NBC: In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is: AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour. So there's that. Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure. It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice. (Even against a Mentalist repeat, its margin of victory was a mere 0.2.) So: on to next year! Meanwhile, the rest of the evening was dismal as well: none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks. Creatively, it was also a down night: THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered. (Let's not even speak of UP ALL NIGHT.)THE SKED'S THURSDAY NETWORK SCORECARD
NBC: In the universe of NBC these days, you take your glass-half-full where you can get it, and here it is: AWAKE won its time slot, it was up from its lead-in, it had the network's highest Thursday 10PM rating of the season, and despite its unusually convoluted premise, it lost relatively few viewers during the course of the hour. So there's that. Back on earth, though, Awake was for all intents and purposes NBC's last chance for a scripted break-out hit this season (whatever Smash is, it's not that), and marked yet another failure. It could only reach a 1.9 rating against repeats on the other networks, and fell considerably below even the season lows for new episodes of The Mentalist and Private Practice. (Even against a Mentalist repeat, its margin of victory was a mere 0.2.) So: on to next year! Meanwhile, the rest of the evening was dismal as well: none of the sitcoms were more than 0.2 above season lows, despite airing against repeats on 2 other networks. Creatively, it was also a down night: THE OFFICE neared the end of its Tallahassee arc with its weakest recent episode (the big gag was that Ed Helms' character was beaten up by a little girl), 30 ROCK was unable to match the conceptual brilliance of its last couple of entries and resorted to network television's one millionth Law & Order parody, and PARKS & RECREATION was unusually scattered. (Let's not even speak of UP ALL NIGHT.)The Sked: PROMO WATCH -- Update through February 23
GCB and the Oscars are the big bets for ABC in recent days, while NBC continues to make an extraordinary push for Awake. CBS is hoping to take Person of Interest to another level, and FOX just doesn't seem to be making any choices about what to promote hard. The most recent Promo Watch numbers are based on prime time broadcast network programming between February 9 and 23, with about 18.5 hours of programming sampled for each network over that period. (Click "read more" to see the latest chart.)
ABC. GCB has become the top priority for ABC over the past few weeks, now averaging 21 seconds per hour sampled in prime time. ABC has been repeating the same 30-second spot over and over (the rhyming spot with "witches" and "riches" instead of the expected "bitches" from the original series title). The spot is not particularly clever, but ABC is hoping the repetition of the show's premise will cut through. With a last minute rush of Oscar spots (often over 30 seconds per hour on recent nights), the Academy Awards spots have moved into the #2 priority position, averaging 17 seconds per hour over the past two weeks (after being in the high single digits recently). Of note, the spots promote the Oscar app and Oscar.com almost as much as the show itself. (Clips of the still niche The Artist and visuals of Jean Dujardin and Berenice Bejo are not going to persuade marginal viewers to tune in.) Revenge remains a fairly important priority (16 seconds per hour), as ABC keeps trying to make it break out from the 2.5 range into the high-2 rating area. Scandal is now averaging 11 seconds an hour (up sharply from the middle single digits). That number is going to continue to rise as we move through March. Missing (starring Ashley Judd as a CIA agent/ mom searching for her son) is holding at 9 seconds per hour. It looks like it has the production quality of The Firm, and -- just a hunch -- will not receive much higher promotion levels in coming weeks, as opposed to the Shonda Rhimes project Scandal.
NBC. Awake premiering next Thursday at 10 in the dead zone time period is now averaging an amazing 41 seconds per hour over the past two weeks. If it fails it won't be for lack of trying. With Up All Night as its lead in, Awake's success will be based on the inherent appeal of the show's premise, which is described in every spot. We shall see. Smash is holding at a very strong 25 seconds per hour over the past two weeks. As the ratings tumble each week (and during each quarter hour that airs), the network is trying every promo trick in the book to get people to hang on. Last week it was the sex appeal of the characters and storylines. This week, it's a guest star -- Nick Jonas?!? Maybe he has a high Q-score with the target audience for a drama about mounting a Broadway musical, but it seems a little desperate or cheesy for a show that relies on critic quotes like "Wow. Just wow." Fashion Star is holding at 20 seconds per hour, a very solid level for a new reality show. The Voice, at 10 seconds per hour, is just enough to keep its name out there, and NBC is using the brief promos effectively to dub the night "Must See Monday". (At least for the first two hours of the night, it's a very legitimate claim.)
CBS. Person of Interest has been anointed by CBS as the new show most worthy of a midseason push. At 21 seconds per hour the past two weeks, the JJ Abrams-produced freshman number is the #1 priority for the network, which clearly want to see if its ratings can break out of the low-3 range to above a 3.5 rating. Undercover Boss has received a substantial investment of time the past several nights, moving its average into double digits (11 seconds per hour). That is low compared to Survivor (19 seconds) and Amazing Race (17), but it is significant for a Friday show, and CBS hopes it can build on the show's promising initial ratings on the tough night. Just missing the chart below is Late Show with David Letterman (9 seconds per hour), substantially more than the Tonight Show with Jay Leno (5 seconds) or Jimmy Kimmel Live (3 seconds). Unless the guest is truly newsworthy, however, late night ratings are surprisingly inelastic to promo efforts.
FOX. Breaking In has edged up to 12 seconds per hour, up from 10 recently. And the return of Touch is at a barely-committed 10 seconds per hour. And pity poor Bob's Burgers (not shown on the chart below) whose return is starting with a base of 6 seconds per hour. Not that any of those shows will make much of an impact in any scenario -- it's just that FOX doesn't seem to be betting on anything.
PROMO WATCH
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The Sked: PROMO WATCH -- Update through February 19
Over halfway through the February ratings sweep, the broadcast networks continue to exhibit very different strategies in allocating their precious on-air promotion time to market and launch new programs as well as supporting their existing schedules. (Click "read more" to see the latest chart.)
NBC. NBC continues to promote fewer priorities each with massive levels of support. Over the past few weeks in prime time, NBC has devoted 29 seconds per hour on average to the new drama Awake, the highest level on any network. The complexity of the story (when is he awake? when is he dreaming? are there two dream worlds or just one?) requires longer-length spots (most often 45-second lengths in this case). And because of NBC's ratings shortfalls, these spots are running very frequently to extend the campaign's reach as much as possible. As the table below illustrates, a 20-second average per hour is a high allocation for most networks. How is NBC doing this? Quite simply by promoting far fewer programs at the roughly 5 second per hour maintenance level for exiting shows. Many marginal shows (and there are plenty to choose from on the NBC schedule) are getting zero promotion to create more time for future shows. Smash also continues to receive a high level of support (26 seconds per hour on average). Notably, the campaign has shifted away from tired lines like "She's a STAR!" or "She glows!" to a reliance on quotes from superb critical reviews and most recently this past week many lines suggesting sex (who is sleeping with whom, who is straight and who is gay) will play a major role in the next few episodes. The third priority, Fashion Star (18 seconds per hour), would be #1 on most other networks is also being hit hard, still promising that viewers can buy the winning designs in stores the next day. Finally, The Voice (10 seconds per hour) celebrates the playful judges who will "charm" and "flirt" with the contestants and the audience.
ABC. Revenge (19 seconds per hour) has been the #1 priority on ABC for the past few weeks. The network really wants to make the show work, promising it's "not too late" to join the fun. But history shows it is incredibly tough to actually convince viewers to join a serialized drama in progress. GCB (15 seconds per hour) is being promoted most often with a 30-second rhyming spot that drops the word "bitches" (from the show's original title) just as one expects to hear it uttered (with not so clever rhymes like "riches" or "stitches" or "witches"). But at 15 seconds per hour, this is far from a full court press. Other shows (The River, Castle, Cougar Town and the Grey's Anatomy/Private Practice crossover event) received decent levels at 10 seconds per hour or more, but nothing is really receiving the all-in bet of a winner. Curiously, the Oscars is the next level down (at 9 seconds per hour). Perhaps it is a wise decision. The lack of broadly appealing movies among the nominees and the dearth of close races in many categories will probably make the Academy Awards one of the lowest-rated in history, no matter how many promos they throw at it. And let's face it, the return of Billy Chrystal as host will not draw many viewers under 40 or 50. New dramas Missing starring Ashley Judd (7 seconds) and Scandal (5 seconds) come later in the spring. If the promo allocation numbers start increasing for either, we will know how ABC really feels about the shows. Scandal is promoted almost exclusively inside Shonda Rhimes' own real estate Thursdays 9-11 pm (inside Grey's and Private Practice).
CBS. The return of Survivor and Amazing Race (each at 17 seconds per hour) were the main priorities the past few weeks. As established franchises, they certainly did not warrant much more time. Person of Interest (15 seconds) and Unforgettable (13 seconds) represent an attempt to take these freshman dramas to another level, with the former having a much better chance of inching up in the ratings than the former. A high number of CBS shows receive about 5 seconds per hour, barely maintenance/ reminder levels, but the CBS audience is loyal and does need much convincing to stay with what they like and know.
FOX. The #1 priority on FOX is a lowly 14 seconds per hour for Glee. Everything is changing, the spot promises, suggesting weddings and pregnancies might be coming. The audience is skeptical and savvy, however, and this spot feels like it might be over-promising. The one new show getting a decent level of promotion is Breaking In (with Megan Mullally joining the cast), but at only 10 seconds per hour, the spots will have limited ability to cut through the clutter. With so many key shows in decline and nothing new on the horizon, FOX just isn't sure what to push.
PROMO WATCH
Top Priorities by Network
On-Air Promo Seconds per Hour Sampled
Past Two Weeks (Feb 6-19, 2011)
ABC CBS
Revenge 19 Survivor 17
GCB 15 Amazing Race 17
The River 13 Person of Interest 15
Castle 11 Unforgettable 13
Cougar Town 11 NCIS Los Angeles 10
Grey's/Private 10
crossover
NBC FOX
Awake 29 Glee 14
Smash 26 American Idol 13
Fashion Star 18 Alcatraz 11
The Voice 10 New Girl 10
Breaking In 10
THE SKED: NBC Banishes "The Firm"
THE SKED: NBC MIDSEASON SCHEDULE
Saturday: Reruns, reruns, reruns.
THE SKED: SHOWBUZZDAILY’S FALL 2011/12 THURSDAY TV SCHEDULE
CBS looks to be the busiest network with Thursday changes. They were unable to capitalize on their smash BIG BANG THEORY lead-in to propel $%*! MY DAD SAYS, so they'll try again with a younger odd couple buddy comedy, HOW TO BE A GENTLEMAN, starring and written by David Hornsby. At 9PM, CSI is not just long in the tooth, but it seems unlikely to ever recover from the loss of William L Petersen, so we see THE MENTALIST finally ascending into that slot, providing a launching pad for THE 2-2, a show about rookie NY cops that has a good pedigree (pilot written by novelist Richard Price, Executive Producer Robert DeNiro) and a familiar premise... but "familiar" has never been a dirty word at CBS. They should hold steady for the night or possibly edge up a bit if 2-2 gets some attention.
NBC has the second biggest challenge of the season with an existing show (CBS's Charlie Sheen soap opera takes the prize): keeping THE OFFICE on top without Steve Carell. Frankly, the Will Ferrell story arc didn't bode well for the future, but it's not a show one should dismiss too quickly. The network will stick with 3 of its 4 sitcoms for the fall, again holding the 4th on the bench to come in later in the season (last year it was PARKS & RECREATION, this season we think it'll be the cultier COMMUNITY). PARKS & REC, in fact, seems strong enough to serve as a lead-in these days, and we think it'll launch the WHITNEY CUMMINGS PROJECT, which stars and is written by the stand-up comic and has gotten great buzz. At 10PM, we see the network dumping its extra hour of comedies for AWAKE, which keeps getting compared to INCEPTION (it takes place in simultaneous alternate realities), which is enough to make it both worth a look and unlikely to become a mass market hit. Overall, NBC should decline a bit for the night due to Carell's exit.
FOX will again follow in AMERICAN IDOL's footsteps and launch the second hour of X-FACTOR to start the night. After that, they have a bit of a returning show issue themselves, with Emily Deschanel's pregnancy making BONES a spotty presence for fall. So the network will do the next best thing and launch the BONES spinoff THE FINDER in its slot while Ms Deschanel has her child. (Fun fact! she's married to David Hornsby, who we think will be looking for his own share of Thursday ratings with HOW TO BE A GENTLEMAN on CBS.) If X FACTOR performs, it should lift FINDER above BONES's pre-IDOL numbers from last fall.
The CW will use its biggest hit, THE VAMPIRE DIARIES, to launch THE SECRET CIRCLE, with which it shares writer/producer Kevin Williamson and its source material, the novels of L.J. Smith. Sometimes this stuff isn't rocket science.
GREY'S ANATOMY isn't the powerhouse it used to be, but it's still the centerpiece of a solidly successful night for ABC.
Be sure to follow ShowbuzzDaily all through Upfront week: we'll cover the actual network schedules as soon as they're announced, with our own brand of instant expert analysis... and stay tuned for reviews of the shows you'll be watching (or not) in the fall!





