breaking Taiwan film industry heroic epic film SEEDIQ BALE with famous directors John Woo (Ng Yu Sum) as its producer and Ang Lee as its consultant will open September 9 and 30 in two parts in Taiwan and October and November in Hong Kong.

SEEDIQ's story will mainly be about the "Wushe Incident" 81 years ago when Taiwan natives rose up against Japan's colonial rule. As early as 12 years ago, Hsiao Wei spent all over his life saving of NT$2.5 million to make a five minute trailer to raise financing. Although he
was made fun of in the Taiwan film industry as "The world's silliest person", but his "silliness" touched Ng Yu Sum and Ang Lee to lend a hand. For this film, Hsiao Wei invested all his profit for CAPE NO. 7 and the government cash prize into SEEDIQ. During the preparation he ran into a flood that ruined the set and sent the cost soaring from the initial NT$ 200 million to 500 million. For awhile due to salary issue the production halted. Yet his determination not only touched industrialists but also Jay Chou (Chow Kit Lun), Vivian Hsu (Tsui Yeuk Suen) and others all loaned money to the cause. Hsiao Wei described the four month long shoot as "everyday feels like standing on the edge of a cliff, but ultimately a miracle appeared."

This time the production team had over 400 people from Taiwan, Japan and Korea, thus communication taught Hsiao Wei a lesson; shooting in dangerous locations like steep hills and roaring rapids, landslides and scratches from sharp rocks became common place. Poisonous plants made itching unbearable. Sometimes workers broke their limbs, wild boars bit people, almost no one was spared from injury or illness. Hsiao Wei also required stitches after cutting his calf from a fall. The poor environment was beyond anyone's imagination. No wonder he described "filmmaking is war". However his passion and determination touched everyone.

As the film wrapped, another nightmare appeared. The original financing either has not appeared or changed. Luckily Central Motion Pictures chair T. C. Guo (Terry Guo's brother) held a press conference to announce a NT$ 350 million investment for the film to reach all of its
financing. As the dream was near completion, Hsiao Wei sentimentally said, "This film absolutely will not make Chinese viewers lose face, because we are good enough, because we are proud enough!" On March 23 Hsiao Wei will come to Hong Kong for a forum to share the hard journey from CAPE NO.7 to SEEDIQ BALE.

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[2011.01.21] ECHOES OF THE RAINBOW RUNS OUT OF LUCK AT THE OSCARS

courtesy of takungpao.com


The American Academy of Film Arts and Sciences yesterday announced the 83th Oscars Best Foreign Film second round nominations. Mainland China's AFTER SHOCK, Hong Kong's ECHOES OF THE RAINBOW (SHUI YUET SUN TAU) and Taiwan's MONGA all took an early exit. For the eighth year in a row Chinese films were not nominated.

Nine films made the second round, including the Golden Globe Best Foreign Film IN A BETTER WORLD, Mexican film BIUTIFUL, Japanese film CONFESSIONS and Algerian film OUTSIDE THE LAW. According to the rules, the jury will select five final nominees from them.

Since 2003 when Chinese director Zhang Yimou's HERO was nominated for the Best Foreign Film Oscar, Chinese films have not received a nomination. In the Oscar history, seven Chinese films have been nominated but only Ang Lee's CROUCHING TIGER HIDDEN DRAGON won.

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[2010.12.10] ZHANG ZIYI WANTS MORE ATTENTION FOR HER MOVIES THAN HER PERSONAL LIFE

Zhang Ziyi


Zhang Ziyi, Feng Xiaogang
courtesy of on.cc

courtesy of singtao.com

Zhang Ziyi

Feng Xiaogang
courtesy of mingpao.com

courtesy of takungpao.com

CineAsia 2010 award ceremony took place last night as Zhang Ziyi was presented with the Most Outstanding Actress of the Decade while Feng Xiaogang received the Most Outstanding Filmmaker of the Decade. Zhang Ziyi last night made a rare appearance in Hong Kong and was
naturally asked about getting back together with Fok Kai Shan, but she clarified the rumor, denied the reunion and stressed that they were just friends.

Zhang Ziyi said that she was very happy about this award, which was also a type of recognition and encouragement. She was also happy to have made many good films in the past decade. At the same time, she thanked her fans and directors and actors who she has worked with. Which
director was the most memorable? She said Wong Kar Wai because THE GRANDMASTERS (YUT DOI JUNG SI) has already been in production for a year. She also said that Zhang Yimou, Feng Xiaogang and Ang Lee have been very important in her life as a performer.

Recently she and Fok Kai Shan have been rumored to be back together. Workers ran interference supposedly because Zhang Ziyi's manager prohibited reporters from asking personal questions. Zhang Ziyi still said with a smile, "No." As for personal life, she said, "Didn't I just say it? I don't know who is speculating about Kai Shan." Has she contacted him on this trip to Hong Kong? She said no. Will they have a chance to develop? She sweetly smiled and asked, "Do you want us to develop? I haven't thought about it. This film's film productions have been very tough. I hope to focus on film. I can't force love." She did not denied that she and her foreign boyfriend have parted ways. She only said, "Everyone is more curious about my love life than movies."

How did Feng Xiaogang feel about the award? He said it was great, a recognition and encouragement for his films. Which was his most satisfied film in the past decade? He honestly said that they were all satisfying. Like having ten songs it is very hard to say which one is the
best. He put a lot of effort into each film.

He also pointed out that in China, film return depended on box office. Viewers were the main supporters of filmmakers and should receive the most respect. Did he feel the box office or the award was more important? He said without any hesitation, "Box office." Did he have any
regret in the past decade? He honestly said certainly, he believed no director would be without any regret.

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[2010.10.31] ANG LEE NEVER FORGETS TO LEARN

courtesy of takungpao.com


International director Ang Lee yesterday was honored as "Dr. Lee" when his alma mater Taiwan Art University presented him with an honorary doctorate degree. Ang Lee said that the return to his school brought back a lot of emotions. "This is my favorite school, the moment that I cherish the most." Graduating 34 years ago from the school, Ang Lee returned to it in the morning, put on a purple and black robe and accepted the degree.

Ang Lee graduated from the school in 1976 and earned his bachelor degree in New York University. His work included PUSHING HAND, WEDDING BANQUET, CROUCHING TIGER HIDDEN DRAGON, LUST CAUTION, in 2006 with BROKE BACK MOUNTAIN he won the Oscar for Best Director. In his speech he honestly said that he went to the school because he could not get into an university. He followed, "One day I stood on the school stage, the spotlight was on my face just like today. Off stage it was the same as well, a bunch of dark human shadows. I can sense my passion for drama. So I told my father, I don't want to take the test again." Receiving his alma mater's honorary degree, Ang Lee reminded the younger generation that life is a continuous lesson. He said, "I never feel that I have learned enough. We are always adjusting to the condition in front of us, trying to keep up the place. Failure has been my best teacher." He also stated that education is not a process but a goal in life.

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[2010.09.12] TEN YEARS IN LIGHT AND SHADOW, GETTING IT IN HUANGSHAN

International superstar Chow Yun Fat prefers riding the bus for convenience

courtesy of on.cc

Light and shadow is the first lesson of photography but also the deepest. It is very easy to understand, very easy to pick up. Like the line for Jazz beginners "easy to play but hard to feel", to be great at all, you must put time into studying it.

R: Has your experience in camera sales make you interested in photography?

C: No, actually I started to become interested in light and shadow and nature after making CROUCHING TIGER HIDDEN DRAGON. I remember at the time Ang Lee took me away from Beijing and Shanghai to Huangshan for the so-called glimpse of the small mountain scenery. My eyes really were stunned. Back then when I made movies I didn't appreciate the wonders of the Creator. Only in the recent decade did I truly come in touch with photography. It's different from just the life photos before, I wasn't as feverish as I am now. It is another type of enjoyment!

R: Why do you only like black and white photo?

C: Black and white is another world that gives people infinite space for imagination, with much more imagination like a dream. Yes, color can attract people, but to me, it doesn't satisfy what I want.

R: So far do you have any photo that you are satisfied with?

C: Not a single one, really no! Actually photography is like life or acting, like a singer who no matter how famous and how popular he is may only have one hit his entire life! Or like Van Gogh, people only know how beautiful his paintings are after his death. Actually luck plays heavily in photography. You can go to Huangshan ten times without one time that is good. Sometimes you have to wait for people's information to know when would good light and cloud appear.

R: Usually when do you take off for pictures?

C: I am very casual with photography, first and foremost is not to get too tan, so I don't go unless it's early morning or sunset! Actually every season has different objects, in June and July lotus blossoms, in winter we shoot wilting lotus. Different times have different scenery.

R: Do you like to develop yourself in the dark room?

C: Yes, this is definite. When I go to the dark room I am in there for a dozen or so hours. Because of the newer chemicals, the results are different. When I go in I lose track of time, I don't know whether it's light or dark outside, but I know what time dinner is!

R: At the Manila hostage crisis, every photo is shocking, how would you shoot it?

C: I wouldn't have enough guts to. It is an unfortunate incident, I really couldn't shoot it. I don't want to have any sad ideas in the photos.

R: How do you feel about this, could it have been handled better?

C: This is a great tragedy, an entire family was destroyed in a moment. It is really very saddening! Actually you can't say how to handle the incident. From the angle of another nation, we can't control it. Maybe Heaven arranged it to prove that life takes unexpected turns, human has endless desire, but actually can go at any time. Why do we need to be so intense? However the tour group deaths abroad ending is truly tragic.

Since he has both fame and fortune, why would Fat Gor still take the bus, the MTR, is he a glutton for punishment? He could not stop smiling about this as he slowly told the idea that the bus was really comfortable. "Many people say Chow Yun Fat you are miserable, taking the bus! Yet crossing the harbor you would have to kill me to drive. Actually the bus is really very convenient, no parking issues, you can ride a several million dollar Volvo, the air conditioning is strong, the seats are genuine leather, it is really very comfortable. You can cross the harbor in 20 minutes...you know! I am so picky when I shop, and the distance from the parking lot must be very far. Should I bother to drive?"

Seeing Fat Gor's old model "Moto" photo and only fish and vegetable diet, many city people could not stand this type of lifestyle.

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[2010.09.11] TWO ANG LEE FILMS ARE AMONG THE BEST U.S. INDEPENDENT FILMS

CROUCHING TIGER HIDDEN DRAGON

courtesy of singtao.com

For the Independent Film and Television Alliance's 30th anniversary, 30 Best U.S. Independent
Films were selected. Taiwan director Ang Lee's BROKEBACK MOUNTAIN and CROUCHING TIGER HIDDEN DRAGON were on the list, the latter was even the only Chinese film.

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[2009.05.26] AARON KWOK'S COP LOOK RESEMBLES BRAD PITT

Photo courtesy of takungpao.com

Director Ang Lee's protege Roy Chow Hin Yeung worked with two time Golden Horse Best Actor Aaron Kwok Fu Sing on the new film MURDERER, which will be released this summer. Ang Lee even called his proteges three times to cheer him on. The film company Jet Tone spent nearly HK$1 million on the SLUMDOG MILLIONAIRE trailer production team to produce a trailer for MURDERER.

Although Chow Hin Yeung is a new director, Kwok Fu Sing is still full of confidence in this team. Sing Sing in the film play a cop who is investigating a serial murder case. After the trailer is released, fans accused Sing Sing of resembling Brad Pitt from certain angles and costumes. Sing Sing considered the fan response and said, "Really? I don't know!" Chow Hin Yeung expresses that during this films'

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[2009.05.19] JOHNNIE TO RECEIVED FRENCH HONOR





Photo courtesy of orientaldaily.com.hk


Photo courtesy of singtao.com


Photo courtesy of takungpao.com

The Johnnie To Kei Fung directed Chinese French co-production VENGEANCE qualified for the Cannes Film Festival competition. Although Cannes has not announced its prizes, To Kei Fung was made an officer of the French Order of Arts and Letters. The honor surprised him but also pleased him a lot. His film journey and achievement were still quite far from his idol Akira Kurosawa. He still had a long way to go. He still needed to keep learning. No matter what his heart still belonged to Hong Kong. He would firmly hold down the fort and make even more good movies to share with everyone.

At the same time, VENGEANCE's Cannes premiere took place. Not only the nine jury members attended, Ang Lee, Quentin Tarantino, Tony Leung Chiu Wai, Michelle Yeoh (Yeung Chi King) and other stars came in support. Ang Lee even expressed that the movie that he wanted to watch the most at this festival was VENGEANCE. To Kei Fung's popularity at Cannes was very high, as many European reporters showed their admiration for him.

In recent years To Kei Fung's popularity in Europe has climbed higher and higher. Not only did he frequent the three major film festivals but also served on the Venice film festival jury. The French was particularly fond of him. Almost all To Kei Fung movies were able to be released in France. Young people and film critics alike supported his film and felt that he not only was able to make the mob genre into art but also was able to maintain the Hong Kong specialty. This time VENGEANCE again qualified for Cannes competition. The nine jury members attended the premiere together. Ang Lee after his own film premiere alsocame in support and told reporters that he looked forward the most to VENGEANCE. To Kei Fung in the past almost always used the same cast. This time the lead actor was France's Johnnie Hallyday. However after the firs screening on the morning of the 17th, many reporters felt that despite adding French star and French financing, the film did not lose To Kei Fung's pure Hong Kong film style. On the other hand a few reporters felt that the pace of the second half of the film was very similar to Hong Kong mob films of the 70s and 80s.

Reporters from all over Europe at the first screening all basically gave very high marks and praised To Kei Fung as an excellent filmmaker with his own style. Many reporters expressed that they liked To Kei Fung's films. Some viewers said that although they did not understand the film's second half they still felt it was great. Some reporters also felt that this was not To Kei Fung's best work.

Meanwhile, To Sir at the VENGEANCE press conference expressed thathis first English film, due to his less than adequate English abilities, was a huge challenge for him. However, he added, "As everyone's coordination improved, we were able to smoothly complete the job. To me it is a valuable experience." As for the film's lead actor, To Sir frankly said that initially he wanted to invite Alain Delon but he was not interested. Finally he and Johnny Hallyday clicked right away, but he joked that he did not know Johnny at all before hand. French rock star Johnny Hallyday also honestly said that in the entire production only To Sir was able to speak a little English, but he was very glad to be able to work with Hong Kong actors. He also praised lead actress Michelle Ye (Yip Shuen), who he could not help but fall for.

To Sir was obviously very excited about being able to work with the international team. "I was able to accept some challenges and do something that I was unfamiliar with. I also hope through this production to bring new opportunities for contact between Hong Kong and international film and bring new spark to the Hong Kong industry."

Also, a Mainland site yesterday claimed that Tony Leung Chiu Wai's comment of Hong Kong film industry had generation gap and was under continuous threat, which upset Ah To. "How can he say that? Hong Kong film won't die, he isn't a director......" Ah To yesterday denied the rumor and blamed the reporter for misinterpreting his original intent. "He only wanted to say that only with good screenplays and good directors would a successful actor be cultivated. Then the generation gap situation wouldn't occur." As for his comment becoming Ah To's over the net war of words, Wai Jai expressed, "Everyone's goal is for Hong Kong film to be great. As long as this goal is achieved, I don't mind what is said about me."

Wai Jai yesterday already returned to Hong Kong. He expressed that this year he had no film in competition so he was more relaxed. He said that he would not be a part of the jury. "I am very random when I watch movies, when I am in the mood I watch them. Being a jury member would be very tough." He also said that he has been practicing Wing Chun for months. Everyday he repeatedly perform the same sets of movements, which frustrated him somewhat after awhile.

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