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Showing posts with label charlie's. Show all posts
Showing posts with label charlie's. Show all posts

THE SKED: Thursday Ratings - Network Scorecard



On a night when atypical competition should have made for some shuffling in the numbers, the news was that there wasn't much at all.

ABC:  The network had to be hoping that with a repeat Office on NBC and the male-skewing World Series on FOX, they could get some extra viewers for GREY'S ANATOMY.  But the show actually went down 0.1 from last week, which means its 3.5 rating, down over 20% from last year's average, is about where it's going to be for a while.  The weird thing about CHARLIE'S ANGELS isn't its 1.2 last night, but the fact that as of now, the network is still planning to air another dead episode on November 3, in the midst of sweeps.


CBSPERSON OF INTEREST is reportedly about to receive a full-season pick-up, but it didn't benefit from the repeats on NBC last night, and may have been slightly dented by the World Series.  The good news for CBS was that while RULES OF ENGAGEMENT will never be a blockbuster, it's far more compatible with BIG BANG THEORY than the deceased How To Be A Gentleman was.

FOX:  They now know that they'll have a Game 5 on Monday, removing the need to air House and Terra Nova reruns, but won't know until at least Sunday if they're going to get into the promised land of a Game 6 and potential Game 7.  Last night's number, like Wednesday's, looks to be again just about what they've been doing with X FACTOR.

NBC:  They sat out the night with repeats, and if Sunday's football game is on the low side (and with New Orleans a 2-touchdown favorite over the Colts, that's a possibility), the weekly average could be truly woeful.

CW:  In the universe of this network, where tenths are truly meaningful, the 0.9 for SECRET CIRCLE counts as good news.  The show has been improving creatively over the past couple of weeks as well, with less soap and more deadly villains.

In the stories about CBS's pending pick-ups, notably absent has been A GIFTED MAN, so tonight's rating for that show may be critical.  Also, EXTREME MAKEOVER will make its Friday debut for ABC.

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THE SKED: "Angels" Go To Heaven


Last night's slight ratings increase wasn't enough to save CHARLIE'S ANGELS, which has just been cancelled by ABC.  That leaves Pan Am as the only remaining ABC show launched in September (Last Man Standing, Man Up and Once Upon A Time are just getting started) not to know its fate.


4 of the 8 produced Charlie's episodes have aired, and the word is that the network intends to air the rest.  Burning off a couple next week's against the World Series over the next 2 Thursdays makes sense, but it's doubtful the network would want the remaining 3 last 2 to air during November sweeps, which begins October 27 this year. (ABC has college football on Saturdays, so can't push the show to that traditional burial ground of Dead Show Walking episodes).  A Very Charlie's Angels Christmas, anyone?

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THE SKED: Thursday Ratings - Network Scorecard


On a rare night this week not affected by baseball, a mixed set of results for the networks.

NBC:  The strategy of double-pumping WHITNEY and PRIME SUSPECT with repeat episodes on Mondays and Wednesdays in order to expose new viewers to the shows backfired:  those people must not have liked what they saw, because both series fell to new lows, a terrible 2.0 for Whitney and a worse 1.3 for Suspect.  On any other network (except CW), that would get them both cancelled, but the truth is that with NBC in its current state, it's hard to tell just what the network will find "acceptable."  Incredibly, with the exception of football and THE OFFICE (which held up well, albeit 20% below last year's average), there won't be a single show on NBC this week with a rating over 2.1.  In comparison, the entire Sun-Thurs CBS schedule probably won't have a single show under that mark.  Depending on what ratings were proffered to advertisers in this year's Upfront sales, the network may need to air a tremendous number of "make-good" (i.e., free) ads in compensation for under-delilvery.


ABC  CHARLIE'S ANGELS had s slight uptick from last week (and the network instantly issued a press release to crow about it), but let's face it:  a 1.3 and 5th place in the timeslot (behind CW) isn't good news, and it's hard to imagine the show seeing the lights of November in its current timeslot.  GREY'S ANATOMY was up, but still 20% below last year's average, while PRIVATE PRACTICE was also up and a more reasonable 15% below last year.

CBS:  A BIG BANG THEORY rerun proved far more compatible with the show's new episode than How To Be A Gentleman had been.  The bad news was that even with a much stronger lead-in, and an enormous amount of promo attention from the network, PERSON OF INTEREST barely ticked up and still ranked in 3d place for its hour.  THE MENTALIST just barely edged out Private Practice to take the hour at 10PM.

FOX:  The network finally got to air a regularly scheduled night of programming, but all the confusion of this past week may have taken a small toll, as X FACTOR declined slightly.  However, it was still strong enough to give FOX a comfortable win for the night.

CWVAMPIRE DIARIES had a good outing that was even with last season's average, but it didn't do anything for its companion THE SECRET CIRCLE, which lost more than 40% of its lead-in's number

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THE SKED: Week 2 + 1 - ABC Network Scorecard


The third week of a network season is a critical one.  Ratings erosion after a series or season premiere is expected and even acceptable, because it's understood that not every viewer drawn by hype and marketing will be a satisfied customer.  But a continued fall in Week 3 can be a sign of trouble, and if that decline is from a number that wasn't great to begin with, the trouble could be serious.  That being said, let's take a look at where the networks stand as they begin this crucial week.  (Note:  since only 2 networks debuted their Monday schedules on the season's first official day, we'll include the next Monday in our review of the week.)

ABC
Thriving:
SUBURGATORY -  Only one airing so far, but it premiered well.

Holdovers - MODERN FAMILY, THE MIDDLE, PRIVATE PRACTICE, CASTLE


Struggling:
REVENGE -  Not really "struggling" yet, but last week's drop was worrisome.  The question is whether it can stop the fall.

PAN AM -  Same here.  It's won the battle of the 1960s shows, and it's beating CBS, but the ratings need to hold where they are now.

GREY'S ANATOMY - As with Glee, this show is still a hit, but it's substantially less of one than it used to be.

DANCING WITH THE STARS - The question is whether this disastrous cycle is just an aberration of bad casting, or if it signals the beginning of the end for this show.  That would be seriously bad news for a network that needs it to fill multiple hours per week.

Holdovers - BODY OF PROOF, HAPPY ENDINGS

Dying:
CHARLIE'S ANGELS - No one cared to see a remake of this, and besides, it's not any good.  Now that NBC has issued the season's first cancellation, expect this one to be close behind.

DESPERATE HOUSEWIVES - Dead show walking!  No one expected it to go out as dismally as it has.  A warning of the perils of hanging on for one season too many.
 
GRADE:  C-plus
 

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THE SKED: Thursday Ratings - Network Scorecard


On what used to be network TV's marquee night, only one series had a rating over a 4...

NBC:  ...and it certainly wasn't on NBC.  THE OFFICE is now the only non-football show on NBC to exceed even a 2.5 rating.  So far, Office is holding up pretty well post-Carell (down about 20% from last year's season average), although its number isn't all that impressive compared to comedy hits on all the other networks.  Still, that's by far the network's good news.  WHITNEY's plunge means that not a single new NBC fall series is any kind of success.  (Under the "you can't cancel everything" rule, that doesn't mean all these failures will be thrown off the schedule.  In fact, it's very possible several of them may get back orders for spring, not because NBC is suddenly talent-friendly--ah, the spin!--but out of sheer desperation, since apart from Smash, the network's midseason shows are midseason for a reason.)  NBC may be a couple of weeks away from a very difficult decision:  if they can't save both Whitney and Up All Night, which one gets the life-raft of the Office lead-in?  Meanwhile, at 10PM PRIME SUSPECT is on the critical list with a dire 1.5 rating.  From 8-9PM, COMMUNITY and PARKS & RECREATION provide some stability, albeit of the low-rated kind.


CBS:  THE BIG BANG THEORY is the hit of the night, with a terrific (and stable) 4.8.  But after that, things are a lot bumpier.  HOW TO BE A GENTLEMAN didn't open (meaning that CBS Marketing was only able to get 2 Broke Girls any kind of debut sampling this fall, and that was because of the 2 1/2 Men lead-in) and is probably headed downhill from there.  It's not just that PERSON OF INTEREST is running 20% below CSI's rating in the same timeslot last year-- it's about 13% below the number CSI is doing now in its weaker Wednesday 10PM slot.  And THE MENTALIST is 20% below last season's average, despite NBC being a non-factor in the timeslot.

ABC:  It's just a matter of time till the misbegotten CHARLIE'S ANGELS heads to the trash-heap.  GREY'S ANATOMY, unable to capitalize on NBC's and CBS's problems, is running 20% below its average last year, but at least in its season debut, PRIVATE PRACTICE hit last year's average. 

FOX:  Once again, when all the smoke had cleared, X FACTOR may have declined a bit from last week, but it gave FOX an easy win for the night.  Next week's experiment with a repeat New Girl at 9:30PM is sure to have a strong lead-in, and the results should be interesting.

CWVAMPIRE DIARIES continues to be by far the network's strongest show, and even ticked up a bit this week, while SECRET CIRCLE seems to have settled in to a 0.9 rating, which ain't much, but is above-average by CW standards.

Tonight, CBS will hope that viewers watching A GIFTED MAN, unlike the show's protagonist, won't be seeing dead people.  Look for our Pilot + 1 Review later.

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THE SKED'S PILOT + 1 REVIEW: "Charlie's Angels"



A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and critics begin to rear their ugly heads.  The results can include changes to tone, pace, casting and even story.  Here at THE SKED, we're going to look past the pilots and present reviews of the first regular episodes of this year's new series as well.

Previously... on CHARLIE'S ANGELS:  Stop me if you've heard this before:  3 gorgeous women--disgraced ex-cop Kate (Annie Ilonzeh), ex-jewel thief Abby (Rachael Taylor) and ex-car thief Eve (Minka Kelly)--have all reformed and gone to work as private detectives for the unseen Charlie Townsend (voice of Victor Garber), working along with Bosley (Ramon Rodriguez).  

Episode 2:  Here are 2 fun factoids about the first regular episode of Charlie's Angels.  First, the episode was actually written (by Executive Producer/re-developers Alfred Gough & Miles Millar and Producer Sony Staglione) to be the third episode of the series, but ABC moved it up to air immediately after the pilot on the theory that it was markedly better than the second episode that was shot (which will air next week)--so this is the network's idea of the show putting its best foot forward.  Second, the episode was directed by Angela Robinson, whose credits include the 2004 Sapphic action-comedy D.E.B.S., a movie one might easily see as having been influenced in interesting ways by prior incarnations of the Angels story.

Unfortunately, those are the sum total of worthwhile or fun aspects to the episode, which is almost entirely dull and routine.  A Charlie's Angels that isn't an escapist fantasy isn't much, and having a storyline set among aspiring fashion models, with a couple of the leads donning what are supposed to be designer outfits for a few scenes, doesn't get it done.  The dialogue is so uninspired it practically feels phonetic (when Eve leaps on a suspect and pulls him off a dock into the water because she thought he had a gun, someone says "She certainly knows how to make a splash!"), and the plotting is truly woeful.  In order for the story to move forward, characters have to act like idiots (cops don't even look at an air vent that's hanging partly open, no one notices a "security guard" making his rounds while carrying a military-style metal briefcase), all in service of something about an Eastern European hit man who has to fake a green card marriage to a model just so he can be in place to kill the Russian president's wife.  I think.  

There's also a mild and ineffective attempt at characterization, as the episode introduces Kate's ex, who was also her police partner before he dumped her both as colleague and fiance after her scandal, and who's now moved to Miami so they can have awkward encounters all through the episode, culminating in her realizing that what they had wasn't really love after all.    

The stars, at least two of whom have proven to be talented in the past (the jury is still out on Ilonzeh, based on her try at being "serious" toward the end of this episode), aren't even called upon to be sexy--just pretty, in an almost antiseptic way.  There's no fun to any of it, and even as a dumb cop show, the action here would be considered unimpressive on basic cable. 

Charlie's Angels could work for people who want something attractive playing on the TV screen while they surf online or have a conversation, paying attention for a few seconds every five minutes or so.  But for people who are actually watching the set, it offers little in the way of entertainment value.

Original Verdict:  If Nothing Else Is On...

Pilot + 1:  Community and Parks & Recreation Are Only a Button Away

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THE SKED: WHAT TO WATCH THIS FALL ON THURSDAYS (1st Draft)



The networks have proclaimed their Fall schedules, the new series have been (partially) unveiled, so... what now?  What will actually be worth watching when network TV comes back to life in a few months?  SHOWBUZZDAILY is here to help you out.  The good news is that since virtually all TV series are available these days via DVR, on-demand and online streaming, we're well past the days when you had to choose one show in a timeslot and live with it--so where a slot offers a multitude of worthwhile entries, well, the only thing better than spending an hour watching TV is spending 2.  Also, these are "1st Drafts" because once the pilots come to light, some arrivals may look even better than they do now, while others will be far less impressive.  So consider this a work in progress.

8PM: Thursday is DVR night, as all the networks pack in some of their hottest shows to get premium dollars from movie studios advertising the weekend's new openings.  COMMUNITY and PARKS & RECREATION are two of the best shows NBC has left, and PARKS & RECREATION, in particular, took giant leaps in quality this past season.  Meanwhile, there's no better guilty pleasure on the air than THE VAMPIRE DIARIES on The CW, far more ingeniously plotted than other TV shows (and blockbuster movies) that delve into the high school realm of the supernatural.  That's not even mentioning the enormously popular BIG BANG THEORY or X FACTOR, which FOX certainly believes will be their appointment series of the Fall.  Odd ladies out may be CHARLIE'S ANGELS, which looked decent enough in its promos but entirely predictable, and may have taken on too tough a time slot for its own good. 


9PM:  Will THE OFFICE recover from the loss of Steve Carell?  Maybe not--the post-Carell episodes this past season weren't exactly promising--but the show has been so good for so long that it deserves every chance; its new slotmate WHITNEY, though, will have to be better than its promos if it's to survive.  Fans of BONES know that the season finale set the stage for a new season not to be missed; the reboot could either work smashingtly or bust the show's fragile mix of mystery, screwball comedy and occasional soap.  Thinking of soaps, GREY'S ANATOMY isn't the behemoth that it once was, but it's still a sturdy entertainment that delivers the suds.  Even the new shows in this slot are big guns:  PERSON OF INTEREST has the JJ Abrams pedigree and stars the LOST cult's favorite Michael Emerson, while THE SECRET CIRCLE will test Kevin Williamson's ability to launch a new franchise back-to-back with his VAMPIRE DIARIES.  Advice for this hour:  DVRs won't be enough, so make sure you know where your chosen network streams its shows online.

10PM:  After the rush of 9PM blockbusters, things calm down in a big way at 10PM.  THE MENTALIST and PRIVATE PRACTICE both have their core audiences, but it would be awfully nice to get some new blood flowing in this slot, so the hope is that NBC's PRIME SUSPECT will be worthy of its classic British predecessor; casting the very strong Maria Bello in the lead is a good first step.

WHAT TO WATCH THE REST OF THE WEEK:

Monday    Tuesday    Wednesday    Thursday    Friday    Weekend 

ALSO SEE MITCH METCALF'S PREDICTIONS OF FALL 2011 RATINGS:

MON      TUE      WED      THU      FRI      SAT      SUN      FULL WEEK

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THE SKED: SHOWBUZZDAILY’S FALL 2011/12 WEDNESDAY TV SCHEDULE




Welcome to ShowbuzzDaily's coverage of the upcoming TV schedules for the 2011/12 TV season!  Above you see our guide to what to expect on Wednesday nights this Fall:  the numbers are our projected Adults 18-49 ratings for each show; the capitalized titles are the new shows; and italics are for shows changing their time slots.  Here’s our analysis of what will really be going on behind the numbers:

The network making its big move on Wednesday will be FOX.  We think they'll use the night to launch both of their highest-profile new shows.  The night will begin with X-FACTOR, which they hope will extend their TV victory lap all season long, from fall till AMERICAN IDOL picks up in early 2012.  As with IDOL, the show will probably air twice per week on Wednesday and Thursday.  With THE VOICE proving that America's appetite for musical competitions is nowhere near satisfied, and with IDOL's Simon Cowell and Paula Abdul in the judge's seats, there's no reason to think this strategy won't work.  FOX can follow FACTOR with their biggest scripted gamble, the dinosaur spectacle TERRA NOVA.  If it feels like you've been hearing about that show forever, you have--it was originally supposed to debut exactly a year ago with a "preview" episode, then in the fall, then this spring, and recently it was still unavailable for both a year-late preview and its own network's pilot screenings, supposedly because the CG effects still aren't finished.  Color us skeptical.  But no question:  TERRA NOVA has the potential to be a blockbuster--if it's any good.  Even if it's not, X-FACTOR should lift FOX for the night.

The other networks are likely to be quiet against FOX's onslaught.  We see ABC staying with its successful comedies from 8-10PM, and then launching its reboot of CHARLIE'S ANGELS at 10.  It's a marketing department's dream, because all the promos have to do is show the hot girls (Minka Kelley, Rachael Taylor and Annie Ilonzeh) and utter the title... but remember the reboot of THE BIONIC WOMANKNIGHT RIDER?  ABC hopes you don't.  Still, the title alone should improve the timeslot over last year's bleary duo of THE WHOLE TRUTH and OFF THE MAP.

CBS will similarly stick to its pairing of SURVIVOR and CRIMINAL MINDS.  Then it should launch the SUSANNAH GRANT PROJECT.  Grant wrote the script for ERIN BROCKOVICH, and the pilot was directed by the great Jonathan Demme of SILENCE OF THE LAMBS fame, so even though the plot sounds like a classier version of THE GHOST WHISPERER (Patrick Wilson is a doctor who gets beyond-the-grave lessons in healing from his deceased wife), it deserves some benefit of the doubt, and should do at least as well as the CRIMINAL MINDS spinoff in that slot.

We think NBC, having made room for THE VOICE on Tuesdays, will move its still-successful BIGGEST LOSER franchise to Wednesday, where it should do well against the declining SURVIVOR.  At 10PM, they'll keep their only stalwart hour, LAW & ORDER:  SVU.

The CW will stick with AMERICA'S NEXT TOP MODEL at 8PM, and although NIKITA hasn't lived up to its VAMPIRE DIARIES lead in on Thursday, it's done OK (and is a potentially valuable property for international sales), so we think it'll get another chance to prove itself on a different night.

Be sure to follow ShowbuzzDaily all through Upfront week:  we'll cover the actual network schedules as soon as they're announced, with our own brand of instant expert analysis... and stay tuned for reviews of the shows you'll be watching (or not) in the fall!

WANT MORE?  Click on any link below to read predictions for another night:


MON     TUE     WED     THU     FRI     SAT     SUN

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