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Showing posts with label the artist. Show all posts
Showing posts with label the artist. Show all posts

FULL WEEK BOX OFFICE ACTUALS and YEAR TO DATE Feb 27-March 4

Nine full weeks into 2012, domestic box office continues to run well ahead of last year's glacial pace, and the year-to-date total is now pacing a double-digit percentage increase over of the comparable period's average for the last several years.

Weekend Actuals versus Studio Estimates

The Lorax came in at $70.2 million for its opening weekend, down half a million dollars from the $70.7 million studio estimate issued Sunday (an over-statement of less than 1% -- so give Universal some credit for accuracy).  Project X came in at $21.05 million (a little more than 1% above the studio estimate of $20.775 million).  Very accurate figures from the studios for the openers with no fudging.  In contrast, The Artist was over-stated on Sunday by a hefty 7%.  Weinstein's studio estimate was $3.9 million for its victory lap weekend, while the actual came in at $3.625 million (moving the Best Picture out of the top 10, from #10 to #11, swapping places with Wanderlust).  With only $2,065 per theater this weekend for The Artist, it is clear there is not much pent-up demand for this novelty of a film.  We can move on and pretend the 84th Academy Awards never happened.  




The Past Week: Total Box Office Volume

All films in wide release playing between February 27 and March 4 grossed an excellent $193 million, up 37% from the same week in 2011 and up 31% from the four-year average for the comparable week.  Year to date, 2012 is now running 27% ahead of 2011 and now all the way up to 11% ahead of the average for the same period the last four years.        

All Wide-Release Films February 27-March 4
(millions)           4yr              vs      vs
             2011    Avg     2012    2011    Avg

Week #9      $141    $147    $193   
+37%    +31%

Year to Date $1335   $1524   $1696  
+27%    +11%



Updated Estimates of Final Grosses

The ShowbuzzDaily Domestic Grosses (the estimated North American gross when the film ends its run) are summarized below for films released the last six weeks.  Pay attention to the final domestic grosses, which are much more important than individual weekend grosses and especially weekend rankings. 


Dr. Seuss' The Lorax $226 million (95 percentile)
The Vow $130 million (85 percentile) 
Safe House $129 million (85 percentile) 
Journey 2: The Mysterious Island $102 million (79 percentile)
Act of Valor $77 million (70 percentile) 
Project X $68 million (67 percentile) 
Chronicle $66 million (65 percentile)
The Woman in Black $54 million (58 percentile) 
The Grey $51 million (56 percentile) 
This Means War $51 million (56 percentile) 

Ghost Rider: Spirit of Vengeance $50 million (55 percentile) 
The Artist $49 million (54 percentile) 

Star Wars: Episode 1 -- The Phantom Menace 3D $42 million (49 percentile) 
Tyler Perry's Good Deeds $39 million (46 percentile) 
One for the Money $26 million (29 percentile) 
Secret World of Arrietty $23 million (23 percentile)  
Wanderlust $22 million (23 percentile) 

Big Miracle $19 million (19 percentile) 
Gone $12 million (9 percentile) 


Weekend Predictions for March 9-11 should be posted late Wednesday.

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WEEKEND BOX OFFICE PREDICTIONS March 2-4

The ninth weekend of the year should generate about $125 million for the top 12 films, a fairly typical weekend for the first weekend in March -- up 2% from last year's comparable weekend and down a negligible 1% from the four-year average for this weekend.  Universal should stand tall with a $44 million opening for The Lorax, while Project X should place second with a slightly above average $18.5 million opening.   



Opening at over 3,600 theaters, Dr. Seuss' The Lorax from Universal should average an excellent $12,300 per theater (for $44.0 million Friday-Sunday), which would be the best opening for a film since the weekend of November 18 when Twilight Saga: Breaking Dawn Part 1 opened with over $138 million in its first weekend.  [The average wide-release film the past two years has had an opening three-day weekend of $5,525 per theater.]  Very few reviews from critics are in so far at RottenTomatoes, but the film is over 75% positive with the small sample size.  Marketing for the film has been strong and omnipresent (Universal is acting like a major studio this weekend, as opposed to its imitation of a mini-studio last week with Wanderlust opening with $6.5 million at a mere 2,002 theaters).  The studio has pulled out all the stops with dozens of advertiser tie-ins, brilliantly skewered by The Colbert Report (at minute 5:40).  The Lorax is on track for a preliminary $156 million domestically.            

Opening in around 3,000 theaters, Project X from Warner Brothers should average an okay $6,200 per theater ($18.5 million Friday-Sunday).  Also a limited sample size for this comedy produced by Todd Phillips (The Hangover), but the few reviews are trending slightly negative.  Project X is headed for a total domestic gross of $64 million. 


                                               (millions)
New Films                        Critics    Opening  Domestic
March 2-4                        Positive   Weekend   Total*

The Lorax                Uni  PG    n/a      $44.0     $156
Project X                WB   R     n/a      $18.5     $ 64


Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie.

* The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.


Fairly typical declines are in store for most holdover films, with Act of Valor the lone returning film headed for over $10 million this weekend.  Best Picture The Artist doubles its theater count from 966 to about 2,000, but the per theater average should drop from about $3,000 to about $2,100 as the film moves into parts of the country that should be less receptive to the silent tribute to the early days of Hollywood.  Still, it should have a hefty 45% increase from last weekend's tally.  

                                              (millions)
Major Returning Films            Change     This    Domestic
March 2-4                       vs wknd 1  Weekend   Total*
 

Act of Valor             Rel      -47%      $13.0     $ 68
Tyler Perry's Good Deeds LG       -51%      $ 7.5     $ 40
Journey 2                 WB      -47%      $ 7.2     $120 
Safe House               Uni      -41%      $ 6.5     $133
The Vow                 Sony      -48%      $ 5.2     $133
This Means War           Fox      -44%      $ 4.8     $ 51
Ghost Rider Spirit of V Sony      -49%      $ 4.6     $ 55
The Artist              Wein      +45%      $ 4.2     $ 45

Box Office Volume

For the past four years, the top 12 films in this comparable weekend have averaged $125 million total, ranking 25th of 52 weeks.  Last year this weekend's total was $121 million (paced by Johnny Depp voicing the Best Animated film Rango), and the same weekend in 2010 was $186 million (paced by Johnny Depp in the huge Alice in Wonderland).  This Friday-Sunday is looking like a solid $123 million, up a scant 2% from this weekend last year and down 1% from an "average" comparable weekend over the past four years.          


This Weekend Last Two Years



3/4/11

 Rango PAR PG   
 Opening Weekend -- Forecast: $42  Actual: $38
 Domestic Gross -- Estimate: $126  Actual: $123
 International -- Estimate: n/a  Actual: $119

 Adjustment Bureau UNI PG13 Matt Damon Emily Blunt 
 Opening Weekend -- Forecast: $20  Actual: $21
 Domestic Gross -- Estimate: $69  Actual: $62
 International -- Estimate: n/a  Actual: $65

 Beastly CBS PG13 Alex Pettyfer Vanessa Hudgens 
 Opening Weekend -- Forecast: $7  Actual: $10
 Domestic Gross -- Estimate: $25  Actual: $28
 International -- Estimate: n/a  Actual: $1

 Take Me Home Tonight REL R Topher Grace Anna Faris 
 Opening Weekend -- Forecast: $6  Actual: $3
 Domestic Gross -- Estimate: $6  Actual: $7
 International -- Estimate: n/a  Actual: $0

3/5/10

 Alice in Wonderland DIS PG Johnny Depp Helena Bonham Carter 
 Opening Weekend -- Forecast: $69  Actual: $116
 Domestic Gross -- Estimate: $359  Actual: $334
 International -- Estimate: n/a  Actual: $690

 Brooklyn's Finest OVERTURE R Don Cheadle Richard Gere 
 Opening Weekend -- Forecast: $9  Actual: $13
 Domestic Gross -- Estimate: $29  Actual: $27
 International -- Estimate: n/a  Actual: $9



Come back throughout the weekend to see how the movies actually perform.  Saturday morning we will have an early look at how the weekend is shaping up, on Sunday we will have initial studio estimates (based on Friday and Saturday actuals), and Monday we will have the final weekend numbers.

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The Sked: ACADEMY AWARDS Telecast Ratings Prediction

Tonight's Academy Awards telecast on ABC should be short on suspense as The Artist sweeps to victory in the Best Picture and Best Director categories.  (See our Oscar Odds for more.)  While there is a race for Best Actor between Jean Dujardin (The Artist) and George Clooney (The Descendants) and for Best Actress between Viola Davis (The Help) and Meryl Streep (The Iron Lady), none of the four films in the running in the major acting categories has a broad, mainstream following.  The Help has the widest appeal, but that is stretching it.

We are forecasting a 10.4 rating with Adults 18-49 for the Oscars telecast tonight from 8:30 pm to approximately midnight ET, falling below the current record low of 10.7 for 2008's ceremony, when No Country for Old Men beat Atonement, Juno, Michael Clayton and There Will Be Blood for Best Picture.  Also, there should be an average audience of 32.9 million viewers (ages 2 years or older) over the course of the show, not quite a record low.  2008 should keep that distinction (31.8 million), mainly because of population increases since then.  

The number to beat this year in the awards show world is the 14.1 rating with Adults 18-49 for The Grammys on February 12.  The real news would be if the Academy Awards even comes close to that mark.  


Note: The first numbers available Monday morning will be the fast national ratings, which measure the entire country but miscalculate the viewership Pacific and Mountain time zones (because the Oscars show, like live sports, is broadcast live to all time zones rather than the normal tape-delayed feed to the western United States).  The fast nationals for the Oscars could be as low as a 9.0 rating, awaiting a hefty adjustment upward when the western US ratings are re-processed.  Certainly, ABC has requested expedited official national ratings for the Oscars (which Nielsen will provide for an additional fee) to prevent especially low (and inaccurate) numbers from circulating in the press.


 

           ACADEMY AWARDS Telecast Viewership

               Adult   Viewers
               18-49     2+     
               Rating  millions  BEST PICTURE
   2012 Feb 26  10.4*   32.9*    The Artist*

   2011 Feb 27  11.8    37.6     The King’s Speech
   2010 Mar  7  13.3    41.6     The Hurt Locker
   2009 Feb 22  12.1    36.9     Slumdog Millionaire
   2008 Feb 24  10.7    31.8     No Country for Old Men
   2007 Feb 25  14.1    39.9     The Departed
   2006 Mar  5  13.9    38.6     Crash
   2005 Feb 27  15.1    42.2     Million Dollar Baby
   2004 Feb 29  15.3    43.6     Lord of the Rings:
                                   Return of the King

   *ShowBuzzDaily Forecast
 


Check back in the morning for the actual Nielsen ratings (as well as a look at how ABC spins the numbers).  And log on after the telecast for Mitch Salem's take on the announced results, Billy Crystal's performance as host, and the movie commercials aired in the show. 



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OSCAR ODDS for Major Categories -- UPDATED

Updated Oscar odds confirm a complete snooze is in store for Sunday's Academy Awards as The Artist and director Michel Hazanavicius are heavy favorites to win Best Picture and Best Director, bringing a very French flavor -- and depressed ratings -- to ABC's telecast.  Oscar ratings rise and fall based on the suspense of the major races and especially when a movie is in contention that a mass audience has actually paid to see.  There is virtually no race in the Supporting Actor and Actress categories, although there might be some rooting interest in Best Actor (George Clooney vs Jean Dujardin) and Best Actress (Viola Davis vs Meryl Streep)

The Artist has moved from 1:6 odds in early February to 1:12 now, increasing its implied chances of winning from 72% to over 78%.  A similar trend is seen in the Best Director race (see the updated charts below by clicking "read more").




         ACADEMY AWARDS BETTING ODDS
            averages from easyodds.com


     BEST PICTURE       Feb 20    Feb 8        

     The Artist           1:12     1:6    Even more the favorite
     The Descendants     10:1      6:1    Fading
     Hugo                20:1     14:1    Fading
     The Help            20:1     18:1    Slightly less likely
     War Horse           40:1     26:1    Fading fast
     Midnight in Paris   78:1     55:1    Falling out fast
     Moneyball           80:1     56:1    Falling out fast
     Extremely Loud &    88:1     59:1    Falling out fast
      Incredibly Close  
     The Tree of Life    88:1     73:1    Falling out fast

     BEST DIRECTOR
     Michel Hazanavicius  1:9      1:6    Improving odds
     Martin Scorcese      5:1      4:1    Hanging in there
     Alexander Payne     20:1     13:1    Fading
     Terrence Malick     40:1     37:1    Fading 
     Woody Allen         44:1     35:1    Fading fast

 

The Artist is also showing some late momentum in Best Actor with Jean Dujardin improving from 6:4 odds (about a 33% chance of winning) to 7:10 (about 49%).  George Clooney (in color and with full sound) has faded from 1:2 (about a 55% chance of winning) to 11:10 (about 40%).  This is the only category in which all of the long-shot nominees have a better shot of winning (even Demian Bichir from the $1.8 million grossing A Better Life has gone from 57:1 to 42:1).  

In Best Actress, Viola Davis from The Help is slightly more of a favorite, moving from 5:6 (46% chance) to 4:6 (about 51%).  But don't count out Iron Lady Meryl Streep, who is certainly practicing and perfecting her shocked look (remember the Golden Globes?), holding fairly steady -- 1:1 (42% chance) in early February to 11:10 (40%) now.  The other three nominees in the category have fallen out of the running according to oddsmakers.

         ACADEMY AWARDS BETTING ODDS
            averages from easyodds.com


     BEST ACTOR         Feb 20    Feb 8                     
     Jean Dujardin        7:10     6:4    Moving up to #1 
     George Clooney      11:10     1:2    Moving down to #2

     Brad Pitt           18:1     25:1    Slightly improved
     Gary Oldman         22:1     29:1    Slightly improved
     Demian Bichir       42:1     57:1    Slightly improved

     BEST ACTRESS    
     Viola Davis          4:6      5:6    Improved odds
     Meryl Streep        11:10     1:1    Slightly worse
     Michelle Williams   19:1     14:1    Fading
     Glenn Close         62:1     40:1    Fading fast
     Rooney Mara         64:1     42:1    Fading fast

No significant changes in the Best Supporting Actor and Actress categories.  Congratulations, Mr. Plummer and Ms. Spencer.         

         ACADEMY AWARDS BETTING ODDS
            averages from easyodds.com


     SUPPORTING ACTOR   Feb 20    Feb 8                     

     Christopher Plummer  1:50     1:25   More of a certainty 
     Kenneth Branagh     16:1     18:1    Moving up to distant #2
     Max Von Sydow       20:1      9:1    Fading
     Nick Nolte          39:1     32:1    Fading 
     Jonah Hill          61:1     46:1    Fading fast


     SUPPORTING ACTRESS 
     Octavia Spencer      1:25     1:20   Slightly stronger 
     Berenice Bejo        9:1      9:1    Steady 
     Jessica Chastain    23:1     18:1    Fading
     Melissa McCarthy    44:1     32:1    Fading fast
     Janet McTeer        49:1     33:1    Fading fast

Midnight in Paris remains the one to beat for Best Original Screenplay, edging up from 2:5 (about 60% chance of winning) to 2:7 (66%)  The Artist is still lurking as the most likely to upset Woody Allen, now 5:2 (24% chance) although that is down from 2:1 (28%) earlier in the month.  In Adapted Screenplay, The Descendants has improved from 2:5 (61%) to 1:5 (71% chance).  It seems only Moneyball stands in its way (adapting the wonderful, detailed Michael Lewis book into a character-driven film was quite an achievement), but the odds are now 5:1 (14% chance) from 4:1 (17%) earlier in the month.         

         ACADEMY AWARDS BETTING ODDS
            averages from easyodds.com


     ORIGINAL SCREENPLAY Feb 20    Feb 8 
     Midnight in Paris    2:7      2:5    Slightly improved odds 
     The Artist           5:2      2:1    Slightly worse chance 
     Bridesmaids         28:1     23:1    Up from #5 to #3
     A Separation        30:1     19:1    Fading fast
     Margin Call         36:1     19:1    Fading fast


     ADAPTED SCREENPLAY 
     The Descendants      1:5      2:5    Closing the sale 
     Moneyball            5:1      4:1    Relatively steady 
     Hugo                10:1      5:1    Fading
     Tinker Tailor       17:1     14:1    Fading
     Ides of March       38:1     22:1    Fading fast


On to Sunday.



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SHOWBUZZDAILY'S WEEKEND BOXOFFICE STUDIO SCORECARD




Happy Voice/Smash Bowl, everyone!  (And go Giants!!!)

OPENINGS:  CHRONICLE (20th) is claiming bragging rights for the weekend over THE WOMAN IN BLACK (CBS) by $1M.  But both films are assuming almost identical Super Bowl Sunday drops (69% and 67%, respectively), so the win will depend on whether one or the other faces more audience defection today, which we won't know until Monday.  In any case, this is--sorry--a super weekend for both studios (especially CBS Films, with its first real hit), each one's low-budget project now destined for profit.  On the other hand, even to reach its modest $8.5M estimate, BIG MIRACLE (Universal) will have to hit a very low 41% assumption for the Super Sunday drop.  This is based, no doubt, on the idea that kids will still go to matinees today, but since those kids will largely need parents to go with them, we'll see if the estimate holds.


HOLDOVERS:  THE GREY (Open Road) leads the way with a 52% drop to $9.5M.  The picture won't hit the highs of Neeson's previous action hits Taken ($140M) or Unknown ($64M), but considering its harder-to-sell genre, it's a nice success.  After that, UNDERWORLD AWAKENING (Screen Gems/Sony), ONE FOR THE MONEY (Lionsgate/Summit) and RED TAILS (20th/Lucasfilm) are all grouped together with 50+% drops and weekend grosses of $5-5.6M.  MAN ON A LEDGE (Summit/Lionsgate), with a 44% drop that's the best among non-Oscar movies this weekend, will have to hope its good word of mouth translates into VOD and homevideo sales; it's too late for the theatrical boxoffice to mean much.  THE GIRL WITH THE DRAGON TATTOO (Sony) is hovering at $99.9M and will hit its milestone Monday or Tuesday.  Other holiday pictures are shedding theatres as new openings arrive in the market, and won't get much higher than they are now.

OSCAR NOMINEESTHE ARTIST (Weinstein) purportedly has the best hold with a 22% drop, but since it significantly increased its theatre count, the decline is more like 30%.  THE DESCENDANTS (Fox Searchlight), playing at 1500 more theatres than Artist, held very well with only a 28% drop for the weekend.  EXTREMELY LOUD AND INCREDIBLY CLOSE (Warners) was less impressive with a 44% decline.  HUGO (Paramount) has gotten a bit of a second wind, with only an 8% fall from last weekend (even adjusting for a small theatre expansion, it's down less than 15%).  THE IRON LADY (Weinstein) is slowing down, but $25-30M in the US for a biography of Margaret Thatcher ain't bad (and of course it would be boosted by a Meryl Streep win).

LIMITED RELEASES:  Madonna's W.E. (Weinstein), timed to coincide with its director's halftime show and new album, showed little promise with a $11K per-theatre gross in 4 palaces.  The nomination-less A DANGEROUS METHOD (Sony Classics) lost a third of its theatres, but should still get above $5M, not bad for such esoteric subject matter.  ALBERT NOBBS (Roadside) is having a pretty good hold, down 22% at 245 theatres.  A SEPARATION (Sony Classics) is finding an audience, a 29% increase in theatre count (to 40) almost matched by a 22% weekend increase in gross. PINA (IFC) and WE NEED TO TALK ABOUT KEVIN (Oscilloscope) are both holding fairly well, with $5K averages in 40 and 13 theatres, respectively.  PARIAH (Focus), though, added 30% more theatres (to 19) but was down 20% for the weekend anyway.

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FRIDAY JANUARY 27 BOX OFFICE RESULTS

The fourth weekend of 2012 is a touch better than the same weekend last year, but it's a somewhat below average weekend looking at the past four years.  The Grey is opening at #1 at almost $19 million, somewhat higher than expected.   

The Grey is coming in above forecast, pulling in $6.4 million Friday and an estimated $18.7 million for the three-day opening weekend, compared to a $15 million ShowBuzzDaily forecast.  The Grey is headed for a preliminary $60 million total domestic. 


One for the Money is beating our prediction: opening with $4.1 million Friday on its way to almost $12 million for Friday-Sunday, ahead of the $9.5 million prediction.  The action drama about the Tuskegee Airmen is headed for a preliminary $27 million domestic.  Early reviews are in (25 so far at RottenTomatoes), and this Katherine Heigl classic is earning an ignominious 0% positive reviews.

Man on a Ledge is failing to meet even modest expectations: a little over $2.5 million Friday and $7.2 million this weekend, below the $10 million forecast.  Man on a Ledge is on track for only $17 million total domestic.  

The Artist is looking to gross $3.2 million this weekend, averaging a low $3,220 at 897 theaters, below the $3.7 million forecast.  The Oscar hopeful is headed for $38 million domestic.   

In case you missed them, click to see this week's Weekend Predictions
  
January 27-29, 2012     Pre-Wknd    Wknd            Showbuzz
(millions)              Showbuzz    Early    FRI    Domestic
                        Forecast    Proj.   Actual   Final


The Grey (Open Road)     [$15.0]    $18.7   $ 6.4     $ 60
One for the Money (LG)   [$ 9.5]    $11.9   $ 4.1     $ 27
Underworld Awakening (So)[$11.5]    $11.6   $ 3.4     $ 67
Red Tails (Fox)          [$11.5]    $ 9.6   $ 2.8     $ 54
Man on a Ledge (Sum)     [$10.0]    $ 7.2   $ 2.5     $ 17
Extremely Loud & Inc (WB)[$ 8.0]    $ 6.9   $ 2.0     $ 38
Contraband (Uni)         [$ 7.0]    $ 6.4   $ 1.9     $ 71
The Descendants (Fox)    [$ ---]    $ 6.3   $ 1.7     $ 70
Beauty & Beast 3D (Dis)  [$ 5.0]    $ 5.1   $ 1.2     $ 54
Haywire (Rel)            [$ 4.5]    $ 4.0   $ 1.2     $ 27
The Artist (Weins)       [$ 3.7]    $ 3.2   $ 0.9     $ 38
Mission: Impossible 4 Par[$ ---]    $ 3.2   $ 0.9     $214
Joyful Noise (WB)        [$ ---]    $ 3.1   $ 0.9     $ 32
Iron Lady (Wein)         [$ ---]    $ 3.1   $ 0.9     $ 26


Note: The table above summarizes an early look at the weekend.  The first column is a reminder of each film's ShowBuzzDaily Forecast for the weekend (in brackets).  The second column, on which the films are sorted, displays the new weekend projection for each film, based on the Friday numbers (the third column).  The final     column is a preliminary estimate of the ShowbuzzDaily Domestic Total number for the film's total run in North America.  A "++" indicates the Domestic number has been upgraded; a "--" indicates a downgrade.  


Total Box Office Volume 

The Top 12 Films this weekend are looking like $94 million total Friday-Sunday, up 2% from the same calendar weekend last year but down 8% from the more typical volume for this weekend in other years.          

Top 12 Films: Weekend #4


     Volume    Movies Opening Each Weekend (millions)
2012  $ 94  The Grey $19, One for the Money $12, Man Ledge $7

2011  $ 92  The Rite $15, Sanctum $9  
2010  $110  Edge of Darkness $17, When in Rome $12
2009  $103  Taken $25, The Uninvented $10, New in Town $7

2008  $102  Hannah Montana $31, The Eye $12

2008-11
Avg   $102


Check back tomorrow for updated weekend figures and revised estimates for domestic final grosses.

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WEEKEND BOX OFFICE PREDICTIONS January 27-29

The fourth weekend of the year should generate about $91 million for the top 12 films -- about the same as last year's comparable weekend and down 10% from a "normal" weekend this time of year.  The top film should be Liam Neeson in The Grey, at a very unspectacular $15 opening weekend number.           


Opening at over 3,000 theaters, The Grey from Open Road Films should average a mediocre $4,950 per theater (for $15 million Friday-Sunday).  [The average wide-release film the past two years has had an opening three-day weekend of $5,525 per theater.]  Critics on RottenTomatoes are so far supportive: 78% 79% positive reviews.  The Grey is on track for a preliminary $50 million domestically.        

Opening in about 2,900 theaters, the thriller Man on a Ledge from Summit should average a weak $3,400 per theater ($10 million Friday-Sunday). Excoriated by critics so far (only 13% 17% positive reviews), Man on a Ledge is headed for a total domestic gross of $23 million.

In over 2,700 theaters, One for the Money from Lionsgate should average about $3,500 per theater ($9.5 million from Friday-Sunday).  No reviews yet -- the film has been hidden from critics.  But it is sure to be dumped on (hey, it's a Katherine Heigl film -- now with action thrown in with the light comedy!).  The film is also on track for a final tally of $23 million domestic.

Expanding to almost 1,000 theaters, The Artist should average only $3,700 per theater ($3.7 million Friday-Sunday, bringing its total to date to $17 million on Sunday).  Despite nearly universal raves (97% positive) and what seems to be an inevitable Best Picture Oscar, The Artist should have relatively limited commercial appeal.  As ShowBuzzDaily's Mitch Salem wrote back in September, "The Artist is a beautiful film hot-house flower, designed to flourish in the rarefied atmosphere of festivals and gatherings of cineastes. It's a curio that will be cherished by some, and probably ignored by most of the masses.Total domestic gross should be around $39 million.   



                                               (millions)
New Films                        Critics    Opening  Domestic
January 27-29                    Positive   Weekend   Total*

The Grey                 Open R     79%      $15.0     $ 50

Man on a Ledge           Sum  PG13  17%      $10.0     $ 23
One for the Money        LG   PG13  n/a      $ 9.5     $ 23
Expanding 
The Artist               Wein PG13  97%      $ 3.7     $ 39


Note: Although critic reviews are not related to the size of the opening weekend, they are significantly correlated with the size of the declines in the opening weeks of a movie.

* The Domestic Total is a very early ShowBuzzDaily projection of the total North American gross, based on the Weekend Forecasts.

Among the returning films this weekend, Underworld Awakening and Red Tails are the only significant players.   

                                              (millions)
Major Returning Films            Change     This    Domestic
January 27-29                   vs wknd 1  Weekend   Total*



Underworld Awakening     Sony     -55%      $11.5     $ 65 
Red Tails                Fox      -40%      $11.5     $ 52 
Extremely Loud & Incred. WB       -20%      $ 8.0     $ 31 
Contraband               Uni      -44%      $ 7.0     $ 75 
Beauty & Beast 3D        Dis      -42%      $ 5.0     $ 58 
Haywire                  Rel      -48%      $ 4.5     $ 26


Box Office Volume

For the past four years, the top 12 films in the comparable weekend have averaged $102 million total, ranking 39th of 52 weeks.  Last year this weekend's total was $92 million, and the same weekend in 2010 was $110 million.  This Friday-Sunday is looking like a weak $91 million, down 1% from this weekend last year but down a more significant 10% from "average" comparable weekend over the past four years.          


This Weekend Last Two Years



1/28/11

 The Rite WB PG13 Anthony Hopkins  
 Opening Weekend -- Forecast: $16  Actual: $15
 Domestic Gross -- Estimate: $31  Actual: $33
 International -- Estimate: n/a  Actual: $63

 The Mechanic CBS R Jason Statham Ben Foster 
 Opening Weekend -- Forecast: $10  Actual: $11
 Domestic Gross -- Estimate: $32  Actual: $29
 International -- Estimate: n/a  Actual: $22

1/29/10

 Edge of Darkness WB R Mel Gibson  
 Opening Weekend -- Forecast: $21  Actual: $17
 Domestic Gross -- Estimate: $45  Actual: $43
 International -- Estimate: n/a  Actual: $38

 When in Rome DIS PG13 Kristen Bell Josh Duhamel 
 Opening Weekend -- Forecast: $10  Actual: $12
 Domestic Gross -- Estimate: $30  Actual: $33
 International -- Estimate: n/a  Actual: $10



Come back throughout the weekend to see how the movies actually perform.  Saturday morning we will have an early look at how the weekend is shaping up, on Sunday we will have initial studio estimates (based on Friday and Saturday actuals), and Monday we will have the final weekend numbers.

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