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Showing posts with label walking dead. Show all posts
Showing posts with label walking dead. Show all posts

The Sked: Cable Ratings Feb 28-March 5

AMC's Walking Dead and MTV's Jersey Shore remain at the top of the cable ratings chart this week, although both are down a few tenths from last week.  Nevertheless, each program remains the top-rated program with young adults in their respective time periods, beating all broadcast and cable competition.  Sunday at 9:00: #1 Walking Dead (3.5), #2 Once Upon a Time (3.4).  Thursday at 10:00: #1 Jersey Shore (2.7), #2 Awake (2.0).
 
Click "read more" to see the updated cable chart.





 

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The Sked: Cable Ratings February 21-27

The top two programs on cable this week aired on Sunday against the not-what-it-used-to-be but still very big Academy Awards on ABC.  Most notable was Walking Dead on AMC at 9:00 pm, just when the awards ceremony was getting rolling.  Facing the huge entertainment special, Walking Dead actually was up over last week, from a 3.6 to a 3.8 rating this week with Adults 18-49.  The zombie drama scored a very credible second place to the Oscars (11.7) and far ahead of NBC's Celebrity Apprentice original episode (1.8), FOX's Family Guy repeat (1.6) and CBS's Mentalist repeat (0.9). 

Earlier in the evening, the NBA All-Star Game faced off mostly against the Red Carpet arrivals shows on ABC and E!.  The offense-heavy game (final score 152-149) scored a 3.3 rating from 7:16 pm on, ahead of the first half hour of ABC's Red Carpet arrivals (2.8 from 7:00-7:30) but falling to a solid second place to ABC's 7:30 (4.0) and 8:00 (6.2) Red Carpet half hours.  The 7:30 portion of the Red Carpet arrivals on E! peaked at a 1.5 rating, a very good number for the second-tier cable network but nothing close to what ABC was able to deliver at the same time.  

Personally, I never understood why broadcast networks, which pay huge license fees to the movie, music and TV academies (as well as the Hollywood Foreign Press Association), don't demand exclusive rights to broadcast live from the Red Carpet.  Yes, it's only a 1.5 rating that E! is delivering, but most of that rating could be added directly to the network's own arrival show.  Of course, Comcast owns both NBC and E! -- so let's put the Golden Globes aside because there is a corporate interest to allow E! at the Beverly Hilton.  But for what ABC pays the Academy of Motion Picture Arts & Sciences, they should own the event entirely.  If E! wants a live camera, let them set up on a public sidewalk on the other side of Hollywood Blvd.   

Jersey Shore has bottomed out a 2.9 rating Thursday at 10, still enough to make it #1 in the time period this week (ahead of the 2.6 for The Mentalist on CBS).  The 2.0 for Gold Rush on Discovery Friday at 9 pm also puts it comfortably in first place in that hour, ahead of second place Grimm on NBC (1.5).  As we move down the list, the numbers start to fall behind the broadcast competition.  For example, Pawn Stars on History (1.8 Monday at 10:00 and 1.9 at 10:30) falls just behind ABC's Castle (2.1) for fifth place in the hour.


 

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The Sked: Cable Ratings February 14-20

AMC's Walking Dead remains the top-rated cable program with Adults 18-49 this past week, settling down from its lofty season premiere rating the week before.  Jersey Shore on MTV also drifted down (losing a tenth of a rating point to a 2.9), and Teen Mom 2 (also on MTV) tumbled half a rating point to a 2.0.  Still good numbers, but like the broadcast competition, even top shows are eroding this mid-season at an alarming rate, well before the more expected swoon when the weather warms up and Daylight Saving Time hits. 

Click "read more" to see the updated weekly cable chart.



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The Sked: Cable Ratings February 7-13

AMC's Walking Dead is the new king of the weekly cable ratings chart, with a terrific 4.2 Adult 18-49 rating for Sunday's season premiere.  Read more on the Walking Dead premiere here.  The rest of the top-rated cable programs are pretty much unchanged.  While Jersey Shore continues its downward trend, the other MTV hit, Teen Mom 2, ticked up nicely.  Pawn Stars (History) and Gold Rush (Discovery) continue to deliver their reliably solid audience levels.

Also, new to the chart is History's Swamp People.  While a 1.9 rating is very solid for a cable show, I'm not sure it justifies advertisement in the Super Bowl.  Click "read more" for the complete chart.


 

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THE SKED MIDSEASON PREMIERE REVIEW: "The Walking Dead"




Previously On... THE WALKING DEAD:  Our erstwhile humans spent many, many episodes on a farm owned by cranky vet Hershel (Scott Wilson), while they searched for the missing Sophia (Madison Lintz).  There were lots of lengthy conversations about the meaning of life in a zombie-infected universe, and whether it was worth going on--let alone having a baby, as it turned out Lori (Sarah Wayne Callies) was going to do.  Meanwhile, her husband Rick (Andrew Lincoln) revealed that he knew about the affair Lori had been having with the increasingly Travis Bickle-like Shane (Jon Bernthal) while Rick was believed dead.  Glenn (Steven Yuen) found romance with Hershel's daughter Maggie (Lauren Cohan).  And then it developed that Hershel had been keeping a barn full of Walkers, including Hershel's wife, and even feeding them to keep them "alive," because he believed that one day there might be a cure.  When Shane found out about the Walker barn, he started with the slaughtering, and at the very end of the fall finale, we discovered that--guess what?--Sophia was in there too, and had been for all the many, many weeks we'd all been on the farm.  Rick shot her in the head, so that this plotline could finally, mercifully end


And Now:  This week's episode picked up exactly where the fall finale left off, but it marks a key transition in Walking Dead's history:  after a season and a half under the leadership of Frank Darabont (best known for theatrical films like The Green Mile and The Shawshank Redemption), the show is now being run--after Darabont exited under circumstances still not completely explained--by Glen Mazzara, a TV vet with stints on shows like Hawthorne, Crash, Life and The Shield

So goodbye to windy expositioning, and hello to lots of gooey zombie bang-bang, right?  No more Boardwalk Empire-style measured pace, it's time for a nonstop horror joyride, yes? 

Well, not so far.  The ratio of dialogue to action in Walking Dead makes its massive success a continuing mystery.  We're still on that damn farm, and the first two-thirds of the episode, written by Evan Reilly and directed by Clark Peters, is still pretty much the characters debating the morality of Shane's actions and life in general.  Hershel gets depressed, and when Maggie tells Glenn she loves him, he doesn't say it back.  Awwwww.  The only fun is when Andrea (Laurie Holden), transporting a pick-up truck loaded with shot-up zombies, has to nonchalantly retrieve a fallen severed arm from the road.

In the episode's second half, we do get what could be a big event:  Lori gets into a car crash, and while she's certainly still going to be alive, that could put her pregnancy in danger, and should eventually also make for zome Walker action.  However, all of that will have to wait for future episodes:  this one let her crash and never came back to her for the next 20 minutes.

Instead, we spent the last section of the episode in a bar where Hershel, who it turns out was an alcoholic who had sworn off the stuff when Maggie was born, had gone to drown his sorrows.  Rick and Glenn go to bring him back, and 2 strangers, led by Dave (Michael Raymond-James) show up.  This leads to a very Tarantino-ish sequence where the 5 men chat with seeming amiability and we just wait for the shooting to being.  That does eventually happen, and it's a fairly well written and extremely well acted scene (too bad Dave won't be making a return appearance), but not exactly a cure for the show's doldrums.

The Walking Dead, for all its success, is intense without being all that interesting, more grim and talky (and not even good talk) than exciting.  AMC could well say "If it ain't broke...", because it's the biggest hit the network has ever had, putting the sacred Mad Men and even Breaking Bad deep into the shadows.  It would be nice, though, if under its new regime, the series could move a little faster, and have more of a plan, than its zombies do.


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The Sked: Cable Ratings November 8-14

A pretty typical week on cable in prime time, with ESPN's Monday Night Football leading the way (Green Bay Packers thumping the Minnesota Vikings).   On the scripted front, AMC's Walking Dead is ahead by a mile.  The program's lead-out, Hell on Wheels, dropped a big four tenths of a rating point, from a 1.9 last week to a 1.5.


Most of the other cable shows were well within their normal range.


 

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The Sked: Cable Ratings November 1-7

It's been a good week for the sport of football (except if you happen to work at Penn State).  The Sunday Night Football game on NBC averaged an 8.8 rating with Adults 18-49, the Saturday night college football game on CBS (#1 vs #2 teams) scored a 7.2 rating, and the ESPN Monday Night Football game averaged a 6.9 rating.  Two NFC teams (Chicago Bears and Philadelphia Eagles) and a close, back and forth contest put MNF back on track.

Walking Dead on AMC bounced back from a weak number last Sunday, and Gold Rush on Discovery Friday grew even stronger.  American Horror Story on FX Wednesday has leveled off at a very solid 1.6 rating.

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The Sked: Cable Ratings October 25-31

ESPN's Monday Night Football rebounded to more normal levels last night and moved back into its usual #1 spot on the cable Adult 18-49 rating chart.  (Kansas City upset San Diego in overtime.)  On AMC, Walking Dead is still the top scripted program on cable this week, but the 3.1 rating, while still very good, is down considerably from the past few weeks (which are now listed on the right side of the chart below). 

FX's Sons of Anarchy is steady at a 2.0 rating, while the Wednesday FX hit American Horror Story continues to grow nicely and is headed for that 2-rating level soon.  More disturbingly, MTV's Beavis & Butt-head returned to the cable landscape with a very solid 1.8 young adult rating.  I guess Newton Minnow was right.



 

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The Sked: Cable Ratings October 11-17

ESPN's Monday Night Football this week was down from a 6.9 to a 5.0 rating this week.  Blame AFC teams and a lopsided score.  Jersey Shore was down a tenth of a rating point and pushed into third place by a very good season premiere of Walking Dead on AMC.  BET's Hip Hop Awards scored a 2.1 and edged the best baseball could do on cable this week, a 1.9 for Sunday's concluding Game 6 of the National League Championship Series.  It's going to be a tough World Series for FOX.




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THE SKED: "Walking Dead" Devours Ratings Records



Frank Darabont who?  AMC returned THE WALKING DEAD to its schedule last night, and viewers were as ravenous for it as its monsters are for human flesh.  The show did an incredible 3.8 rating in 18-49s, outrating everything on network television except football.  That was up 25% from last season's already-smash seaon finale, and 36% above the season average.  Plus millions more people watched the show in re-airings through the night, so the cumulative number may be more like a 5+.  Overall, the 11 million people who tuned in last night set a new record for the highest rated drama in basic cable history.


With a lead-in like that, even though TALKING DEAD, the network's try at a post-episode talk show, lost most of Dead's audience, it still did quite well compared to normal AMC programming, with around a 0.7 in 18-49s.

The big question for AMC is whether it'll be able to parlay DEAD's huge success into an audience for its new (and not terribly compatible) HELL ON WHEELS, which will follow Dead on November 6.  See our pilot report here.    

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THE SKED REVIEW: The Return of The Walking (and Talking) Dead



Since we last saw our rag-tag band of survivors, they've had to endure the loss of their leader, the man most responsible for mapping out their initial strategies and saving them along the way from all manner of deadly predators...  

Oh, wait.  That's THE WALKING DEAD series itself, where the vanished hero is Series Creator/Showrunner Frank Darabont (he's still credited as an Executive Producer, but that seems to be a contractually-required formalism).  Darabont was reportedly unhappy with AMC's treating their one genuine hit (MAD MEN and BREAKING BAD are Emmy magnets, but their ratings are mid-level) by cutting its budget, as well as other network strictures, and so he's walked away, leaving control of the series in the hands of Executive Producer Glen Mazzara.


In truth, and despite Darabont's shiny screenwriting reputation, Walking Dead wasn't known for the pithy wit of its writing, and the show doesn't seem to have suffered at all in his absence.  Tonight's Season 2 premiere, oddly credited to 2 writers on separate title cards (Ardeth Bey and original graphic novel creator/EP Robert Kirkwood), and also to 2 directors (Ernest Dickerson and Gwyneth Horder-Payton), was, despite its supersized 90-minute length, quite compact in scope, and as effective as the show has ever been.  

Our characters who survived the death trap that the CDC in Atlanta turned out to be have a new goal:  Fort Benning, 125 miles away.  But as they start to make their way down the highway, they encounter an impassable jam of crashed cars and trucks, a faulty radiator on the RV, and something new:  a "herd" of zombie Walkers, dozens of them all looking for human flesh.  Luckily, they're still none-too-smart and none-too-fast (and their sense of smell seems to have disappeared), so they're mostly avoided or dispensed with.  But one does go after young Sophia (Madison Lintz), and Sheriff Rick (Andrew Lincoln) goes after her.  When Rick has to dispatch a couple of Walkers, Sophia is lost, and the next day most of the group combines in search of her.  Meanwhile, the characters deal a bit with the aftereffects of last season's storylines:  Andrea (Laurie Holden) is furious that Dale (Jeffrey DeMunn) didn't let her self-immolate at the CDC as she wanted to, while Shane (Jon Bernthal) decides he's going to split off from the group, rather than co-exist with Rick's wife and his former lover Lori (Sarah Wayne Callies).

Among TV's horror series, Walking Dead is unusual for its relatively simplistic plot--since zombies, unlike vampires, witches and other supernatural beings, can't handle much more than lurching and chewing--and also for a tone that relies more on suspense and sheer grossness than narrative thrills.  (Tonight's "yecch" sequence had Rick and Norman Reedus's Daryl cutting open the belly of a Walker to see if any of Sophia's body parts were in there.)  Things bogged down a bit when the group came to an abandoned church and we got not one but two agonized monologues directed to its statue of a crucified Jesus, but the episode did have a strong, and unexpected, cliffhanger ending that should bring people back next week.

AMC also launched something new and different tonight:  THE TALKING DEAD, a weekly half-hour talk-show that will follow every episode of Walking and try to keep fans from changing the channel  It's modeled after the highly successful Watch What Happens series on Bravo (Lifetime has also gotten into the game, with a follow-up to each week's Project Runway), but this is the first time it's been tried in conjunction with a scripted series.  The initial episode, unfortunately, was formatted within an inch of its life and had no substance at all.  Instead of allowing host Chris Hardwick and guests Patton Oswalt and James Gunn (he wrote the script for the Dawn of the Dead remake) to talk with any depth or insight about tonight's episode or the series, they were just permitted to deliver a few one-liners while the show bounced from viewer poll to tweeted question to behind-the-scenes featurette to jokey death count to jokier murder montage.  A brief satellite appearance from Kirkwood was also nothing more than the most superficial kind of celebrity Q&A.  The post-game recap show for a series with committed fans is an idea with real potential, but right now it's as empty of meaningful content as a Walker's brain.

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THE SKED: "American Horror Story" Ratings Moderately Scary




Ratings for last night's premiere of AMERICAN HORROR STORY on FX are promising, if not overwhelming.  The show's 10PM initial airing was watched by about 2 million people 18-49, which should equal something like a 1.5 rating in that demo; when the night's 2 rebroadcasts are added, the number goes to 3.2 million people or around a 2.4 rating.



A couple of comparisons:  if rebroadcasts are included, this is slightly up from last season's Sons of Anarchy average on FX, which had about 3 million 18-49 viewers, but in an apples-to-apples comparison of the 10PM airing only, it's somewhat lower.  (However, as FX was quick to note, even the 10PM broadcast alone was higher than the 1.5 million 18-49s who watched the first broadcast of the Sons premiere, since that show built its audience over time.)  Comparing it within genre, though, the news is a bit less happy:  the first broadcast of the Walking Dead premiere on AMC was 80% higher than Horror Story's, with 3.6 million 18-49 viewers. 

Of course, Walking Dead went down a slight 10% in its second episode, an unusually good hold from a hyped premiere--and then continued to build after that.  If Horror Story can follow the same trajectory, FX will be happily horrified.  

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THE SKED: " Breaking" Better



After last night's admirably tense episode of BREAKING BAD, we can now say with certainty that the show has 25 left to go:  9 for this season, and then 16 more.  AMC and Sony have closed a deal for what is expected to be the series' final 16 episode order, ending the (always unlikely) possibility that the show would move to another network.  The new deal seems fairly rational:  the 16 episodes will all be shot together (so talent deals need only be for 1 additional season, not 2), but will probably play out over the next 2 years (so AMC can limit its yearly cost).  Sony has agreed to take some continuing deficit on the series, which presumably makes sense in light of the show's success on homevideo and other platforms.

Now that AMC has locked up final runs for both MAD MEN and Breaking Bad over the next 2 years, the all-important issue for it is:  what next?  THE KILLING has no more than a 50/50 chance of still being around at that point, unless it drastically repairs the rift it's created with viewers, and HELL ON WHEELS, at first glance, doesn't have the look of a breakout hit.  That leaves THE WALKING DEAD, which will have to proceed without its creator/showrunner, and with a budget significantly lower than the one it had for its first season.  Also, in TV terms, 2 years isn't nearly as long as it sounds:  AMC will doubtless want to be able to premiere its new shows on the backs of its signature hits, and in order to get on the air in 2013, those shows will have to be in development and piloted in 2012.  In other words:  you wouldn't want to be an AMC creative executive right now.

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THE SKED: "Hell On Wheels" Premiere Date


When AMC was done confirming (but not explaining) Frank Darabont's ex-showrunner status at The Walking Dead and swearing they'll never, ever do anything like the season finale of The Killing again, they found time at the Television Critics Association gathering today to announce a premiere date for their new drama HELL ON WHEELS.  The historical adventure about building the transcontinental railroad, starring Anson Mount and Common, and created by Joe and Tony Gayton, will start on November 6, and as expected, its Sunday 10PM timeslot will have the benefit of the Darabont-less Walking Dead as lead-in. Look for a pilot report on Hell On Wheels here soon.

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THE SKED: Limping "Dead"? UPDATED

UPDATE:  Glen Mazzara, who'd been Frank Darabont's #2 on the WALKING DEAD writing staff,  has indeed been appointed to take over showrunning duties.  (Darabont's continued presence, if any, is still being discussed.)  Mazzara has a lot of experience as a writer/producer on shows like Hawthorne, Crash and The Shield, but not as a show creator--and Walking Dead, with only 6 episodes in its first season, is still forming its creative vision.  No doubt all fingers at AMC are firmly in the "crossed" position.

The creator and showrunner of AMC's biggest hit series THE WALKING DEAD has just stepped down from those duties, and may (or may not) be leaving the show entirely.  Frank Darabont, who'd been known before Walking Dead as a feature writer/director (most notably of The Shawshank Redemption and The Green Mile) has stepped down--it appears very suddenly, since he took part in the show's panel at Comic-Con just a few days ago.  The effect of this on the series is unknown at this point--Darabont's #2, Glen Mazzara, is an experienced writer/producer, so he would be the logical choice to take over, but no one ever said TV was logical.  Meanwhile the show continues in production for the October 16 premiere of its second season.

There is without doubt some story behind this, so stay tuned...


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THE SKED: Early "Dead"


AMC has just announced the Season 2 premiere for THE WALKING DEAD, and they've made an interesting decision:  when the show returns on Sunday October 16, it will air at 9PM instead of its original timeslot at 10.  This is unusual for AMC, which airs Mad Men, Breaking Bad and The Killing all at 10PM (Rubicon did air at 9, but that was as lead-in to Mad Men... and see how well that worked out).  Of course, Walking Dead is the biggest ratings hit AMC has had, and they obviously have huge confidence in it.  In its new slot, it'll be running in direct competition with HBO's Boardwalk Empire this fall, not to mention Family Guy on FOX and Desperate Housewives on ABC.  The network has yet to announce if they'll rerun the same episode at 10 or try something else in that slot  (They also haven't yet set a premiere for their upcoming new historical drama Hell On Wheels, so that could be getting the benefit of the Walking Dead lead-in.)

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