Movie Box Review

This is--maybe--what a big fat hit looks like.  Maybe, because anything can happen between a pilot and its series, or even between episodes (remember when Heroes came back for Season 2 and suddenly it was terrible?)-- especially, as here, where only the first hour of the 2-hour pilot exists, and even that hour has some temp special effects.  So TERRA NOVA is far from a sure thing.  But it sure has the makings of a show that could hit the mass TV audience right in its sweet spot.


What if Jurassic Park were a housing development?  That's essentially the basis for Terra Nova, although actually the two concepts take place in completely different earthly time frames:  Jurassic imagined the contemporary reanimation of dinosaurs, while in Terra Nova, people of a dystopian future are transported back millions of years to live in the era when dinos were native.  But both projects take place in and around similar-looking complexes built to keep the carnosaurs out, and both, not coincidentally, have Steven Spielberg as wizard in charge.

In classic Spielberg style, the drama rotates around a troubled family:  dad Jim Shannon (Jason O'Mara) was a futuristic Chicago cop whose marriage to scientist Elisabeth (Shelley Conn) was in danger of falling apart when the two of them decided to have a third child, an action forbidden by law; Jim ended up in jail.  But when Elisabeth is recruited with their 2 legal teens (Landon Liboiron and Naomi Scott) for the Terra Nova time-travel project, Jim breaks out of prison to take their youngest (Alana Mansour) with them.  Beyond the dinosaurs and other local threats, the Shannons will continue to have their interpersonal strains.

The script (lots of people worked on it, including Rene Echevarria, Allan Loeb, Brannon Braga, Craig Silverstein and Kelly Marcel--it's not clear yet just who's getting screen credit) isn't smarter than your average Hollywood blockbuster-it's not Game of Thrones, and it's not Battlestar Galactica--but it's cunningly constructed to allow for plenty of potential storylines.  Despite his criminal record, Jim quickly proves his worth to the leader of the community, Nathaniel Taylor (Stephen Lang), and joins his security service; soon Jim discovers there are other settlers from the future trying to sabotage the project.  Meanwhile, there's the Shannons' shaky marriage, their kids' budding romances, giant man-eating beasts, and where did those strange designs outside the Terra Nova walls come from?

Alex Graves, whose credits include the pilot for Fringe, serves as director, and even with temp effects, Terra Nova has the scale and energy of a feature film, with gorgeous cinematography and a huge production design.  (Just what will happen when the show has to deal with inevitably smaller episodic budgets is unclear.)  The cast is capable, with the early standout being Lang, who does a less blatantly evil version of his Avatar role (it won't be much of a surprise if his character turns out to be less than a good guy here, too).  For now, the Shannon family is basically photogenic and personable; there's so much going on in the pilot that we only get a superficial handle on them.

FOX could have paired Terra Nova with their new X-Factor for a superpowered launch, but they have so much confidence in the show that they're letting it kick off their Monday nights as the lead-in to House.  The gamble may pay off; the show has potential to be an "all quadrants" smash, appealing to families, men and women, young and old.  (Mitch Metcalf's Monday projection has it behind ABC's Dancing With the Stars and the How I Met Your Mother/2 Broke Girls combo on CBS, but the show will certainly be hyped by FOX into a major premiere event, and it could be a breakout hit.)   The dinosaur-sized question now is whether they can successfully translate their strong hour into a successful series.

Read more about TV's new shows at THE SKED PILOT REPORT.

People have been accusing Julian Schnabel's MIRAL of being propaganda for the Palestinian cause, but in a way that's an insult to propagandists, who are usually focused and effective at what they do.  Miral is more of a mess than that, a no-doubt heartfelt story about one of the most historically complicated situations in the world.  Adapted for the screen by Rula Jebreal and based on her autobiographical novel, it tells the interconnected stories of four Palestinian women in a tale that extends through several generations.  Sometimes it presents Israelis as demons, sometimes as human beings; sometimes it appears to be sympathetic to terrorism, sometimes it rejects violence and hopes for negotiated peace.  It's by far the weakest of Schnabel's films as a director:  although the film looks great (photography by Eric Gautier) the narrative line wobbles and so do the performances:.  Frieda Pinto, as Miral, is only adequate, but Hiam Abbass, as the head of a Palestinian orphanage where Miral grows up, is outstanding.  Vanessa Redgrave makes a great-lady cameo, presumably to preserve her place as the fairy godmother of Palestianian-themed movies.   Watch It At Home.  (Weinstein Company - 112 min. - 4 Theatres)

Francois Ozon isn't a household name, even among foreign film fans, but his films include notable works in an extremely varied set of genres.  They range from the genuinely horrifying thriller See the Sea to the aggressively offensive satire Sitcom, from the campy mystery/musical 8 Women to the moving character study Under the Sand.  His new POTICHE is a not-so-scintillating entry in his campy comedy resume.  It's set in the 1970s, and concerns the respectable wife (Catherine Deneuve) of a chauvinistic factory magnate (Fabrice Luchini), who takes over the factory when he has a heart attack and liberates herself and many around her, including,among other things, through a romance with a local communist politician (Gerard Depardieu).  Also, there's singing.  It's mildly charming but very arch, and watching it, one has the feeling that it would take greater knowledge of French politics and films to get all the jokes.  Watch It At Home.  (Music Box - 103 min. - 7 Theatres)