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Showing posts with label estimates. Show all posts
Showing posts with label estimates. Show all posts

WEEKEND BOX OFFICE PREDICTIONS February 3-5

The fifth weekend of the year should generate about $84 million for the top 12 films -- up 15% from last year's comparable weekend but down a similar percentage from a "normal" weekend this time of year.  Three new films open this weekend to positive reviews, but none of the three should gross more than $50 million over the long haul domestically.           


Opening at over 2,800 theaters, Chronicle from 20th Century Fox should average an okay $5,600 per theater (for $15.5 million Friday-Sunday).  [The average wide-release film the past two years has had an opening three-day weekend of $5,525 per theater.]  Critics on RottenTomatoes are so far very supportive of this "found footage" sci-fi thriller: 85% positive reviews.  Chronicle is on track for a preliminary $47 million domestically.        

Opening in about 2,700 theaters, the horror thriller The Woman in Black from CBS Films (starring Daniel Radcliffe) should average a similar $5,500 per theater ($15 million Friday-Sunday).  Critics have been supportive: 71% positive reviews so far, particularly good for a horror film.  The Woman in Black is headed for a total domestic gross of $43 million.

In over 1,900 theaters, animal lovers can look forward to the save-the-whale drama Big Miracle from Universal, which should average a soft $4,100 per theater ($8 million from Friday-Sunday).  Critical reviews are also running positive (71% positive so far), making it a rare weekend where three wide-release films are endorsed by the nation's critics.  But good reviews don't always translate to big openings:  Big Miracle is on track for a final tally of $29 million domestic.  The positive reviews, however, might indicate lower than average declines in weekends two and three. 

                                               (millions)
New Films                        Critics    Opening  Domestic
February 3-5                     Positive   Weekend   Total*

Chronicle                Fox  PG13  85%      $15.5     $ 47

The Woman in Black       CBS  PG13  71%      $15.0     $ 43
Big Miracle              Uni  PG    71%      $ 8.0     $ 29


Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie.

* The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.

Fairly normal declines for the returning films, with Liam Neeson's The Grey the only film with a shot for a weekend over $10 million.   

                                              (millions)
Major Returning Films            Change     This    Domestic
February 3-5                    vs wknd 1  Weekend   Total*



The Grey                 Open     -48%      $10.5     $ 63
One for the Money        LG       -48%      $ 6.0     $ 26
Underworld Awakening     Sony     -53%      $ 5.8     $ 70
Red Tails                Fox      -48%      $ 5.4     $ 57
Extremely Loud & Incred. WB       -39%      $ 4.3     $ 38
Man on a Ledge           Sum      -50%      $ 4.0     $ 21

Box Office Volume

For the past four years, the top 12 films in the comparable weekend have averaged $99 million total, ranking 41st of 52 weeks.  Last year this weekend's total was $73 million, and the same weekend in 2010 was $100 million.  This Friday-Sunday is looking like a weak $84 million, up 15% from this weekend last year but down 14% from an "average" comparable weekend over the past four years.          


This Weekend Last Two Years



2/4/11

 The Roommate SONY PG13 Minka Kelly Leighton Meester 
 Opening Weekend -- Forecast: $15  Actual: $15
 Domestic Gross -- Estimate: $39  Actual: $37
 International -- Estimate: n/a  Actual: $3

 Sanctum UNI R Ioan Gruffudd  
 Opening Weekend -- Forecast: $11  Actual: $9
 Domestic Gross -- Estimate: $30  Actual: $23
 International -- Estimate: n/a  Actual: $56

2/5/10

 Dear John SONY PG13 Amanda Seyfried Channing Tatum 
 Opening Weekend -- Forecast: $19  Actual: $30
 Domestic Gross -- Estimate: $89  Actual: $80
 International -- Estimate: n/a  Actual: $32

 From Paris with Love LG R John Travolta Jonathan Rhys Meyers 
 Opening Weekend -- Forecast: $14  Actual: $8
 Domestic Gross -- Estimate: $29  Actual: $24
 International -- Estimate: n/a  Actual: $28

 Crazy Heart FOX R Jeff Bridges Colin Farrell 
 Opening Weekend -- Forecast: $4  Actual: $4
 Domestic Gross -- Estimate: $34  Actual: $39
 International -- Estimate: n/a  Actual: $7



Come back throughout the weekend to see how the movies actually perform.  Saturday morning we will have an early look at how the weekend is shaping up, on Sunday we will have initial studio estimates (based on Friday and Saturday actuals), and Monday we will have the final weekend numbers.

###

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The Sked: The Skinny on the Nation's TV Markets

With all due respect to your geography class, the United States is really not made up of 50 states and the District of Columbia.  Readers of this website know it is a patchwork of 210 television markets, also known as Designated Market Areas (DMAs).  Each county in the nation is assigned to a DMA based on the residents’ viewing habits, and DMAs often cross state lines.    

Once a year Nielsen (which measures local in addition to national television ratings) estimates the size of each market, and this season they range from #1 New York (with 7,387,810 homes) all the way down to tiny #210 Glendive, Montana (with 4,180 homes).  Exactly in the middle is #105 Lincoln, Nebraska (with 280,310 homes).  With market size disparity like that, it is no surprise that:

Three in ten Americans live in the top 10 markets
Half live in the top 25 markets
Eight in ten live in the top 75 markets 

Why are TV markets important?  Knowing the size of markets and their growth rate is critical when analyzing national ratings, awarding or moving sports franchises, evaluating the performance of sporting events on television, developing strategies for political campaigns and advertising, and so on.  For example, if a network program is pre-empted in five local markets, it is critical to know which markets are not broadcasting a show.   

The Top 25.  The chart below lists the top 25 DMAs, displaying their size (the number of households with television in the area), growth (percent change over a ten-year period since 2001-02), and momentum (the change in market ranking in ten years).  Values in red are indications of slow growth, while values in blue indicate rapid growth.  Black values are average.

Dallas-Ft Worth (#5) has moved up two spots in the rankings in a decade, but the Big-D will have to ratchet up the growth even more to catch the much larger Philadelphia (extremely unlikely).  The top four markets are so large their ranking has not changed in decades despite very sluggish growth. 

TOP 25 TV MARKETS      2011-12    Growth   Ranking
                      Households  Since    Change
                      (millions)   2001    vs 2001
     New York         7.388     + 1%
     Los Angeles      5.570     + 5%
     Chicago          3.493     + 4%
     Philadelphia     2.993     + 7%
     Dallas           2.571     +17%      +2
     San Francisco    2.507     + 3%      -1
     Boston           2.380     + 3%      -1
     Washington DC    2.360     +11%
     9  Atlanta          2.293     +15%
    10  Houston          2.185     +19%      +1
    11  Detroit          1.843     - 2%      -1
    12  Seattle          1.812     +10%
    13  Phoenix          1.811     +18%      +3
    14  Tampa            1.788     +14%
    15  Minneapolis      1.722     + 9%      -2
    16  Miami            1.584     + 2%      -1
    17  Denver           1.549     +12%      +1
    18  Cleveland        1.514     + 0%      -1
    19  Orlando          1.465     +24%      +1
    20  Sacramento       1.389     +13%      -1
    21  St Louis         1.254     +10%      +1
    22  Portland         1.190     +11%      +1
    23  Pittsburgh       1.171     + 2%      -2
    24  Raleigh-Durham   1.143     +22%      +5
    25  Charlotte        1.141     +20%      +2


Further, Phoenix (#13) is not done growing.  A decade ago Phoenix was #16, and it could very soon be knocking on the door of the top 10 because it is bunched up against similar-sized markets like Seattle and Detroit.  In fact, the Detroit (#11) area has the dubious distinction of being the only top 50 market to decline in population in the last decade.

North Carolina is the other high growth area (although it gets much less attention than the Southwest).  Raleigh-Durham (#24) and Charlotte (#25) have busted into the top 25 (with Raleigh vaulting five places in ten years), and like Phoenix they are very close in size to the markets immediately above them.  They should be Top 20 markets in a few seasons.          


MID-SIZED MARKETS ON THE RISE.  In addition to the large-market growth stories, there are some spectacular examples from the rest of the top 75 markets.  Everyone would cite Las Vegas, which has risen from #51 ten years ago to #40 today, fueled by a 27% jump in market size over that period.  But an even bigger example is Ft. Myers-Naples, Florida, which has vaulted 14 places from #76 to #62 as a result of a 31% jump in the number of households in ten years.  Honorable mention goes to Austin (up seven places in the ranking and up 24%).  Here is a list of top gainers from markets 26-75 since 2001.



                         HHs MM   Growth   Rank Chg
    40  Las Vegas         .737     +27%      +11
    41  Harrisburg PA     .729     +18%      +5
    44  Albuquerque       .713     +17%      +4
    47  Austin            .687     +24%      +7
    50  Jacksonville FL   .670     +19%      +3
    60  Mobile-Pensacola  .528     +12%      +3
    62  Ft Myers-Naples   .504     +31%      +14
    70  Tucson            .442     +13%      +3
    73  Spokane           .427     +12%      +5

MID-SIZED MARKETS ON THE DECLINE.  On the flip side, some parts of the country stagnate or even drop in population (like Detroit).  The biggest loser in the mid-markets is New Orleans, which has tumbled nine spots on the ranking chart (from #43 to #52), sporting a 1% decline in population for the entire market since 2001.  Clearly, Hurricane Katrina was a huge reason for this exodus.  Without a category five hurricane or other natural calamity, Memphis dropped a similar eight spots (from #41 to #49), and hard scrabble Charleston, West Virginia declined a full 3% in population since 2001. 

                         HHs MM   Growth   Rank Chg
    27  Baltimore        1.097     + 7%      -3
    35  Cincinnati        .896     + 7%      -3
    42  Grand Rapids      .722     + 3%      -4
    49  Memphis           .670     + 2%      -8
    51  Buffalo           .645     + 5%      -4
    52  New Orleans       .644     - 1%      -9
    53  Providence        .620     + 3%      -4
    63  Dayton            .494     + 0%      -3
    65  Charleston WV     .465     - 3%      -4
    68  Flint-Saginaw     .452     + 0%      -4
    74  Toledo            .426     + 2%      -6

Read more about demographics and TV ratings here:  Factoids from Nielsen's "Universe Estimates" and Time Zones & Their Impact on Ratings and Programming.

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WEEKEND BOX OFFICE PREDICTIONS September 30-October 2

Hey, go see this movie.
A fairly strong weekend is in store in terms of overall box office volume, up about 9% from the same weekend last year.  Most of the business will go to returning films Dolphin Tale, Moneyball and Lion King in 3D, however.  The four films opening this weekend do not have much of a chance to make a big impact.  

Opening at more than 2,400 theaters in North America by Summit, 50/50 should average a soft $4,400 per theater (for $10.5 million for Friday-Sunday).  (All films the last two years have averaged $5,525 per theater in their opening weekend.)  50/50 has received strong reviews, with 92% positive at RottenTomatoes.  This Seth Rogen and Joseph Gordon-Levitt comedy/drama should be on track for around $40 million in North America when it leaves theaters, although there is some upside in that number if word of mouth matches the reviews. 


At about 2,600 theaters, Dream House from Universal should average a weak $3,500 per theater (for $9 million this weekend).  The horror-thriller does not have any reviews posted at RottenTomatoes, which usually means the studio did not have the confidence to put the movie in front of the nation's critics.  This movie is probably headed for around $17 million domestically. 

Opening at 3,000 theaters from 20th Century Fox, What's Your Number? should average a very weak $2,700 from Friday-Sunday (for a $8 million opening weekend).  Early reviews are quite negative, with 24% positive so far.  The Anna Faris comedy is on track for maybe $20 million in North America.     

Finally, opening at a small 1,100 theaters from Sony, Courageous should average a decent $6,500 from Friday-Sunday (for an $7 million opening weekend).  The Christian-themed drama has not been made available for review and might end up with about $20 million domestically.     

                                               (millions)
New Films                        Critics    Opening  Domestic
September 30-October 2           Positive   Weekend   Total*

50/50                Summit  R      92%      $ 10.5    $ 40 
Dream House             Uni  PG13   n/a      $  9.0    $ 17
What's Your Number?     Fox  R      24%      $  8.0    $ 20 
Courageous             Sony  PG13   n/a      $  7.0    $ 20

Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie.
* The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.

The second weekend films, Dolphin Tale and Moneyball, will have solid holds and will compete with Lion King in 3D again for the #1 weekend crown.  We give the edge to family film Dolphin Tale, but Moneyball has been grossing well this week and should make it close.

                                              (millions)
Major Returning Films            Change     This    Domestic
September 30-October 2          vs wknd 1  Weekend   Total*

Dolphin Tale            WB        -30%      $13.5     $ 85
Moneyball             Sony        -37%      $12.5     $ 70 
Lion King 3D           Dis        -43%      $12.5     $125
Abduction               LG        -55%      $ 5.0     $ 25 
Killer Elite      OpenRoad        -45%      $ 5.0     $ 25

Contagion               WB        -38%      $ 5.0     $ 80
Box Office Volume

For the past four years, the top 12 films in the comparable weekend have averaged $85 million total, ranking 47th of 52 weeks.  Last year this weekend's total was $86 million and the same weekend in 2009 was $92 million.  This Friday-Sunday is looking like a fairly strong $94 million, up about 9% from this weekend last year.       


This Weekend Last Two Years




10/1/10

 The Social Network SONY PG13 Jesse Eisenberg Justin Timberlake 
 Opening Weekend -- Forecast: $26  Actual: $22
 Domestic Gross -- Estimate: $92  Actual: $97
 International -- Estimate: n/a  Actual: $128

 Let Me In OVERTURE R Kodi Smit-McPhee Chloe Moretz 
 Opening Weekend -- Forecast: $10  Actual: $5
 Domestic Gross -- Estimate: $19  Actual: $12
 International -- Estimate: n/a  Actual: $12

 Case 39 PAR R Renee Zellweger Jodelle Ferland 
 Opening Weekend -- Forecast: $6  Actual: $5
 Domestic Gross -- Estimate: $13  Actual: $13
 International -- Estimate: n/a  Actual: $15

10/2/09

 Zombieland SONY R Woody Harrelson  
 Opening Weekend -- Forecast: $22  Actual: $25
 Domestic Gross -- Estimate: $89  Actual: $76
 International -- Estimate: n/a  Actual: $27

 Toy Story (3D) DIS G   
 Opening Weekend -- Forecast: $11  Actual: $12
 Domestic Gross -- Estimate: $47  Actual: $31
 International -- Estimate: n/a  Actual: $1

 Whip It FOX PG13 Ellen Page Kristen Wiig 
 Opening Weekend -- Forecast: $8  Actual: $5
 Domestic Gross -- Estimate: $19  Actual: $13
 International -- Estimate: n/a  Actual: $3

 The Invention of Lying WB PG13 Ricky Gervais Jennifer Garner 
 Opening Weekend -- Forecast: $7  Actual: $7
 Domestic Gross -- Estimate: $21  Actual: $18
 International -- Estimate: n/a  Actual: $14

 Capitalism: A Love Story OVERTURE R Michael Moore  
 Opening Weekend -- Forecast: $6  Actual: $4
 Domestic Gross -- Estimate: $18  Actual: $14
 International -- Estimate: n/a  Actual: $3

Come back throughout the weekend to see how the movies actually perform.  Saturday morning we will have an early look at how the weekend is shaping up as a whole (based on Friday's early numbers), on Sunday we will have initial studio estimates (based on Friday and Saturday actuals), and Monday we will have the final weekend numbers.

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THE SKED: FRIDAY September 23 Results

CBS won the first Friday night of the season with a low 1.7 Adult 18-49 rating.  It really was a costly victory as they threw three scripted dramas on the air, a very expensive proposition for a rating well below a 2.  The night started with the series debut of A Gifted Man at a mediocre 1.4 rating (not surprising given the lack of promotion for the drama) and a second place finish to FOX's Kitchen Nightmares.  At 9 pm, CSI: New York put CBS in first place with an okay 1.8 rating.  Then the night built to its height (a 2.0 rating) with Tom Selleck in Blue Bloods at 10 pm.  However, note that CBS fell back to second place at 10 pm, edged out by the second hour of Dateline.  All in all, an acceptable performance for CBS, although not the makings of high profit margins in those time periods.


FOX and NBC tied for second place on the night with a 1.6 demo rating.  NBC took the most cost effective route to that rating, repeating comedies at 8 pmUp All Night scored a 0.8 and Whitney showed a little strength, building to a 0.9.  Although NBC finished fourth in the hour, Dateline just took control from 9-11 pm with a story about a kidnapping and ransom.  The first hour scored a 1.7 (one-tenth away from first place) and the second-hour at 10 pm won the time period with a 2.2.  (The 2.0 rating in the chart below reflects the full program average for the news magazine.)  

FOX won the first hour at 8 pm with the season premiere of Gordon Ramsey's Kitchen Nightmares at a 1.6 rating.  Then they went to more expensive scripted fare at 9 pm, cult favorite Fringe, which dropped a touch to a 1.5 rating.  The often hard-to-follow and definitely -hard-to-join Fringe finished third in the 9 pm hour as CBS and NBC were experiencing audience increases in the second hour of primetime. 


ABC's strategy of repeats (Modern Family from 8-9 pm and Revenge from 9-10 pm) and only one hour of 20/20 did not work.  The night flatlined at a sad 1.0 rating in every half hour.  Letting Dateline get a head start at 9 pm was a critical mistake.  Look for two-hour 20/20 episodes to take on Dateline directly in coming weeks.


The CW was well below a 1 rating. 


Five days into Premiere Week, CBS leads with a 3.6 rating, followed by FOX at a 3.4.  ABC is in third with a 3.0, and NBC sits at a 2.0.  The CW averages a 0.7 from Monday-Friday. 

FRIDAY FALL 2011    Estimates         Episode Rating     
                    May   Sep   #1   #2   #3   #4   #5   #6   Avg
ABC
 800 Extreme Makeov 1.4   1.4   

 900 Shark Tank     1.4   1.3   
1000 20/20          1.5   1.3   1.0
CBS
 800 A Gifted Man   1.1   1.2   1.4
 900 CSI New York   1.5   1.5   1.8
1000 Blue Bloods    1.6   1.6   2.0
NBC
 800 Chuck          1.2   1.2   10/21
 900 Grimm          1.2   1.2   10/21
1000 Dateline NBC   1.2   1.3   2.0
FOX
 800 Kitchen Nightm 1.5   1.5   1.6   
 900 Fringe         1.3   1.3   1.5
CW
 800 Nikita         n/a   n/a   0.6
 900 Supernatural   n/a   n/a   0.8


An important note:  the ratings estimates are for original episodes across the entire Fall (from mid-September through mid-December).  Generally, a series will premiere at a high level and then settle into a more normal number by week four-six.  The important number to look at as the season unfolds is the average-to-date column at the far right.  By the time episode four rolls around, look at the average of episodes one-four and you should have a pretty good idea how the fall -- and the entire season -- will sort out.  CW shows are not currently estimated because we have incomplete historical data for the network's time periods.  CW estimates should be available later this season or early next season. 

Click below to read the LATEST RESULTS and UPDATED RATINGS PROJECTIONS for the other nights of the week:



                      MON      TUE      WED      THU      FRI      SAT      SUN     

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THE SKED: THURSDAY Ratings September 22

Thursday night is off and running, and the highest rated show on the night is Big Bang Theory on CBS with a 4.9 Adult 18-49 rating (4.8 the first half hour and a 5.0 from 8:30-9:00).  The highly anticipated Person of Interest at 9 pm did not take full advantage of this sterling lead-in, settling for a 3.1 rating (fourth place in the hour and below the ShowBuzzDaily ratings projection for the fall).


At ABC, Charlie's Angels opened tepidly with a 2.1 demo rating, about where we expected it to be.  Grey's Anatomy showed some life in its two-hour season premiere (doing a 3.9 rating in its regular 9-10 pm hour and a time-period dominating 4.2 from 10-11 pm).

NBC is pretty much dead from 8-9 pm, with the vastly over-rated Community fourth in the time period and not too far above The CW's Vampire DiariesParks & Recreation rises to a 2.0 rating but keeps the Peacock in fourth place from 8:30-9:00.   Both Community and Parks are slightly below our ratings forecast.  But the news was good at 9 pm -- the Carrell-less Office logged a 3.9 rating (tied for second in the slot) as viewers came to see who the new boss will be.  Whitney premiered to 82% retention of The Office, a respectable percentage that will be watched very carefully in the next few weeks.  If it starts dropping into the low-70% range, eyebrows will be raised.  But anything in the high-70% range or above will speak to patience.  But the mostly bad news this week for NBC returned at 10 pm with the rejection of Prime Suspect.  56% retention of the Whitney lead-in, a distant last place in the hour, and below a 2 rating.  Not good news for the network or the local NBC stations who live and die off the lead-in to their late local news. 

And what about FOX?  Well, they quietly won the night with The X Factor.  Yes, it is much lower than American Idol, about which there has been much gnashing of teeth.  But television is about winning time periods and winning nights -- by that measure The X Factor is getting the job done on a very competitive evening. 

On The CW, the two dramas drifted down a few tenths after coasting the first week with repeat competition. 

Through the first four days of Premiere Week, CBS is leading with a 4.1 demo rating, followed by FOX at a 3.8, ABC at a 3.4, and NBC all the way down at a 2.1.  The CW is averaging a 0.7.

THURSDAY FALL 2011  Estimates         Episode Rating     
                    May   Sep   #1   #2   #3   #4   #5   #6   Avg
ABC
 800 Charlie's Ang  2.3   2.2   2.1

 900 Grey's Anatomy 3.7   3.6   4.1
1000 Private Practi 2.6   2.5   9/29 
CBS
 800 Big Bang Theor 3.9   4.0   4.9
 830 How Gentleman  3.2   2.9   9/29
 900 Person Interest3.5   3.5   3.1

1000 Mentalist      3.3   3.3   2.8
NBC
 800 Community      1.9   1.9   1.7
 830 Parks & Rec    2.1   2.1   2.0
 900 The Office     3.1   3.0   3.9

 930 Whitney        2.6   2.4   3.2
1000 Prime Suspect  2.5   2.4   1.8

FOX
 800 X-Factor       3.4   3.4   4.2   
 900 Bones          2.5   2.5   11/3
CW
 800 Vampire Diar   n/a   n/a   1.5  1.2
 900 Secret Circle  n/a   n/a   1.3  0.9


An important note:  the ratings estimates are for original episodes across the entire Fall (from mid-September through mid-December).  Generally, a series will premiere at a high level and then settle into a more normal number by week four-six.  The important number to look at as the season unfolds is the average-to-date column at the far right.  By the time episode four rolls around, look at the average of episodes one-four and you should have a pretty good idea how the fall -- and the entire season -- will sort out.  CW shows are not currently estimated because we have incomplete historical data for the network's time periods.  CW estimates should be available later this season or early next season. 

Click below to read the LATEST RESULTS and UPDATED RATINGS PROJECTIONS for the other nights of the week:


                      MON      TUE      WED      THU      FRI      SAT      SUN     

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WEEKEND BOX OFFICE PREDICTIONS September 23-25

This weekend is looking unusually strong for late September: the top 12 films should gross over $100 million, about 14% above a normal weekend this time of year.  The strong 3D reissue of The Lion King should remain at #1 with close to $20 million and a very family-friendly, small second weekend decline.  Challenging Lion King for the top spot will be Brad Pitt and Jonah Hill in Moneyball, based on Michael Lewis' terrific book about the unorthodox methods the cash-strapped Oakland A's used in the 1980s and '90s to be competitive in baseball.  Not far behind, the family film Dolphin Tale should boost business this weekend.  Two action thrillers round out the new offerings, but don't expect them to be in the mix at the top of the weekend chart.  

Opening at more than 2,900 theaters in North America by Sony, Moneyball should average a solid though not especially strong $6,300 per theater (for $18 million for Friday-Sunday).  (All films the last two years have averaged $5,525 per theater in their opening weekend.)  Moneyball has received strong reviews, with 92% positive at RottenTomatoes.  This film should be on track for around $65 million in North America when it leaves theaters, although there is some upside in that number if word spreads among baseball fans.  Read Mitch Salem's review of Moneyball.


At about 3,200 theaters, Dolphin Tale from Warner Brothers should average $4,600 per theater (for $15 million this weekend).  Another film with strong reviews so far, Dolphin Tale is 94% positive at RottenTomatoes (especially surprising for a family film).  This movie is probably headed for around $75 million domestically. 

Opening at 3,000 theaters from Lionsgate, Abduction should average a weak $4,300 from Friday-Sunday (for a $13 million opening weekend).  Early reviews are devastating (Twilight's Taylor Lautner taking the majority of the criticism), with 0% positive from a small initial sample size.  Abduction is on track for maybe $25 million in North America.     

Finally, opening at 2,700 theaters from Open Road, Killer Elite should average a soft $3,700 from Friday-Sunday (for an $10 million opening weekend).  Early reviews are mixed to negative, with 42% positive.  The Jason Statham-Clive Owen-Robert De Niro film is on track for $25 million or so in North America.     

                                               (millions)
New Films                        Critics    Opening  Domestic
September 23-25                  Positive   Weekend   Total*

Moneyball              Sony  PG13   92%      $ 18.0    $ 65 
Dolphin Tale             WB  PG     94%      $ 15.0    $ 75
Abduction                LG  PG13    0%      $ 13.0    $ 25 
Killer Elite       OpenRoad  R      42%      $ 10.0    $ 25

Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie.
* The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.

The Lion King in 3D should decline a very good 35%, while Contagion continues its solid run with a 40% decline.

                                              (millions)
Major Returning Films            Change     This    Domestic
September 23-25                 vs wknd 1  Weekend   Total*

Lion King 3D           Dis        -35%      $19.5     $120
Contagion               WB        -40%      $ 9.0     $ 85
Drive              FilmDis        -43%      $ 6.5     $ 45
The Help            Dis/DW        -28%      $ 5.0     $171
Straw Dogs            Sony        -54%      $ 2.5     $ 15 
I Don't Know How She  Wein        -49%      $ 2.0     $  9


Box Office Volume

For the past four years, the top 12 films in the comparable weekend have averaged $84 million total, ranking 47th of 52 weeks.  Last year this weekend's total was $91 million and the same weekend in 2009 was $83 million.  This Friday-Sunday is looking like a strong $104 million, up about 14% from this weekend last year.       


This Weekend Last Two Years



9/24/10

 Wall Street: Money Never Sleeps FOX PG13 Michael Douglas Shia LeBeouf 
 Opening Weekend -- Forecast: $25  Actual: $19
 Domestic Gross -- Estimate: $61  Actual: $52
 International -- Estimate: n/a  Actual: $81

 Legend of the Guardians: The Owls of Ga'Hoole WB PG   
 Opening Weekend -- Forecast: $20  Actual: $16
 Domestic Gross -- Estimate: $56  Actual: $56
 International -- Estimate: n/a  Actual: $84

 You Again DIS PG Kristen Bell Jaime Lee Curtis 
 Opening Weekend -- Forecast: $11  Actual: $8
 Domestic Gross -- Estimate: $26  Actual: $26
 International -- Estimate: n/a  Actual: $6

9/25/09

 Surrogates DIS PG13 Bruce Willis  
 Opening Weekend -- Forecast: $18  Actual: $15
 Domestic Gross -- Estimate: $41  Actual: $39
 International -- Estimate: n/a  Actual: $79

 Fame MGM PG   
 Opening Weekend -- Forecast: $14  Actual: $10
 Domestic Gross -- Estimate: $24  Actual: $22
 International -- Estimate: n/a  Actual: $55

 Pandorum OVERTURE R Dennis Quaid Ben Foster 
 Opening Weekend -- Forecast: $6  Actual: $4
 Domestic Gross -- Estimate: $11  Actual: $10
 International -- Estimate: n/a  Actual: $9

Come back throughout the weekend to see how the movies actually perform.  Saturday morning we will have an early look at how the weekend is shaping up as a whole (based on Friday's early numbers), on Sunday we will have initial studio estimates (based on Friday and Saturday actuals), and Monday we will have the final weekend numbers.

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